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Añade un argumento en tu idiomaSeveral scary black-and-white animated segments in different styles appeal to our fear(s) of the dark.Several scary black-and-white animated segments in different styles appeal to our fear(s) of the dark.Several scary black-and-white animated segments in different styles appeal to our fear(s) of the dark.
- Premios
- 1 premio y 5 nominaciones en total
Aure Atika
- Laura
- (voz)
François Créton
- The teacher
- (voz)
- (as François Creton)
Christian Hecq
- The doctor
- (voz)
- …
Louisa Pili
- Sumako
- (voz)
Reseñas destacadas
Peur(s) du Noir is essentially 5 short black and white animations interspersed by segments of a woman droning on about her fears, illustrated with interesting animated black and white shapes (I should note, I watched the film in French, and as my French is not perfect, I did not catch everything she said, but got the general impression that she was your typical anxious overachieving yuppie).
The five shorts all used different animation techniques, but were overall pleasingly creepy. There was a cruel aristocrat and his dogs, an Italian village ravaged by a mysterious beast, a budding scientist and his insect specimens, a Japanese girl bullied by classmates/ghosts, and a refugee from a snowstorm shacked up in a Victorian house. This final short was, I thought, the most effective. It was done in pure black and white, and the only light shed in the house (with wonderfully Goreyesque wallpaper) came from a candle the traveller carried with him in his explorations. This allowed for some great reveal moments, and additionally built up the tension extremely well.
Overall, a must see for fans of art-house animation. If it comes to a cinema near you, take the opportunity to see it, because I suspect it will be difficult to find on DVD.
The five shorts all used different animation techniques, but were overall pleasingly creepy. There was a cruel aristocrat and his dogs, an Italian village ravaged by a mysterious beast, a budding scientist and his insect specimens, a Japanese girl bullied by classmates/ghosts, and a refugee from a snowstorm shacked up in a Victorian house. This final short was, I thought, the most effective. It was done in pure black and white, and the only light shed in the house (with wonderfully Goreyesque wallpaper) came from a candle the traveller carried with him in his explorations. This allowed for some great reveal moments, and additionally built up the tension extremely well.
Overall, a must see for fans of art-house animation. If it comes to a cinema near you, take the opportunity to see it, because I suspect it will be difficult to find on DVD.
Macabre anthology Fear(s) Of The Dark showcases the animated work of several international designers, comic book artists, and illustrators, all working within the confines of a black-and-white palette.
The first tale, instantly recognisable as the work of celebrated illustrator Charles Burns, tells of an introverted young man who overcomes his shyness to romance classmate Laura, only for his new girlfriend to become host to a freaky mantis-like insect that alters her personality. Burns' unmistakable bold graphic style is brought to life with the use of 3D computer animation.
Next up is Marie Caillou's anime-style ghost story that sees a young Japanese girl repeatedly sedated so that she can finish a freaky dream in which she is menaced by the spirit of a samurai and several Yōkai monsters.
Story number three, by Lorenzo Mattottifrom, revolves around a small French town that is plagued by a mysterious man-eating creature which lurks in the marshes.
Richard McGuire makes excellent use of high contrast light and shadows for the final chapter, which features a traveller seeking refuge from a blizzard in an abandoned house where he is haunted by the ghosts of the previous occupant.
As a fan of bizarre movies, comic art, anthologies and animation, I was quite excited to see this weird little film, but other than demonstrating an interesting range of creative styles and techniques, I wasn't particularly impressed: the wholly unrelated segments are atmospheric but lack narrative cohesion, a severe case of style over substance. A framing narrative, in which a creepy man unleashes his vicious hounds on a series of unfortunate innocent victims has no bearing at all on the tales it bookends, while a pretentious narrator who philosophises between tales as abstract shapes morph before our eyes only serves to bore and irritate.
The first tale, instantly recognisable as the work of celebrated illustrator Charles Burns, tells of an introverted young man who overcomes his shyness to romance classmate Laura, only for his new girlfriend to become host to a freaky mantis-like insect that alters her personality. Burns' unmistakable bold graphic style is brought to life with the use of 3D computer animation.
Next up is Marie Caillou's anime-style ghost story that sees a young Japanese girl repeatedly sedated so that she can finish a freaky dream in which she is menaced by the spirit of a samurai and several Yōkai monsters.
Story number three, by Lorenzo Mattottifrom, revolves around a small French town that is plagued by a mysterious man-eating creature which lurks in the marshes.
Richard McGuire makes excellent use of high contrast light and shadows for the final chapter, which features a traveller seeking refuge from a blizzard in an abandoned house where he is haunted by the ghosts of the previous occupant.
As a fan of bizarre movies, comic art, anthologies and animation, I was quite excited to see this weird little film, but other than demonstrating an interesting range of creative styles and techniques, I wasn't particularly impressed: the wholly unrelated segments are atmospheric but lack narrative cohesion, a severe case of style over substance. A framing narrative, in which a creepy man unleashes his vicious hounds on a series of unfortunate innocent victims has no bearing at all on the tales it bookends, while a pretentious narrator who philosophises between tales as abstract shapes morph before our eyes only serves to bore and irritate.
