Carl Fredricksen, de 78 años, viaja a las cataratas Paraíso en su casa equipada con globos, sin darse cuenta de que lleva a un polizón.Carl Fredricksen, de 78 años, viaja a las cataratas Paraíso en su casa equipada con globos, sin darse cuenta de que lleva a un polizón.Carl Fredricksen, de 78 años, viaja a las cataratas Paraíso en su casa equipada con globos, sin darse cuenta de que lleva a un polizón.
- Dirección
- Guión
- Reparto principal
- Ganó 2 premios Óscar
- 81 premios y 88 nominaciones en total
Edward Asner
- Carl Fredricksen
- (voz)
- (as Ed Asner)
Jordan Nagai
- Russell
- (voz)
Bob Peterson
- Dug
- (voz)
- …
Delroy Lindo
- Beta
- (voz)
Jerome Ranft
- Gamma
- (voz)
Mickie McGowan
- Police Officer Edith
- (voz)
- (as Mickie T. McGowan)
Donald Fullilove
- Nurse George
- (voz)
- (as Don Fullilove)
Jess Harnell
- Nurse AJ
- (voz)
Josh Cooley
- Omega
- (voz)
Resumen
Reviewers say 'Up' is an emotional and imaginative film exploring love, loss, and adventure. Its poignant storytelling and opening sequence are praised. Animation and technical aspects are lauded for quality. Characters like Carl and Russell are noted for development and relatability. The film appeals to both children and adults, though some find it more suited to older audiences. Criticisms include inappropriate themes for children and plot inconsistencies. Overall, 'Up' is celebrated for its narrative, visuals, and characters.
Reseñas destacadas
Carl Fredricksen (Ed Asner) as a young quiet kid idolized explorer Charles Muntz (Christopher Plummer) and his discovery of Paradise Falls. Ellie is much more animated and also a great fan of Muntz. Together they would marry and live their lives together until the day she dies. Now Carl is hounded by a property developer and forced to go to a retirement home. Instead he ties a sea of helium balloons to his home and float away to Paradise Falls. Wilderness Explorer scout Russell who's trying to get an Assisting the Elderly badge gets dragged along on the adventure.
The first part of this movie is a real tear jerker. When Carl and Ellie's lives flash through the years, all the heart breaks and all the love just jump off the screen. Then there is comedy as the journey to Paradise Falls starts. The movie gets very surreal with dog translators, and a very colorful bird. The villain is a bit too villainy. The story gets too serious at times. But it ends almost as emotionally as it starts. It is one of the best of Pixar.
The first part of this movie is a real tear jerker. When Carl and Ellie's lives flash through the years, all the heart breaks and all the love just jump off the screen. Then there is comedy as the journey to Paradise Falls starts. The movie gets very surreal with dog translators, and a very colorful bird. The villain is a bit too villainy. The story gets too serious at times. But it ends almost as emotionally as it starts. It is one of the best of Pixar.
Viewed at the Festival de Cannes 2009
The opening film of this year's festival, and the first animated film ever to have this honour, Up is truly a film for all ages. The story of the adventures of an old man and a young boy, a flying house tethered to countless balloons, a long-lost (and mad) explorer, a giant bird called Kevin and assorted 'talking' dogs gets funnier and more exciting as it goes along.
This isn't slapstick humour, although there are some lovely visual gags, but deeper, more thoughtful. At times Up is even touching and poignant.
Visually, this is a treat and while I was sceptical about the use of 3D to begin with, it is built into the story so seamlessly that it really is worth the effort to seek it out. At the same time, I can't help feeling the 2D version could be even better because the 3D glasses had the effect of dimming the picture. The use of colour in the film is especially noteworthy, with various palettes used according to mood, character and phase of the story. Character voicing and music are also spot on.
I have no connection with Pixar, Disney or the film whatsoever, even if this review reads like a puff piece. The fact is, Up is an incredible piece of cinema, was a big hit with a very demanding press audience, and is worthy of your time and money.
Anyone who says animated films cannot amuse and entertain, while at the same time delivering any kind of emotion, does not know what they are talking about.
Up is so good I can now forgive Pixar for Cars!
The opening film of this year's festival, and the first animated film ever to have this honour, Up is truly a film for all ages. The story of the adventures of an old man and a young boy, a flying house tethered to countless balloons, a long-lost (and mad) explorer, a giant bird called Kevin and assorted 'talking' dogs gets funnier and more exciting as it goes along.
This isn't slapstick humour, although there are some lovely visual gags, but deeper, more thoughtful. At times Up is even touching and poignant.
Visually, this is a treat and while I was sceptical about the use of 3D to begin with, it is built into the story so seamlessly that it really is worth the effort to seek it out. At the same time, I can't help feeling the 2D version could be even better because the 3D glasses had the effect of dimming the picture. The use of colour in the film is especially noteworthy, with various palettes used according to mood, character and phase of the story. Character voicing and music are also spot on.
I have no connection with Pixar, Disney or the film whatsoever, even if this review reads like a puff piece. The fact is, Up is an incredible piece of cinema, was a big hit with a very demanding press audience, and is worthy of your time and money.
Anyone who says animated films cannot amuse and entertain, while at the same time delivering any kind of emotion, does not know what they are talking about.
Up is so good I can now forgive Pixar for Cars!
