Earwig
- 2021
- 1h 54min
PUNTUACIÓN EN IMDb
5,3/10
1,7 mil
TU PUNTUACIÓN
En algún lugar de Europa, a mediados del siglo XX. Albert trabaja para cuidar de Mia, una niña con dientes de hielo. Mia nunca sale de su apartamento, donde las persianas siempre están cerra... Leer todoEn algún lugar de Europa, a mediados del siglo XX. Albert trabaja para cuidar de Mia, una niña con dientes de hielo. Mia nunca sale de su apartamento, donde las persianas siempre están cerradas.En algún lugar de Europa, a mediados del siglo XX. Albert trabaja para cuidar de Mia, una niña con dientes de hielo. Mia nunca sale de su apartamento, donde las persianas siempre están cerradas.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 3 nominaciones en total
Romola Garai
- Céleste
- (as Romola Garaï)
Matt Coster
- Doctor
- (voz)
Martin Verset
- Albert (Child)
- (sin acreditar)
Reseñas destacadas
You gotta be in the mood to watch a movie like this, because it freaked me out because of it's realy weird and disturbing story. Therefore only recommended for the diehard arthouse movie fans, who can stumach a bleak and depressing story.
The good: beautifully photographed, with some scenes resembing a still picture or a painting. It really looks gorgeous and I really love that. The many unknown actors are acting really well, although there is definitely a lack of chemistry BETWEEN the actors and that brings me to the criticism...
The bad: this movie is definitely lacking spark and punch caused by a real lack of interaction between the actors, which wasnt bothering me at the start, but halfway through I began to get somewhat bored by this absence of actors actually speaking to each other. But this is only a minor criticism, many other folks might not mind about this at all.
A beautifully looking moody picture, with it's only downfall being a lack of actor's chemistry.
The good: beautifully photographed, with some scenes resembing a still picture or a painting. It really looks gorgeous and I really love that. The many unknown actors are acting really well, although there is definitely a lack of chemistry BETWEEN the actors and that brings me to the criticism...
The bad: this movie is definitely lacking spark and punch caused by a real lack of interaction between the actors, which wasnt bothering me at the start, but halfway through I began to get somewhat bored by this absence of actors actually speaking to each other. But this is only a minor criticism, many other folks might not mind about this at all.
A beautifully looking moody picture, with it's only downfall being a lack of actor's chemistry.
That tells me that one have to be a bit psychedelic and its a plus to have a brain like a mashed potato when conceiving the idea to this rather dubious and introvert carachtertableau, a film with loads of dark , loads of drivelling teeth and all the caracteristics of deep psychological drama.
The story can be elaborated in multipel ways, therefore loads of metaphorical filmreviewers can devour and will produce their own visionaries, the grumpy old man aint that kind, i may praise the filmography and the episcopal way of acting, its like a druid circus at moments of repetitiveness and claustrophobia. As an art film its a recommend, but it aint a film for the masses.
The story can be elaborated in multipel ways, therefore loads of metaphorical filmreviewers can devour and will produce their own visionaries, the grumpy old man aint that kind, i may praise the filmography and the episcopal way of acting, its like a druid circus at moments of repetitiveness and claustrophobia. As an art film its a recommend, but it aint a film for the masses.
"You have a week to prepare her to be on the outside." The chilling, emotionless instructions come over the phone to a creepy, unfeeling, shell of a man. This man, Albert, treats a ten-year-old girl in his charge like she is a machine or an experiment, not like the child that she is. Albert does not let her out of the house. He changes her braces of metal and ice, feeds her, and little else. The little girl dutifully follows his instructions and submits to the darkness and control. The meaning of it all is unclear.
Earwig is a perplexing, eerie, bizarre, shocking, and fascinating puzzle to unravel. It is full of colorful sequences of light that reflect the emotional states of characters. It is unsettling, strange, and disturbing, yet entrancing and radiant. By bending reality, immersing you in low light and moody music, and with flashbacks, the film brings you into a Kafka-like story. There are so many questions left unanswered; a girl diving into water, a woman watching, stabbings, surprising emotional shifts, a girl singing that triggers deep emotions, and so much more.
In an introduction to the film the director encourages the audience to keep an open mind. Try to keep your head from exploding is better advice.
World premiere seen at the Toronto international film festival. English is the spoken language of this film based on a novel by Brian Catling. Not streaming anywhere yet.
Earwig is a perplexing, eerie, bizarre, shocking, and fascinating puzzle to unravel. It is full of colorful sequences of light that reflect the emotional states of characters. It is unsettling, strange, and disturbing, yet entrancing and radiant. By bending reality, immersing you in low light and moody music, and with flashbacks, the film brings you into a Kafka-like story. There are so many questions left unanswered; a girl diving into water, a woman watching, stabbings, surprising emotional shifts, a girl singing that triggers deep emotions, and so much more.
In an introduction to the film the director encourages the audience to keep an open mind. Try to keep your head from exploding is better advice.
World premiere seen at the Toronto international film festival. English is the spoken language of this film based on a novel by Brian Catling. Not streaming anywhere yet.
It's a visually attractive movie that makes you think that there is some goal or explanation, yet this never arrives. The environment is dark, dim, damp, old, ghostly. The characters behave in ways that only a writer can force upon, as their behaviors don't match with real people. You could bet that there is some bigger secret or explanation for such artificiality, yet nope. Again, there isn't.
The ending is a whimsical and random and slightly disgusting as the whole movie and you could play games about the explanation. But this is faux depth. Is trying to make the viewer or reader the creator, and that's a horrible technique.
The ending is a whimsical and random and slightly disgusting as the whole movie and you could play games about the explanation. But this is faux depth. Is trying to make the viewer or reader the creator, and that's a horrible technique.
This movie is very clearly open to many different interpretations, mine is mostly based on my emotional response. I think in a way this work kinda dives into the hidden fear and repulsion many people have towards the female body: menstruations, fertility, pregnancy, etc.
Albert is scared by Mia's first symbolic period, has unnerving memories of his wife's pregnancy and Celeste's character speaks for itself. The war barely ended so we also have another layer of violence to add to the complex situation.
It's a very very interesting movie but the pacing is glacial so I can't give it more than 5.
Albert is scared by Mia's first symbolic period, has unnerving memories of his wife's pregnancy and Celeste's character speaks for itself. The war barely ended so we also have another layer of violence to add to the complex situation.
It's a very very interesting movie but the pacing is glacial so I can't give it more than 5.
¿Sabías que...?
- CuriosidadesLucile Hadzihalilovic's first English-language film.
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
- How long is Earwig?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en todo el mundo
- 14.170 US$
- Duración1 hora 54 minutos
- Color
- Relación de aspecto
- 2.39:1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta