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Añade un argumento en tu idiomaAn eerie tale of a close encounter of the third kind in Johannesburg.An eerie tale of a close encounter of the third kind in Johannesburg.An eerie tale of a close encounter of the third kind in Johannesburg.
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It is easy to see Neill Blomkamp's directorial skills in this short film, which runs kind of like a news broadcast documentary that gives a peek into the frightening situation in a South African town after some not so pleasant aliens have set up permanent residence there. It is a kind of journalistically objective look at how the lives of the local townspeople have been altered, mostly for the worse, by the arrival of the aliens. Visually, it is a stunningly effective film, especially with the mother ships floating just over the skyline, and the film is packed with one unsettling image after another. Having been signed on by Peter Jackson to film the highly anticipated screen adaptation of the wildly popular video game Halo, it is easy to see from this film why he was chosen despite having almost no directing experience at all to take on what will surely be a hugely popular film.
This is an amazing short-film from a director that is just beginning his career. Neill Blomkamp blends the latest FX techniques with a keen photojournalistic style to bring a sci-fi vision of a South African future. It is the near-future and alien refuges have arrived in Johannesburg, South Africa. The short takes a news documentary approach to tell the story of the aliens struggle to integrate into apartheid like culture. It raises an interesting social commentary on a galactic scale. Neill Blomkamp has been around for a very short time. He has done a few commercial advertising spots and some short films. Perhaps his biggest up and coming film is the tapping by Microsoft to work with Peter Jackson on the film version of the incredible video game "Halo". This project will be well suited to Mr. Blomkamp's style of mixing realistic and sci-fi environments. "Halo" shares a similar theme with Alive In Joburg, they both feature an alien invasion of Africa with a military response.
It doesn't happen every day that an aspiring filmmaker is offered the chance to direct a big Hollywood project on the basis of a six-minute science fiction short. And yet that's what happened to South African director Neill Blomkamp, whom Peter Jackson chose for the subsequently abandoned Halo project after viewing a DVD of Alive in Joburg. It's easy to see what caught the Lord of the Rings director's eye: few shorts boast such ambition and originality.
Set and filmed in Johannesburg, also known as Joburg locally, the story is that of the population's encounter with an alien race. Naturally, the ETs are viewed as hostile invaders that have to be dealt with quickly and without mercy. Conflict is inevitable.
So far, so predictable. What, then, makes Alive in Joburg such an inspired achievement? The fact that most of it doesn't look like sci-fi at all, but rather newsreel footage of something more troubling than an alien invasion: racial conflict. Before the ETs are unveiled, Blomkamp's documentary approach has us believe that the interviewees are referring to human immigrants, not alien ones. Thus science fiction's ability to act as a metaphor is masterfully employed to establish parallels between a fictional close encounter and real-life ethnic struggles, with the unusual setting (for an SF story, that is) heightening the frightening sense of reality.
If one has to find a flaw in Blomkamp's gritty, hand-held examination of racism with an otherworldly twist, it would be the fact that the film is - no pun intended - too short, more premise than proper story. However, considering Blomkamp's ambitions must have been justifiably narrow at the time, such a misstep is easily forgivable, even more so with hindsight: with the Halo film shelved, the director was given a chance to expand on his original idea. And so the excellent District 9 was born...
Set and filmed in Johannesburg, also known as Joburg locally, the story is that of the population's encounter with an alien race. Naturally, the ETs are viewed as hostile invaders that have to be dealt with quickly and without mercy. Conflict is inevitable.
So far, so predictable. What, then, makes Alive in Joburg such an inspired achievement? The fact that most of it doesn't look like sci-fi at all, but rather newsreel footage of something more troubling than an alien invasion: racial conflict. Before the ETs are unveiled, Blomkamp's documentary approach has us believe that the interviewees are referring to human immigrants, not alien ones. Thus science fiction's ability to act as a metaphor is masterfully employed to establish parallels between a fictional close encounter and real-life ethnic struggles, with the unusual setting (for an SF story, that is) heightening the frightening sense of reality.
If one has to find a flaw in Blomkamp's gritty, hand-held examination of racism with an otherworldly twist, it would be the fact that the film is - no pun intended - too short, more premise than proper story. However, considering Blomkamp's ambitions must have been justifiably narrow at the time, such a misstep is easily forgivable, even more so with hindsight: with the Halo film shelved, the director was given a chance to expand on his original idea. And so the excellent District 9 was born...
I saw this film online tonight and had no idea what it was. However, I was was quite impressed by this short movie due not only to its excellent use of a small budget (making it look pretty professional and expensive) but by the amazing plot. In this parallel world, there was no Black Aparteid in South Africa. Instead, aliens came to Earth looking for a home and the Aparteid system was created just for them. And also on this strange "bizarro" world, Blacks and Whites have much common ground, as they agree that the aliens are no good, lazy, smelly and worthless--just like the propaganda that was spouted for so long to excuse Apartheid in the REAL South Africa until only the last couple decades. The juxtaposition was great--especially when the viewers no doubt find themselves feeling terrible pity for these alien creatures--like more of us SHOULD have been feeling about Apartheid.
What an amazing short movie. As other reviewers have stated, the movie does manage to convey a feeling of racism not between humans but the racism that occurs towards these squid-like aliens. It was a very real and effective message that creates a metaphor that sometimes only fantasy can convey.
This short has gained attention recently because the director was chosen by Peter Jackson to direct the movie adaptation of "Halo". For those of you unfamiliar with the game, this is the perfect man for the job.
For those of you looking for this movie, it can be easily found on Video.Google.Com
This short has gained attention recently because the director was chosen by Peter Jackson to direct the movie adaptation of "Halo". For those of you unfamiliar with the game, this is the perfect man for the job.
For those of you looking for this movie, it can be easily found on Video.Google.Com
¿Sabías que...?
- CuriosidadesDistrito 9 (2009) (one of Blomkamp's later films) is based on this short. Both Alive in Joburg and District 9 were written and directed by Neill Blomkamp.
- Citas
Alien: We don't want to be here, this place doesn't want us... we have nothing, nothing.
- ConexionesFeatured in Mark Kermode's Secrets of Cinema: Science Fiction (2018)
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- Títulos en diferentes países
- Alive in Joburg
- Localizaciones del rodaje
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- Duración6 minutos
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