Con el agua al cuello

Well, we've seen almost every kind of Michael Keaton there, right? We saw Batman Keaton, we saw Birdman Keaton, we saw The Founder Keaton, and so on. This is him treading comfortable yet dramatic waters, as a father of a 36-year-old and twin 9-year-olds. The film discusses the theme of modern parenting, especially from the perspective of a workaholic, somewhat absentee father.

But since we're talking about an "endearing" Michael Keaton here, can he ever be the quintessential bad guy? Nope. And the film never makes that to be the case. There's the occasionally witty quip, but Goodrich doesn't really aim for comedic highs. It's a drama by all means, with Keaton and Mila Kunis doing most of the work. The finale can be seen coming a mile away, yet it lands on steady ground, thanks to its lightweight treatment and good performances overall.

Goodrich starts off somewhat disjointed but gradually finds its stride, especially towards the end. The film offers several heartwarming moments, but the first act suffers from excessive exposition that feels forced and unnatural. Rather than relying on dialogue-heavy scenes, the story would have benefited from showing more of the evolving relationship between Goodrich and his eldest daughter, Grace. Unfortunately, too much time is spent on the somewhat irrelevant dynamic between Goodrich and Michael Urie's character (Terry), which detracts from the main plot. Additionally, the film struggles with balancing serious moments, often interrupting them with forced witty dialogue that undermines the emotional impact. Despite its flaws, "Goodrich" manages to deliver a somewhat satisfying finish, though it could have reached deeper emotional heights with better pacing and character focus. For a sophomore directorial effort, it was satisfactory.

Andy Goodrich's (Michael Keaton) life is upended when his wife and mother of their nine-year-old twins enters a 90-day rehab program, leaving him on his own with their young kids. Thrust into the world of modern parenthood, Goodrich leans on his daughter from his first marriage, Grace (Mila Kunis), as he ultimately evolves into the father Grace always wanted.

The story is not just about Keaton growing into being a father, it's about him growing every time life throws him sideways. I guess the whole story, with negative event after negative event coming at him from all sides, tearing at who he is, is about him fighting back quietly and stoically and overcoming everything life can bring that's dark. He improves himself into a version that multiple people can love, and he finds what is really important in life instead of spending all of his energy on work. Keaton's performance is brilliant and justifies the writer and director's (Hallie Meyers-Shyer) decision to write the film for him. He is ably backed by Mila Kunis who proved she can do serious acting as well as the comedy she is well known for. Vivien Lyra-Blair as his daughter Ellie deserves a major shout out for her great performance. She's been around for several years now and she just keeps getting better and better.

All in all a great film which says to me "Don't ever give up. Always strive to overcome and move forward." Most of us over a certain age already know this but it's great to have a reminder, and a one done so cleverly and emotionally. A thoroughly enjoyable film with great performances by everyone and I gave it a 7.

Greetings again from the darkness. The heart definitely skips a beat when the phone rings late in the night, awakening us from a deep slumber. Andy Goodrich groggily answers the call to hear his wife inform him that she's checked herself into rehab and then ending the call with, "I'm leaving you". It doesn't take long for us to realize the real problem. Andy seems to be the only one unaware that his wife too frequently swallowed prescription drugs and chased them down with a bit of booze. Over the next few days, Andy is almost too late in recalling that his 9-year-old son has a peanut allergy, and discovers that his 9-year-old daughter (yep, twins) hates to be late for school and likes a glass of water on her bedstand at night.

Writer-director Hallie Meyers-Shyer (HOME AGAIN, 2017, daughter of filmmakers Nancy Meyers and Charles Shyer of PRIVATE BENJAMIN and FATHER OF THE BRIDE fame) shows us that Andy (Oscar winner Michael Keaton) has always been somewhat absent from his family, choosing instead to pour his heart and soul into the art gallery he owns. It's a business that once flourished, but now struggles month to month. The old saying goes, 'when it rains, it pours', and Andy is experiencing an emotional and emergency flash flood. The twins, precocious Billie (Vivian Lyra Blair) and quiet Mose (Jacob Kopera), need their dad to crash-course the whole parenting thing, while he also tries to salvage his business. Andy decides to lean on his adult daughter Grace (Mila Kunis, BLACK SWAN, 2010), who also has always felt distant from and let down by her father.

Now, you might be questioning 73-year-old Michael Keaton as the dad of fourth grade twins, but he easily passes for sixty-something here, and his unique blend of dramatic and comedy talent makes him one of the few who could pull this off. His frenetic energy plays right into the role and we accept him as a guy who hasn't been good at 'family' but has the heart to make the effort when he must. The scenes between Andy and Grace are the best, as both Keaton and Kunis work to elevate the material. Supporting work comes from Michael Urie ("Shrinking") as a gay single parent who is a bit over-emotional, Danny Deferrari (SHIVA BABY, 2020) as Grace's opposite-from-Andy husband, Kevin Pollak as Andy's business manager, Carmen Ejogo ("Your Honor") as a feminist singer and a last gasp hope for the gallery, Laura Benanti as Andy's rehabbing wife, Poorna Jagannathan as Grace's doctor, and Andie MacDowell as Andy's ex-wife.

The lesson here is keeping the important things in life as a priority, which is a relatively simple and heavy message, and fortunately the cast (especially Keaton) can handle it. There are enough laughs included - the best involves Halloween costumes of Warhol, Frida, and Dali - to balance the bleak elements and the cliches; however, personally I could have used a bit more of absent dad reconnecting with pregnant daughter. Still, watching Keaton's Andy come to grips with his lifelong self-centeredness makes this one worth watching.

In theaters beginning October 18, 2024.

Hallie Meyers-Shyer delivers her second film as director and screenwriter, a tragicomedy about parenthood with Michael Keaton at his best.

A simple but loving story is what Goodrich delivers about a father who seeks the help of his adult daughter to raise his young twins after his second wife leaves him.

The film works thanks to a pleasant script and enthusiastic direction that allows us to have Michael Keaton in one of his best performances where we can see the actor in all his splendor and with all his talent to take us from comedy to drama and vice versa in a gratifying and perfect way. A character full of humanity and sweetness, but with a soul really in need of affection that makes him an adorable character that hooks you throughout his journey. Also notable are his supporting actors like Mila Kunis and the young actors who demonstrate an avalanche of charisma.

It doesn't reinvent the wheel, it's a routine film that has been seen many times, but it is endearing with funny moments and other emotional ones that make this tragicomedy a pleasant pastime to watch on a family weekend. It doesn't propose new things and always plays it safe in the aspects it wants to explore in depth, but its entire cast gives it an additional plus, which allows you as a spectator to have a good time watching this adventure about fatherhood, maturity, forgiveness and love.

Recommended for anyone looking for something light and full of pleasant messages, it is a movie that you will have a good time with and it will be worth it without any major expectations.