The Town: Ciudad de ladrones

Ben Affleck's The Town isn't just another bank robbery flick-it's a masterclass in tension, loyalty, and the cost of a life built on crime. Set in the rough streets of Charlestown, a neighborhood infamous for producing career criminals, the film pulses with authenticity, blending high-stakes heists with the ever-present grip of the Irish mob.

Affleck, both in front of and behind the camera, crafts a slick, atmospheric thriller where every move feels calculated, every silence loaded with meaning. The action is sharp and unflinching, but it's the underworld politics that give the story real weight. There's a raw, street-level intensity to the film's depiction of organized crime-where bloodlines and business mix, and walking away isn't an option.

For those craving a smart, stylish crime drama with firepower and heart, The Town delivers in spades. It's a modern classic in the heist genre.

Despite not having seen Gone Baby Gone, I've heard a lot of good things about Ben Affleck's switch to directing and so I decided to watch The Town, which put simply is about band robbers but to expand on that, the film is also about the leader of the group, played by Ben Affleck.

When watching the trailer it easy to draw comparisons to Heat and The Departed but this is different. Many films about crime make the audience side either the police or the criminals yet The Town allows the audience to see people from both sides of the law fairly. Jon Hamm plays an honest working FBI officer while Ben Affleck plays the criminal. The film is shot predominately from the criminals perspective, therefore the audience feel the same sense of urgency that they do but we don't want to see them gun down the FBI and police and let them get away with their crimes. It is a difficult challenge for the director to deal with but he does it well and the end result is very good.

The entire cast are all fantastic even when given smaller roles, for example Chris Cooper and the late Pete Postlethwaite steel the scenes that they are in. Jeremy Renner has earned a lot of attention from his role and he deserves it, giving an honest performance, which clearly took a lot of research to perfect. An almost unrecognisable Blake Lively and Rebecca Hall are both great. Ben Affleck and Jon Hamm as the opposing forces are also great but it is Renner's performance that stands out.

As a crime film, it is important that the action doesn't turn the whole film into an all guns blazing film. The action scenes are handed pretty well and the car chases through the minor roads of Boston are really exciting to watch.

The Town is not only only a solid action/ crime film but also marks Affleck as a great director. I strongly recommend this film if you are interested in the genre. While it is not perfect, it does so much well, that you would be missing out if you didn't see this.

Four friends Doug MacRay (Ben Affleck), James Coughlin (Jeremy Renner), Albert Magloan (Slaine) and Desmond Elden (Owen Burke) are robbers working the Charlestown neighborhood of Boston. In their latest job, they take the bank manager Claire Keesey (Rebecca Hall) hostage and then let her go. Doug fake dates Claire to make sure she can't ID them. He's also having sex with James' drugged out sister Krista Coughlin (Blake Lively). Meanwhile they are being investigated by the FBI led by Agent Adam Frawley (Jon Hamm).

This is a richly character driven crime thriller. Ben Affleck knows these characters well. And acting with the intense Jeremy Renner makes Affleck better. The only actor who looks out of place is Blake Lively. She just can't get rid of that Cali feel and her accent sounds terrible. Brit Rebecca Hall does a better job than her. The action is exciting. And the story is riveting. But it's the characters and the actors that are so engaging.

A bank robbery goes a little different than planned when one of the robbers takes a hostage. Doug (Affleck) has to duty to check up on the hostage after she is let go, to see if she knows anything about the crew. Surprise, they start dating. Can he continue his life of robbing banks and have a love life? Will his crew accept that he is with her? Will she ever find out? This is The Town.

Gone Baby Gone was his first directorial effort set in the city of Boston, The Town is his second. Ben obviously loves the city and if he keeps making films like these two, I'll be happy with some more Boston. I'm not going to preach about which film is better, their both different. Gone Baby Gone has more of an emotional punch with it's climax and tough decisions. The Town doesn't reach those heights, but it's a well made tense action thriller with a bit of a romance thrown in.

This time Affleck is in front of the camera as well. He seems to have left his pretty boy blockbuster image behind him. I'm thankful, I can only take so many Armageddons or Pearl Harbors. He's matured as an actor, this is evident by his roles as of late. State of Play and Hollywoodland are two examples. Of course he's had some fun films in between, but he's probably the best thing about those. Extract anyone?

