Crows Zero

Directing a movie based on a manga isn't something new for Japanese auteur Takashi Miike, who also adapted the ultra-violent Ichi the Killer for the big screen. However, with Crows: Episode 0, gone are the extreme violence, though it still retains some flavour normally found in a typical action flick. Known for movies like Audition and Big Bang Love, Juvenile A, both which were released here, this is probably one of his more accessible films to date, even though it treads on familiar territory with elements of the yakuza.

Crows: Episode 0 is set in an all boys Japanese high school, where instead of having educational classes and courses, what gets put on screen (I haven't read the manga obviously) happens to be an ecosystem of triad society split into different turfs according to grade levels, classes and reputation. Unification of all levels in the school is a challenge, and new boy Genji Takaya (Shun Oguri) throws down the gauntlet on the first day to take down reigning school gangster Tamao Serizawa (Takayuki Yamada), which he finds impossible given that the latter's picked up by the police.

But of course there are unwritten rules to follow in order to engage the top, and he enlists the help of a two-bit average Yakuza hoodlum Ken Katagiri (Kyosuke Yabe) to help plot his path of success. For the most parts, the story is simple to follow, as we shadow Genji in his quest to conquer the high school class by class, through sheer brute force, gaining of respect, or simply just friendship established. As his reputation grows, so does his threat towards Serizawa, which sets up the inevitable climatic showdown where the rival gangs gotta settle who's gonna rule the school. As the saying goes, one mountain cannot hide 2 tigers.

You can't help it but Korea's Volcano High comes to mind for comparison. However, this is without the effects laden stylistic fight sequences where the exponents possess superhuman powers and abilities. Here, it's the good old fisticuffs without a lot of frills, though styled to make the characters seem to have super-strength, no thanks to the sound effects of course. The art direction is beautifully peppered with plenty of graffiti art, and your eyes would just automatically wander off to read just about every word that's spray painted out there. Oozing plenty of testosterone and machismo, there are still enough tender moments to make you cringe, bearing in mind that after all, these are pretty looking boys with mean and tough looking exteriors, but sometimes still softies at heart.

It's fight club in schools where black leather is the new uniform. If you're a fan of no holds barred street fighting with camaraderie elements thrown in, sprinkled with a dash of humour (from sight gags to the toilet variety), then Crows: Episode 0 would be right up your alley.

Crows Zero is a manga adaptation about factions of students fighting for control of a Japanese high school. Not exactly a new idea, as every other anime and manga is about that very subject. But that's not what made Crows so uninteresting to me, I've previously enjoyed many movies and shows with similar plots. My issues with the movie were that I never felt any connection to the characters, and couldn't care less about what happened to them. Add that to the unremarkable fight scenes, and you've got a recipe for "meh". I did appreciate the sporadic humor, but that quickly (and unfortunately) faded away as the movie progressed. 

Die-hard fans of the manga may want to check this out, but I can't recommend that anyone else go out of their way to see it. If you want to see high school students beating each other to a pulp, there are much better (and more exciting) options.

Personally, I'm not a Miike Takashi fan, and I usually dislike these "Furyou" (deliquent high schooler) genre films, but it was surprisingly enjoyable film even for me.

The plot is quite typical of high school movies. Genji (Oguri Shun), a son of yakuza boss must achieve an unprecedented unification of notorious Suzuran High School (AKA: Crow's High School) in order to take over his father's position. Genji soon finds the strongest guy in the school: Serizawa (Yamada Takayuki), who was also set to conquer all other classes. Genji challenges Serizawa to a duel, but of course, being a newcomer that he is, wasn't taken seriously at first. Genji then seeks help and builds up his own army while defeating other minor 'bosses', and eventually a showdown with Serizawa in his journey to the top of Suzuran High.

The story for this film is extremely well-designed, with excellent flow from beginning to the very end. What I especially liked about this movie is that it was more than just random violence by bunch of kids trying to look badass. Although it IS action packed, the main theme of this film is school politics and friendship. Oguri Shun's character developed very well, from a clueless kid to a leader backed by many trustworthy friends.

Cinematography for this film was extremely well-done, from school to the streets, you can tell the production crew paid attention to the tiniest detail in every single scene. Action was also very well-directed for an exciting 2 hours. I thought it was even more visually pleasing than Miike's "Ryuu ga Gotoku".

Casting for this film is absolutely incredible. I recognized so many faces, many who established themselves in yakuza or delinquent roles, but the most pleasant surprise was Yamada Takayuki, who had his share of dark roles in the past, but never a violent one such as this, and possibly the first as a villain. I've never thought him as a wild type, but he was so cool as a villain and gave his character really big presence in this film. I'm still not convinced with Oguri Shun's acting or his role as a violent punk student, but he seemed to be less out of place as he was in "Hana Yori Dango" dorama series. All the other cast did what they do best, and a very high level of acting overall.

Although I haven't read the manga series, this prequel was very easy to follow. It's impossible to take away the cheesiness associated with manga-adaptation or high school violence, but it was an extremely well-directed action movie with a meaningful message.

