Dune: La profecía

Dune: Prophecy is an okay series that delivers solid performances and impressive visuals, offering useful context to the Dune cinematic universe. As a prequel, it enriches the lore and sets the stage for the political and religious dynamics of the Bene Gesserit.

But despite its strengths, something feels missing. The show struggles to fully hook you. Emotional engagement is low, and aside from Tula, who stands out with depth and presence, the rest of the characters fall into forgettable, formulaic roles. The world is grand, but the storytelling doesn't quite rise to meet its potential.

If there's a future season, there's hope the series can grow into something more gripping. For now, it's visually rich but narratively underwhelming. Worth a watch for Dune fans, but don't expect to be swept away.

The first episode of Dune Prophecy, HBO Max's new foray into the world of Frank Herbert's universe, unfortunately feels drab and uninspired. Despite its ambitious source material, the episode struggles to capture the charm and depth that make Dune so beloved.

The most glaring issue is the editing. The pacing is wildly off, with scenes feeling rushed and lacking the breathing room necessary for tension or atmosphere to develop. In their effort to cram too much story into a single hour, the episode becomes a chaotic barrage of nonstop dialogue, sacrificing narrative flow and engagement. Moments that should have felt significant are undercut by hurried jump cuts, leaving little room for emotional or thematic resonance.

Visually, Dune Prophecy suffers from a continuation of the grey, industrial aesthetic seen in recent Dune adaptations. The set and costume design feel sterile and monotonous, failing to evoke the intricate, lived-in feel of Herbert's universe. This lack of visual and atmospheric variety diminishes the sense of wonder and alien grandeur that Dune demands.

Perhaps the most disappointing aspect is the lack of effective world-building. While the episode focuses heavily on expositional dialogue to set up the plot, it neglects to establish the world itself. The intricate political and cultural dynamics that define Dune feel shallow, and the absence of atmospheric "vibes" leaves the setting hollow and unengaging.

In the end, Dune Prophecy struggles to strike a balance between exposition and immersion, resulting in an episode that feels more like a rushed summary than a compelling introduction to the series. Without significant adjustments to pacing, editing, and world-building, it risks losing the essence of what makes Dune such a rich and enduring story.

There are a few important things to note about Dune: Prophecy. First, the series is set 10,000 years before the events of the Dune movies. We encounter familiar surnames and begin to understand the origins of many elements that become significant later. That said, the series also introduces some peculiarities that aren't addressed in the films-perhaps because they've been resolved by the time of those events and are no longer essential.

Second, this is a much darker story. While it shares the same slow, atmospheric pacing as the Dune films, it's far more saturated with conspiracies and shadowy power struggles. Although there are several key characters we follow, the central focus is on the Harkonnen sisters and their leadership of the Sisterhood. This is essentially their story, and it's a deeply grim one.

Third, by the time you reach the final episode of Season 1, it becomes clear just how many secrets are woven into the narrative-secrets that are revealed only gradually. Much of this unfolds through jumps back and forth in time. Several characters appear in both their younger and older forms, and the past and present are closely intertwined. Fortunately, the time-switching is handled well and never feels confusing.

I've been looking forward to Dune: Prophecy ever since I first heard about it. Then I saw the trailers and my excitement grew even more. Well, after seeing it I can say that it without a doubt lived up to my expectations. Your expectations have to be realistic though, if you're expecting something as perfect as the Dennis Villenueve directed films then you're going to be disappointed, but if you go into it just expecting a perfectly paced, fascinating series that will keep you thoroughly invested every episode then you'll love it. The world building that takes place and the attention to every detail is as good as it gets for a tv show. This series is best watched binged because I can promise when you finish an episode you can't wait to start the next. You're not going to want to wait a week between episodes, it's that good.

Too many women, family issues, politics, and some other things. When Travis Fimmel appeared, he stole all the lights. He did perform as I was waiting for him to perform. I did not see anything new in his performance, he just performed as if he was Ragnar Lothbrok from the Vikings series. The only different thing was his way of killing people, and that was what gave the series its tense and what made it enjoyable to watch.