For The Town he has assembled quite the cast. Jeremy Renner, who is hot off of The Hurt Locker plays his buddy with an attitude who won't think twice about pulling the trigger if you're in his way. Mad Men's Jon Hamm who is the FBI agent on their trail, his partner is Man in Black actor Titus Welliver, who was also in Gone Baby Gone. I wouldn't mind seeing more of him in films and if he's Affleck's good luck charm, all the better. Blake Lively has a small role and she does skanky a little too well. She has a thing for Affleck's character and she has a daughter, but he's obviously fallen for someone else. Rebecca Hall, who has the hard role of playing the woman who is dating her abductor. Things don't look too well for this relationship.

The Town shows Affleck's ability at directing action sequences. Gone Baby Gone wasn't full of gunfights and car chases, but The Town is. There are three separate heists in the film, the opening, the middle section and the climactic ending. All three are different from each other, one is in a bank, the other a truck and finally a baseball stadium. Each heist was exciting to watch and gave you those Heat moments. It's obviously the Heat was influential in the making of this film. It seems all movies that have robberies in them look to Heat.

Ben Affleck had a hand in writing the film, he of course won an Oscar with Matt Damon for writing Good Will Hunting. It appears he's found his footing once again and hopefully the allure of the blockbuster won't claim him once more. The Town is a successful film made for adults. It's slick, well acted and has enough thrilling moments to keep those who seek it entertained. The film centres mostly on Affleck and his new love and the heist bits are second fodder. Renner is the only one who gets some spotlight from the crew, the other two are simply background faces. The Town does it's job as a movie and Ben Affleck has found himself a new career.

To say that The Town is everything Takers tried to be and failed at would actually be an insult to Ben Affleck's latest film. Mentioning that bland rehashing in the same breath would imply they even exist on the same plane, but the honest truth is this gritty Boston crime drama is something special and the best film of the early fall season.

Affleck's first foray into directing with the Dennis Lehane adaptation Gone Baby Gone shocked viewers and the critical community in kind, showing that a fading acting career does not mean one is down-and-out in Hollywood. Affleck marries his two passions in The Town, directing, producing and writing the film as well as starring in the lead role, his first since 2003's Paycheck. He owns this comeback performance, successfully wiping any lingering distaste from duds like Daredevil or Gigli. This is by no means a one-man show, but The Town has nothing close to a weak link, in fact, this may be one of the finest pieces of ensemble acting in years.

Joining Affleck in a supporting role is Jeremy Renner, fresh off his best actor Oscar nomination for The Hurt Locker and he beyond a doubt proves he is no one-hit wonder. This is Oscar-worthy acting yet again for Renner, nailing his Boston accent along with his loose-cannon mentality. He is terrifying, but impossible to pry your eyes away from. The most shocking revelation comes from Blake Lively (TV's "Gossip Girl") as a doped-up mother with more than a few issues. She is not only unrecognizable, but owns her role, never calling attention to her drastic deviation from type. Substantial buzz was also placed in the way of John Hamm from the acclaimed television drama Mad Men. He is sufficiently pompous as a dedicated FBI agent also scoring a number of the films laughs.

Before I wander too much further into specifics, the characters in The Town populate a Boston suburb called Charlestown, which an introductory message informs us, is the world-center for bank robbers. Affleck's Doug MacRay heads a team of those in such a profession including Renner as James Coughlin and two others played by Slaine, and Owen Burke. During one of their routine bank heists, they are forced to take a hostage (Rebecca Hall) during their hasty escape. Afterwards, to make sure she does not know anything incriminating following her release from captivity, MacRay follows her and inadvertently falls for her in the process.

There is nothing particularly revelatory about The Town, there are few surprises or much that deviates from a standard crime drama. But Affleck directs with such skill and confidence while showcasing yet another peek into suburban Boston that it is never less than riveting. There is an overlying sense of impeding dread that perforates The Town and a handful of sensational action sequences do little to let up the firm grasp the film has on our windpipes. Propelled by faultless acting and a pitch- perfect script, this slice of the Boston criminal underworld is everything for which we could have hoped following such a bland summer. Affleck has always been a star, and if he continues to produce films of this pedigree, then there might be hope for the movies yet.