PUNTUACIÓN EN IMDb
6,2/10
10 mil
TU PUNTUACIÓN
Ubicada en los años 70, una chica se ve obligada a escapar con su bebé después de que su esposo la traicione.Ubicada en los años 70, una chica se ve obligada a escapar con su bebé después de que su esposo la traicione.Ubicada en los años 70, una chica se ve obligada a escapar con su bebé después de que su esposo la traicione.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios y 4 nominaciones en total
Reseñas destacadas
8/10 for me. Great acting and kept me on my toes. The crying kid wasnt that annoying...some of you just have low tolerance I guess.
Love Rachel Brosnahan and couldn't wait to see this. I don't need lots of action to find a movie satisfying but this one was just too slow, ponderous, and unnecessarily long, for my taste, though it did pick up toward the end. Guess I will just stick to Mrs. Maisel for my Rachel Brosnahan fix.
The experience of the movie is the experience of Jean (Rachel Brosnahan). That's on purpose, so if you can't handle a crying baby or not knowing what is happening, and only sloooowly figuring out what is going on: yup that's the point. It's annoying, harrowing, and helps explain some of the actions she takes in the movie.
The conceit is to look at what happens to some of the more peripheral characters in the typical mobster movie. When the wife is sent off with a trusted cohort, what happens? How unpleasant is it to not be in the know? To find you NEVER were in the know about anything, and slowly find out the truth of many things about your life.
Even those who rated it well, I will note, say that it's not got action etc. Wrong. It has Meaningful Action. You really, really start learning the stakes, and get paranoid about everything while watching. When there is a sudden burst of violence, it is both unexpectedly all the more frightening, and the probability of a violent outcome are very clear. Violence builds slowly, then happens suddenly. Like reality. People who hold others at gunpoint get shot by people not stupid enough to talk about it first.
Great movie, really makes me weep for civilization at all the low ratings.
The conceit is to look at what happens to some of the more peripheral characters in the typical mobster movie. When the wife is sent off with a trusted cohort, what happens? How unpleasant is it to not be in the know? To find you NEVER were in the know about anything, and slowly find out the truth of many things about your life.
Even those who rated it well, I will note, say that it's not got action etc. Wrong. It has Meaningful Action. You really, really start learning the stakes, and get paranoid about everything while watching. When there is a sudden burst of violence, it is both unexpectedly all the more frightening, and the probability of a violent outcome are very clear. Violence builds slowly, then happens suddenly. Like reality. People who hold others at gunpoint get shot by people not stupid enough to talk about it first.
Great movie, really makes me weep for civilization at all the low ratings.
I loved this film. Amazed to see so many bad reviews, likely due to a Michael Mann audience not knowing what to make of Kelly Reichardt stylings. Excellent period design, cinematography, and superb performance by Brosnahan, with a subtle script, heavy on interiority, that allows most of the action to enter without much explanation.
I loved the way it left so much of the chaos and violence off stage, and brought just enough in to validate the terror of the characters, and the way it managed to play on some strong ant-racist and feminist themes without ever commenting on them. If you're looking for Heat, walk on by, if you're patient and motherhood thrills you, you might love this as well.
I loved the way it left so much of the chaos and violence off stage, and brought just enough in to validate the terror of the characters, and the way it managed to play on some strong ant-racist and feminist themes without ever commenting on them. If you're looking for Heat, walk on by, if you're patient and motherhood thrills you, you might love this as well.
I saw this movie on Amazon Prime just the other night and it surprised me very positively, I think Julia Hart directed a very different 70's noir than usual, it starts as a family drama and then becomes a full-fledged thriller, with some even very intense and raw moments. The film takes its time, Hart expands the times, but despite this, the film is never boring and keeps interest alive.
Special mention for the talented Rachel Brosnahan who offers a truly remarkable performance.
¿Sabías que...?
- CuriosidadesThe same early '60s Pontiac 4 door is used repeatedly through out the film. Also the same goes for a '67 - '69 Chevelle.
- PifiasDuring the chase scene, the same Volkswagen Beetle can be seen 3 times (driving and parked).
- Banda sonoraI Wouldn't Be Surprised
Written by Larry Henley & Marcus Mathis
Performed by Bobbie Gentry
Courtesy of Capitol Records Nashville
Under license from Universal Music Enterprises
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- I'm Your Woman
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración
- 2h(120 min)
- Color
- Relación de aspecto
- 2.39 : 1
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