This is fully based on style. It's an exploration of what it means, in a certain moment in time, in a certain culture (arguably global...), to be cool.

Everything here is designed to look cool. In fact, whenever we hear about wanting to 'rule' the school, what's in fact at stake is being the coolest there. The fighting is a fundamental issue of that coolness, the best fighters gain admiration, not for their physical skill but for the coolness with what they get out of the situations - even when Genji is defeated after fighting dozens at the same time, he falls in a cool way. To underline this, we come to understand that in fact the strongest guy in the school was in fact away from the main disputes all the way, probably because he is not cool, in the notion of the cool guys (he is cool in his uncool way).

This is a thin notion, which probably will appeal to a teen mind (with 24 i'm not quite sure yet if i've ever been a teen). This film gets away with that single thin notion because it is able to support it visually. The director knows a few things about framing and pace, even though he doesn't take many risks (or none at all) in how he shoots the fights.

In a way, this is no different, in root, of series like Rambo, the filmography of Chuck Norris or the urban hip-hop acting pose. Different moments in time, and different places on earth, and an important element: this film doesn't take itself seriously, as the others do. This is all staged, and that's clear to us, and it's OK. The comedy bits exist to underline this. Also the parody of the Yakuza, as inferior guys who get beaten up by the school kids.

My opinion: 3/5

http://www.7eyes.wordpress.com

Takashi Miike is an extraordinary filmmaker, even if he works sometimes in circumstances that other directors might find ordinary, such as all of the genres that Miike tackles... which are, by a mild estimation, almost all of them. Name a kind of movie, Miike's probably done it, from family movie to samurai epic to just totally f***ed up way-past X-rated stuff, not to mention all of the Yakuza crime movies that by this time should be coming out of his nose from going over so often. But with Crows: Episode Zero, he found a way to tell a Yakuza story just a little different, by making it about the teenage kids (some of them, anyway) of the Yakuza who enroll in an "extreme" high school where it's basically not about learning anything but fighting and ascending the ranks to become the head of the school's bad-ass fightin' kids. It's the kind of movie that, if you are fourteen and watching it, it's like a near wet-dream of awesomeness. For the rest of us, the movie serves as lots of good fun.

And as this is Miike, even the more conventional things in the movie like the whole 'I'm-doing-this-to-out-impress-my-dad' to the 'my-girl's-been-kidnapped' thing, get twisted just a wee bit. And, thankfully, a great dose of humor is sprinkled throughout with really random moments of hilarity (my favorite was when the teen is just talking to his friends on the roof, and casually takes a gigantic ball of some kind and rolls it away at a set of other kids all lined up like bowling pins who get knocked down in silly CGI style), and little lines and things with the characters (another highlight involves a guy trying to impress two girls in a bar, with some disastrous results). But when it's not being funny, Miike is also an excellent director of young, brawny actors who have a lot of energy and talent to burn. And he casts well enough for its target audience; the movie isn't quite violent enough (i.e. Ichi the Killer level) to make it unwatchable for teen eyes, so all of the guys like Genji and Serizawa are cast for ultimate bad-assitude.

Indeed there are some scenes and moments that come close to being vintage Miike for this kind of tough and gritty action movie. There's a fight scene midway through, for example, that is done with no frills and with total excitement as a guy is fighting against a large group of people, and as it starts to rain and he looks down and out he gets back up and, staggeringly, knocks out almost all of them left. It's visceral things like that that work, but it's also how Miike, taking of course from a comic-book (if it weren't a comic-book one would swear a brilliant and ornery teen had written it), takes material that has originality and pumps it up to the level of an crazy sort of epic. Why this school exists and the parents don't mind sending them away to get the crap kicked out of them in a caste system is beyond me, but why carp? We believe it because Miike does, and gets us into the power struggle and the ascension of Genji, even if it means he might go crazy or if another teen, Tokio, possibly may die from a brain aneurysm.

Then again, the movie also has some problems to it as well. The whole element of the girls being kidnapped could have been cut-out, or at least given with a little more development with the female characters before they're plucked away as a kind of plot convenience (if not contrivance) just so there's something else on the plate of 's***-we-need-to-take-care-of' in the story. And the climax of the film, imbued with a real epic sensibility with Genji and Serizawa fighting in a big battle with nearly a hundred students on each side to fight, stumbles a bit as its moments of raw power and energy are awkwardly cut with images of the one guy getting operated on in the hospital - it lacks tension or focus except that surgery is going on, who cares, lets get back to the wicked action - and as well a ballad sung by a woman (we see her singing on stage too) and the fighting done in slow motion. It's almost as if Miike goes too far in his excesses in this whole sequence, and ultimately half of it is really great and the other half is just... lame.

But for any fan of the director's, or anyone looking for a kooky take on rebellious youth in Japan who are only a couple of steps removed from a Battle Royale scenario, it's a good ticket to take. There's tight acting and (mostly) hard-rocking Japanese punk tunes, and the action is often creative and engaging.