The Town: Ciudad de ladrones

Ben Affleck's The Town isn't just another bank robbery flick-it's a masterclass in tension, loyalty, and the cost of a life built on crime. Set in the rough streets of Charlestown, a neighborhood infamous for producing career criminals, the film pulses with authenticity, blending high-stakes heists with the ever-present grip of the Irish mob.

Affleck, both in front of and behind the camera, crafts a slick, atmospheric thriller where every move feels calculated, every silence loaded with meaning. The action is sharp and unflinching, but it's the underworld politics that give the story real weight. There's a raw, street-level intensity to the film's depiction of organized crime-where bloodlines and business mix, and walking away isn't an option.

For those craving a smart, stylish crime drama with firepower and heart, The Town delivers in spades. It's a modern classic in the heist genre.

Four friends Doug MacRay (Ben Affleck), James Coughlin (Jeremy Renner), Albert Magloan (Slaine) and Desmond Elden (Owen Burke) are robbers working the Charlestown neighborhood of Boston. In their latest job, they take the bank manager Claire Keesey (Rebecca Hall) hostage and then let her go. Doug fake dates Claire to make sure she can't ID them. He's also having sex with James' drugged out sister Krista Coughlin (Blake Lively). Meanwhile they are being investigated by the FBI led by Agent Adam Frawley (Jon Hamm).

This is a richly character driven crime thriller. Ben Affleck knows these characters well. And acting with the intense Jeremy Renner makes Affleck better. The only actor who looks out of place is Blake Lively. She just can't get rid of that Cali feel and her accent sounds terrible. Brit Rebecca Hall does a better job than her. The action is exciting. And the story is riveting. But it's the characters and the actors that are so engaging.

Ben Affleck's second feature film as a director -- if nothing else -- proves he's no fluke. In all the ways his sincere and revealing debut "Gone Baby Gone" succeeds, so does "The Town." Both are Boston-based crime dramas that are both touchingly dramatic at times yet gripping at others. More impressive with his work on "The Town," however, is that it proves he could just as easily go on to direct an action blockbuster as he could an Oscar-winning drama.

It starts with the cast and the performances he gets from them. In 2007, he helped Amy Ryan to a supporting actress nomination, and that's ignoring the other talents in the film such as Casey Affleck, Michelle Monaghan and Ed Harris. In "The Town," he gets Oscar nominee Jeremy Renner in his first major film since his breakout in "The Hurt Locker" and Jon Hamm in his first major film since TV's "Mad Men" took off. He also gets a pair of up-and-comers in Rebecca Hall and "Gossip Girl" star Blake Lively. And that's not to mention Pete Postelthwaite and Chris Cooper. Next to "Inception," it's the best ensemble cast of the year.

Based on the Chuck Hogan novel "Prince of Thieves," the film follows a team of bank robbers from Charlestown, an area notorious for grooming the best at intercepting armored cars and taking down banks. As with "Gone Baby Gone," also based on a novel (by Dennis Lehane), the city of Boston and the people and culture are as important to Affleck as the plot. He's sure to let shots of the Charlestown bridge and Fenway Park soak in amidst the ever-building pinch the main characters are in.

Doug MacRay (Affleck) and his buddy Jim (Renner) and a couple others pull off a bank job in the opening scene, but when it doesn't go exactly as planned, they're forced to kidnap the bank manager (Hall). To make sure she didn't see anything and can hand them on a platter to the feds (led by Jon Hamm's Special Agent Frawley), Doug trails her, only to find himself falling for her.

"The Town" is one of those crime dramas/bank-job action films that while not revelatory for the genre, executes everything well and sticks to a character-driven story in order to stay meaningful. Perhaps the reason it works so well is because it floats in between the drama, never becoming too much of a guns 'n robbers flick, but also not slipping into crime melodrama for too long. Affleck's performance as MacRay acts in accordance; it's tastefully understated and he lets go of the machismo that has marred a few of his previous roles.

The film also has an unexpected but much appreciated sense of humor. In a mile-a-minute crime drama/thriller, you don't expect to laugh the way you will in "The Town," which speaks even more to the writing and Affleck's versatility. Even if there are some plot conventions and no-surprise characters (as good as Hamm is, he's playing every other quick-witted FBI guy in films), the dialogue is sharp, the story is exciting and the way we are so easily able to see things from MacRay's perspective as the bank robber who wants out makes up for any use of convention as a crutch.

There's no doubt that if "The Town" becomes a success that studios will seek out Affleck for some more high-profile projects and it will certainly be interesting to see how he handles material not rooted in Boston sub-culture. As long as he continues to get such memorable performances out of his actors, he'll be doing things on the other end of the camera for a long time to come.

