Get Away

A generally well shot and well acted movie with humor that worked with some nice music and a great setting to boot. Plenty of reasons to love this one which makes it easily under-rated at its current 5.4 stars as of writing this.

Family takes a trip to an isolated Swedish island with an ugly history of cannibalism and things go south for everyone, sort of. Saying much more about the actual story is going to give thing away but most of the humor does come from star Nick Frost and co-star Aisling Bea.

Most of the horror content comes from the theme and the large sums of blood. So it is a very bloody movie with some bodily dismemberment. Only thing I would have liked looking back would have been some clues about what was to come but they opted for the surprise approach so the whole ending is ultimately wrapped up behind some very dark curtains. I think that's the only part of the movies execution that didn't really work in its favor.

The musical score is good and meant to add to the humor. Keeping the movie short probably helped if the plot isn't going to have to much depth to it. Enjoyable well made dark comedy horror.

GenX reporting in. Caught the first screening of this new international comedy horror film at the AMC. Stars one of the guys from Shaun of The Dead, not the red headed short guy, the heavier fella. It is very funny and has some very good gore scenes that are on par with Tom Savini and the great makeup artists. There are Enough twists and action to keep you guessing. As soon as I started to get bored with it, the director took it to another level, and kept my interest throughout ( unlike Y2k which I walked out on). This is Very dark humour for adults. It is Well acted and surprisingly well written. Definitely worth streaming. From Shudder. 7/10.

Boy the Swedish tourism board can't be too happy about this film. They were probably just recovering from 'Midsommar' and then bam, along comes 'Get Away'. This movie was quite something.

I've never seen a film go from 0 to 100 so quickly before. The first two thirds of the film I was basically just bored. There was the odd laugh and a creepy thing or two going on, but mostly it was just fodder. Then a twist came out of absolute left field and suddenly the film went off the walls bonkers for the entire final third. And that portion of the film I mostly loved.

The film is lacking a lot of polish. I also thought with Nick Frost writing it that it might've been a little funnier overall too. It's impossible to hate a film like this, however I simply can't give it more than a 5.5/10.

So many bad reviews! So unwarranted! It's no Oscar winner, but it's also not that bad. Yes, I thought I saw the twist quite early, but I wasn't certain so it kept me guessing. It's good these days to get a film of sensible length, that maintains my interest for most of the movie. The comedy, whilst limited, was in keeping with the pace and characters. What do people want from a Sky Original? I'm not sure it will do much for Scandinavian tourism, but I'd be tempted to visit the island for novelty value. From unwelcoming locals to an incredibly useless police officer, the supporting cast did the job of supporting. The main cast were effective whilst remaining subtle in their roles. I enjoyed it for what it was - a 'B' Movie that knew it was a 'B' Movie!

An English family of 2.4 children arrive on a small Swedish island, to witness and observe the celebration of Karantän, unfortunately a killer is also on the island.

There's something very old school about this movie, it felt as though it could have been made back in 2006, when this style was very popular, so from that point of view it was familiar, but fresh.

It doesn't deserve some of the negative reviews, I can't help but wonder if some of those are based on the first half of the movie, which is very, very slow, but countered by a riotous second half.

The twist was unexpected, and it was fun to see the tables turned.

The performances are good, and there are some hilarious one liners, with Frost daring to make jokes about subjects that have become humour free.

The first half is just too slow for me to class this as a good film, but the conclusion was a hoot. Once again you'll wonder what The Swedes must make of the way Brits like to portray them, only slightly less weird than in Midsommar.

6/10.