The story begins with what appears to be an old, sadistic British general walking a pack of angry dogs. A dog gets away and chases a small boy... thus beings one of a few stories of people's fears. The fears displayed in these animated segments usually involve an insect or animal beast. I think that the director either had a fascination or fear of bugs/animals.
In between each segment, a soothing french voice tells us her "fears" but what I interpret as her observations and cristicms of society and social behaviors.
One segment, a man is haunted by a praying mantis; in another, a girl is possessed by the ghost of a samuarai, in another.. a man has an encounter with the ghosts of an abandoned house.
Each segment has a unique art style where people's bizarre fears become their lives. A great artistic representation of how people's fears can so easily become part of their reality - whether those fears are overcome or succombed to.
In between each segment, a soothing french voice tells us her "fears" but what I interpret as her observations and cristicms of society and social behaviors.
One segment, a man is haunted by a praying mantis; in another, a girl is possessed by the ghost of a samuarai, in another.. a man has an encounter with the ghosts of an abandoned house.
Each segment has a unique art style where people's bizarre fears become their lives. A great artistic representation of how people's fears can so easily become part of their reality - whether those fears are overcome or succombed to.
"Fear(s) of the Dark" is amazing, with its intriguing visuals and stories. It ranks as one of the greatest non-Disney animated films I've ever seen, like "Persepolis" and "Grave of the Fireflies". I'm also fond of the theme music. It's as memorable as (dare I say) the theme from "Psycho".
The film is an anthology of six horror-like stories; two of them briefly play in-between the other four, as if to sort of introduce you to what you're about to see. One of the intros takes place sometime in the 17th or 18th century, with a mysterious villain walking around with ferocious dogs on leashes. Four of them, just like the stories. With this story's grim animation, and a somewhat disturbing ending, it's perhaps my favourite out of all the stories. Blutch, the animator, also gave the villain an evil face that's hard to forget.
I won't write much about the four stories, themselves, but in keeping with the dark atmosphere of the film, they're about demonic possessions, outcasts, death, and exploring the unknown. Each has a different style of animation, and whilst it looks fairly simplistic, overall, it's still enjoyable to watch.
Even though the film is not about making the viewer jump out of their seat with scares, I have to say there were a couple of times where I felt like it. That rarely happens to me when I watch other obvious horror films in recent memory, like "Quarantine" or "My Bloody Valentine 3D". (No bashing involved.)
If there's one complaint I have about "Fear(s) of the Dark", it's that the English subtitles are white, on a black and white film! Wouldn't it be common sense to have them with black outlines, so they don't blend in when the screen is white? I *was* able to make out most of the dialogue, but it was still annoying. Be warned, on that part.
Actually, another little complaint is that a couple of stories could've been longer, because they didn't feel like they were finished. The film's running time is only 85 minutes, so why not? Well, maybe I'm expecting too much from the filmmakers. I dunno.
"Fear(s) of the Dark" is a near-masterpiece. For an anthology film, it didn't feel uneven. The stories all flowed nicely together. If the subtitles are fixed for the DVD, then it's a keeper.
The film is an anthology of six horror-like stories; two of them briefly play in-between the other four, as if to sort of introduce you to what you're about to see. One of the intros takes place sometime in the 17th or 18th century, with a mysterious villain walking around with ferocious dogs on leashes. Four of them, just like the stories. With this story's grim animation, and a somewhat disturbing ending, it's perhaps my favourite out of all the stories. Blutch, the animator, also gave the villain an evil face that's hard to forget.
I won't write much about the four stories, themselves, but in keeping with the dark atmosphere of the film, they're about demonic possessions, outcasts, death, and exploring the unknown. Each has a different style of animation, and whilst it looks fairly simplistic, overall, it's still enjoyable to watch.
Even though the film is not about making the viewer jump out of their seat with scares, I have to say there were a couple of times where I felt like it. That rarely happens to me when I watch other obvious horror films in recent memory, like "Quarantine" or "My Bloody Valentine 3D". (No bashing involved.)
If there's one complaint I have about "Fear(s) of the Dark", it's that the English subtitles are white, on a black and white film! Wouldn't it be common sense to have them with black outlines, so they don't blend in when the screen is white? I *was* able to make out most of the dialogue, but it was still annoying. Be warned, on that part.
Actually, another little complaint is that a couple of stories could've been longer, because they didn't feel like they were finished. The film's running time is only 85 minutes, so why not? Well, maybe I'm expecting too much from the filmmakers. I dunno.
"Fear(s) of the Dark" is a near-masterpiece. For an anthology film, it didn't feel uneven. The stories all flowed nicely together. If the subtitles are fixed for the DVD, then it's a keeper.
It is very uneven in terms of quality with the second half being quite weak, not particularly engaging and forgettable, but the first half with the first two segments is terrific with original and authentic stories and very creepy and memorable imagery. However, Fear(s) of the Dark, although very flawed, is mostly memorable for the impressive and beautiful animation with many directors each giving his contribution with his own style ranging from hand-drawn to anime to computer animation. Its second half is weak, but it largely benefits from deft editing, great directing and wonderful animation styles making it a very interesting experience.
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- How long is Fear(s) of the Dark?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 77.876 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 6103 US$
- 26 oct 2008
- Recaudación en todo el mundo
- 450.813 US$
- Duración1 hora 23 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Peur(s) du noir (2007) officially released in Canada in English?
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