Amenaza en el aire

I'm glad I didn't see this at the movies... paid $6 on Prime and even still I feel a little cheated. This film had the potential of being a great move, but it just didn't meet par with suspense, dialogue, or entertainment. These are good actors, seasoned and good at their craft but I think the writers were lacking. They left them hanging and struggling to take what was written and make the movie believable.

Something is no longer good in Hollywood, the talent has fallen to an all-time low. I've noticed the "F" word is now mainstay with writers indicating they have little expertise in narrative.

I won't watch it again... maybe on a rainy day with no where to go and its the only thing available, then maybe.

I'm not sure if this actually a joke? Didn't Michelle Dockery or Mark Walhberg question the stuff they were saying? Didn't Mel Gibson question the editing? Is this some sort of tax right off for all those involved? If Mel Gibson has only directed 5 films, why on earth would he want this to be one of them? I'm just so surprised. The plot has so many holes you could strain spaghetti with it. The acting is awful, even by good actors. There are so many cliches it's unreal. Actually, come to think of it, I'm wondering if this is the first movie ever made that was written by ChatGpT? Maybe edited by it too?

Flight Risk is Mel Gibson's latest film (a thriller/action piece) and stars Mark Wahlberg, Michelle Dockery, and Topher Grace. It made my list of most anticipated for the year, and much like my experience with Wolf Man, I enjoyed this film for what it was. Simple plot, decent acting and action, and not anything that wears out its welcome. While there are some nitpicks I had about various moments that didn't feel quite so solid, the film as a whole was enjoyable enough that I wasn't pissed or disappointed. As I've mentioned before, I consider that a win these days. Video review is on my YouTube channel.

I wasn't even going to go see this film after seeing the preview. It just looked so standard in the ad, and I felt it gave away too much of the story. Then I noticed it was directed by Mel. So, I thought why not, I've seen everything else he's directed. So I used my points to go see it, and I must say. I think it definitely is a little better than how it comes across in the ad. The filmmaking is definitely solid. The film creates some fairly tense moments, even though it's one of those films where you sort of have an idea as to how it will likely end. It is a fairly straightforward and simple film for sure. However it is well made, and the script is definitely not as unintelligently written as most Hollywood films these days. The dialogue is perhaps a little harsh for some, but that actually also helps this film build the decent amount of tension that it needs to work reasonably well. I definitely don't regret going to see it on the big screen. For many people, this will be worth a watch for sure.

I think Mel may have taken this project in order to help fund his own passion projects, and why not? They definitely made a decent little film out of this in my view. In fact, I'd say it's a fairly good date movie if you all can handle some creepy dialogue and a little bit of gore.

What is also refreshing about this script, is that even though a female has a major role in the film. The script doesn't enter into any of these overly naive and ridiculous political narratives that so many other Hollywood films these days do. If I see another one of those films, I'm going to be sick right in the theatre. So look out people.

6.5/10.

With the boss of the "Moretti" crime family about to go on trial, his accountant "Winston" (Topher Grace) thought it better to skedaddle to the Alaskan wilderness. Unluckily for him, determined deputy marshal "Madolyn" (Michelle Dockery) tracks him down and engages the pilot of a single-prop aircraft to fly him back to New York to turn state's evidence. The pilot (Mark Wahlberg) is one of those annoyingly chirpy guys and off they set. It's gonna be a bumpy ride, but after she notices a few scars on this man, it proves to be a great deal bumpier as their tiny little cockpit becomes the scene for quite a power struggle. It's that claustrophobic environment and quite an engaging effort from Wahlberg that deliver here as this airborne game of cat and mouse hots up. Sure, it does repeat itself once too often and the story is really all quite predictably weak, but the scenario does work well enough and with Grace's wise-cracking and a competent performance from Dockery it's actually not a bad watch for ninety minutes.