~Steven C

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My Oh My how Ben Affleck has had a up and down career. Starting out as the cheesy yet funny guy in those Kevin Smith flicks, to the academy award winning writer of "Good Will Hunting", all the way back down to the pathetic string of acting he produced only 10 years ago. But there is a silver lining....with his directorial debut in "Gone Baby Gone", and his much improved acting in "Hollywoodland". Ben Affleck is beginning to once again prove his worth in Tinsel Town. Hopefully he can continue to feverish pace.

Well i can say with complete just, that this is the best "Heist" movie since "Swordfish"......Now i know most of you may not like "Swordfish", but what other bank robbery movie can you compare it to in the past 10 years? Maybe "Snatch"? "Lock Stock"?....eh, if you classify those movies as "Heist" pictures, than okay, it's the best heist movie since "Snatch" or maybe even "Oceans 11"....either way, it's a big compliment.

Ben Affleck has certainly proved that "Gone Baby Gone" was not a fluke. He can actually direct a major motion picture. And not only can he do it, he does it very well. Sure the movie had some minor flaws, but nothing that takes too much away from the overall big picture. The best way i can compare it is.....it's like an east coast "Heat". Now, the group is not as fool proof or professional as the gang in "Heat"......well, let's face it, you will probably never top that group in movie.....ever. But never the less, the style of film making really pulls you into each sequence, whether it be the action packed bank robbery, the emotional dialog between characters, or the intense decisions the players all must endure.

The movie doesn't try to WOW! you by offering a different style of bank robbery. Which is a good thing, because you really run the risk of tripping over your own two feet in the process. But i really think the major factor in this film, was the acting. Everyone came to play ball in this one........but i can also say this with complete confidence.......Ben Affleck was the best actor in this movie. Yes, i know it's hard to swallow for some of you, but he really showed us all, what he is truly capable of doing. So Mr. Affleck, let me tip my hat to you and say job well done sir. You took a lot of crap to the face, and you wiped it off, and came back strong.

Bottom Line......Yes, i can honestly say that this is one of the best movies of the year so far. Sure the movie gets a little sappy at the end, but it's pretty necessary. But overall, your very well entertained.

I read an article a few months ago about even after "Gone Baby Gone", people still wouldn't hire Affleck as a director. And he had to fight tooth and nail to land this deal. Well, hopefully now you can find more work buddy, because you have certainly earned it.

To say that The Town is everything Takers tried to be and failed at would actually be an insult to Ben Affleck's latest film. Mentioning that bland rehashing in the same breath would imply they even exist on the same plane, but the honest truth is this gritty Boston crime drama is something special and the best film of the early fall season.

Affleck's first foray into directing with the Dennis Lehane adaptation Gone Baby Gone shocked viewers and the critical community in kind, showing that a fading acting career does not mean one is down-and-out in Hollywood. Affleck marries his two passions in The Town, directing, producing and writing the film as well as starring in the lead role, his first since 2003's Paycheck. He owns this comeback performance, successfully wiping any lingering distaste from duds like Daredevil or Gigli. This is by no means a one-man show, but The Town has nothing close to a weak link, in fact, this may be one of the finest pieces of ensemble acting in years.

Joining Affleck in a supporting role is Jeremy Renner, fresh off his best actor Oscar nomination for The Hurt Locker and he beyond a doubt proves he is no one-hit wonder. This is Oscar-worthy acting yet again for Renner, nailing his Boston accent along with his loose-cannon mentality. He is terrifying, but impossible to pry your eyes away from. The most shocking revelation comes from Blake Lively (TV's "Gossip Girl") as a doped-up mother with more than a few issues. She is not only unrecognizable, but owns her role, never calling attention to her drastic deviation from type. Substantial buzz was also placed in the way of John Hamm from the acclaimed television drama Mad Men. He is sufficiently pompous as a dedicated FBI agent also scoring a number of the films laughs.

Before I wander too much further into specifics, the characters in The Town populate a Boston suburb called Charlestown, which an introductory message informs us, is the world-center for bank robbers. Affleck's Doug MacRay heads a team of those in such a profession including Renner as James Coughlin and two others played by Slaine, and Owen Burke. During one of their routine bank heists, they are forced to take a hostage (Rebecca Hall) during their hasty escape. Afterwards, to make sure she does not know anything incriminating following her release from captivity, MacRay follows her and inadvertently falls for her in the process.

There is nothing particularly revelatory about The Town, there are few surprises or much that deviates from a standard crime drama. But Affleck directs with such skill and confidence while showcasing yet another peek into suburban Boston that it is never less than riveting. There is an overlying sense of impeding dread that perforates The Town and a handful of sensational action sequences do little to let up the firm grasp the film has on our windpipes. Propelled by faultless acting and a pitch- perfect script, this slice of the Boston criminal underworld is everything for which we could have hoped following such a bland summer. Affleck has always been a star, and if he continues to produce films of this pedigree, then there might be hope for the movies yet.