Chaharshanbe-soori

One of the best Iranian movies ever! chaharshanbe-soori is about love,family and truth.Mojde,a housewife,suspects his husband of having affair with a woman next door.A young girl who is going to get married comes to their home for cleaning and gets involved in their problem.Like people who are watching the movie,she thinks the husband is innocent and helps him to win the fight against his wife.All these events, take place in chaharshanbe-soori,an old Iranian ceremony.Movie has got excellent acting,Hedie Tehrani is unforgettable,and excellent directing by Asghar Farhadi.One of those movies that stick in your mind for ever!

... on any day of the week and, in fairness, a story of a marriage falling apart that could be played out in just about any setting around the world, as a recently hired apartment cleaner finds herself embroiled between a husband and mistrusting spouse, who may or may not be reading more into her errant partners behaviour, but is determined to find out one way or another regardless. Sparkling performances all round.

A really engaging early film from Farhadi. Many of the themes he's become known for of course make an appearance here, namely those of family, mistrust, home, neighbours, honour, divorce, children trapped between fighting parents, modernity v tradition, rich and liberal v modest and conservative. Unlike the Salesman (2016) though and the Past (2013) there is a fair bit of humour here though mainly coming from our sweet natured cheerful protagonist and her unworldly ways. As a young working-class girl with an idealistic view of her coming marriage to her finance she finds herself in for a shock when she meets the highly strung neurotic rich lady she's to clean for. Her dysfunctional marriage becomes the centre of the plot, though we explore this world through our protagonist innocent eyes. Is the lady paranoid in her fears about her husband or is she right to worry? Fireworks and firecrackers are present throughout unnervingly snapping and exploding throughout the long tense day.

The real strength of the director is unpacking information slowly to keep the audience hocked, withholding things to keep us intrigued, every single shot in this film somehow holds your attention, he takes the mundane and packs it full of detail. The cinematography also gives it a cool, subdued look with a slightly sickly colour, very pasty but perfect for its tone. The score isn't that noticeable which is how I think a drama film like this should be. The acting is so strong you quickly forget it's happening. Another superb strength is how the characters are feel like real fleshed out people struggling with their personal troubles, their actions all feel real and never contrived, nobody is perfect as they say. I could watch this again and again. The Iranian language and culture also give it an exotic foreign touch.

Highly recommended.

Another gem of a portrait, Fireworks Wednesday is a effective & impressive domestic drama which remains to be Asghar Farhadi's underrated masterpiece. Featuring a gripping plot that gets better as the story progresses, tightly structured screenplay, captivating performances from its cast & tight editing, Asghar Farhadi creates an amazing picture. Covering themes of lies, deception, marriage & infidelity from the eyes of an engaged young woman, while also keeping its narration perfectly stable by finding a fine balance between its suspense, mystery & drama, Fireworks Wednesday is a faith-shattering cinema that's powerful and thoroughly recommended.

A wide-eyed bride-to-be gets a temp job as a housemaid, and finds herself in the middle of an explosive situation, and not just from the fireworks celebration of the New Year. Yet another fantastic movie from Iran, brimming with intense yet somehow understated family drama... something like Cassavetes, perhaps. The performances are all really good, especially Hedye Tehrani as the jealous wife (to continue the Cassavetes comparison, she's got kind of a Gena Rowlands thing going on). Although the commentary on gender roles will have more meaning to an Iranian audience, there is a universality to the situation and the interactions. These could easily be American characters, in an American city. Using the noise of the fireworks to punctuate the drama, however, is a little too obvious.