La increíble historia de la Isla de las Rosas

The script is not perfect. And, like all European movies, it is rather slow. But it's an amazing story of freedom right from the middle of the Evil Empire. Kings, Crusades, World Wars, and a handful of individuals looking for freedom. And 2020 is the probably the best time to launch this story.

Living not more than 30km from the place where 'Insulo de la Rozoj' was built, I was always interested in a movie depicting its history...This one leans too much on the comedic side (maybe to avoid a historic drama tone), leaving to the (skilled) actors the task of saving characters' depth. The technical details and photography are indeed very enjoyable, maybe it's just a bit noisy.

This is a beautifully written, acted and directed little gem. It is very funny, sweet, intelligent and light. The design production and photography are particularly beautiful, colourful, a bit surrealist, reminiscent of Fellini's style. Very enjoyable.

Sibilia's first major work after 'Smetto quando voglio' trilogy fails to adopt a different yet needed style for this flick. The film is indeed genuinely entertaining still presumptuous. The relevancy of this historical event was minor at the very least in the Italian politics yet is portrayed as an enourmous occurrency. The historical inaccuracy given to the event is froustrating since the movie tries to rebember to the spectator the truthfulness of the event although in reality the happening was completely different. Besides of this, the film is still enjoyable mainly thanks to Germano's acting and the director's slighty surreal touch.

Aesthetically and technically speaking Sydney Sibilia is one of the few directors who manages to make a homegrown film at the level of other international productions and therefore addressed to a much wider audience, not limiting himself to the Italian one as most of the productions of the our country do. "L'incredibile storia dell'isola delle rose" is yet another confirmation of this: special effects, direction and, in particular, cinematography are of excellent quality, an example for all those filmmakers who want to change italian cinema to make it visible and appreciable in the rest of the world. Unfortunately, however, the screenplay does not propose the same quality, between forced and banal dialogues, poorly characterized characters and a fluctuating rhythm, everything that makes this (unjustly omitted from the history books) story wonderfully interesting is missing: the sense of affront and rebellion towards a system that seemed untouchable but also the absurdity, the incredible passion, the irony and at the same time the humanity behind it and its characters, are almost never perceived. The film works as a medium-level comedy-drama and manages to entertain and intrigue but is often unable to tell the facts as they deserved to be told, giving them the more than necessary political, historical and social importance.