I was lucky enough to get a ticket to a special pre-release screening of Up at Pixar studios in Emeryville, organized by the San Francisco Film Society. After a hour-long reception in the atrium of their beautiful main building we went through some rigorous security (metal detectors!) and were treated to an hilarious short (Partly Cloudy) and Pixar's new high water mark, Up.
My favorites to date have definitely been Wall-E and the Incredibles, and Up is another slightly-left-of-center masterpiece. The emotional impact of the beautiful, wordless summation of Carl's life that opens the movie is the bass note that resonates through the whole film and is at least as affecting as the scene in Wall-E when he holds his own hands while watching Hello Dolly. The rest of the movie, of course, is breathtaking on just about every level, especially the tactile quality of all the characters and textures and the completely realized weather effects and action scenes. With no "new" technical milestones (fur in Monsters, Inc., water in Finding Nemo, realistic camera effects in Wall- E), the design is the main focus, from the hilariously stylized characters to the amazing setting of the tepui.
As the associate producer who participated in the Q&A following the movie pointed out, the past three Pixar movies have not been easy sells to their parent company Disney (they'll be back in familiar territory with Toy Story 3 and Cars 2), but Pixar's commitment to inventive, story-driven films continues to pay off here. All of the good press is true, and I can't wait to see it again. Thanks for staying true to yourselves Pixar!
My favorites to date have definitely been Wall-E and the Incredibles, and Up is another slightly-left-of-center masterpiece. The emotional impact of the beautiful, wordless summation of Carl's life that opens the movie is the bass note that resonates through the whole film and is at least as affecting as the scene in Wall-E when he holds his own hands while watching Hello Dolly. The rest of the movie, of course, is breathtaking on just about every level, especially the tactile quality of all the characters and textures and the completely realized weather effects and action scenes. With no "new" technical milestones (fur in Monsters, Inc., water in Finding Nemo, realistic camera effects in Wall- E), the design is the main focus, from the hilariously stylized characters to the amazing setting of the tepui.
As the associate producer who participated in the Q&A following the movie pointed out, the past three Pixar movies have not been easy sells to their parent company Disney (they'll be back in familiar territory with Toy Story 3 and Cars 2), but Pixar's commitment to inventive, story-driven films continues to pay off here. All of the good press is true, and I can't wait to see it again. Thanks for staying true to yourselves Pixar!
If there's a list of great computer animation movies of all time, Pixar would dominate most of the top positions. Great story, great voice talent, great timing, great for all ages. It'd be hard to pick just one above another and perhaps another viewing of Up may be in order to figure out where I'd place it among so much stellar work.
Up is by far the most emotional human drama of any Pixar movies thus far, very heavy, so much so if you're looking for pure fun with some jaw-dropping chase and/or thematic scenes and no downer moments, Up may not be for you. I saw it in a packed theatre of about a 65% adult, 35% adult split audience and it's the only time I can remember being in ANY animated movie where there was sniffles and watery eyes, and that was within the first 10 minutes of the movie. There's an undercurrent of life after losing a loved one in this movie, which I don't feel gives anything away. It's pretty heavy subject matter, Pixar handles it, like they do everything they touch, incredibly well, but it doesn't make it any less sad to have the material threaded throughout much of the movie you're reminded of it, but I suppose it's up to one's own interpretation of loss and how to place it in your life that perhaps will have an emotional effect on you.
Story is what makes a great movie great. Without story, you don't really have anything, maybe some effects, some action, maybe some cute or clever sight gags, maybe some laughs, hopefully some emotion, where Pixar shines above all others in animation and over a good 99% of the movies out there is they can intertwine it all and do it seemingly effortless, which is an incredible feat. To do this in a few movies is one thing, but Pixar has pretty much nailed this now for their entire career of making movies, that's just simply unprecedented.
I should note I saw the 3D version which, to be honest, didn't really take the movie to the next level. One of the more well known syndicated reviewers had said you're better off seeing the non-3D version on screen, and I actually agree. The 3D glasses added little to nothing to the movie except for an eye-strain headache later in the night. It didn't take away from Up mind you, it just didn't add to it either.
Up is a great movie either way you slice it and it should be noted, the theatre I saw it in gave it a fairly loud round of applause at the end. It's pretty rare these days that an audience applauds after a movie, perhaps we as a society has become too jaded, or too just expecting of the goods or feeling we're entitled to the entertainment. It's nice when a movie hits on all cylinders and elicits such a range and emotional reaction people who don't know each other in a packed room all gasp, laugh, cry, and applaud together. Great movies however can do that and Up is truly a great movie.
Up is by far the most emotional human drama of any Pixar movies thus far, very heavy, so much so if you're looking for pure fun with some jaw-dropping chase and/or thematic scenes and no downer moments, Up may not be for you. I saw it in a packed theatre of about a 65% adult, 35% adult split audience and it's the only time I can remember being in ANY animated movie where there was sniffles and watery eyes, and that was within the first 10 minutes of the movie. There's an undercurrent of life after losing a loved one in this movie, which I don't feel gives anything away. It's pretty heavy subject matter, Pixar handles it, like they do everything they touch, incredibly well, but it doesn't make it any less sad to have the material threaded throughout much of the movie you're reminded of it, but I suppose it's up to one's own interpretation of loss and how to place it in your life that perhaps will have an emotional effect on you.
Story is what makes a great movie great. Without story, you don't really have anything, maybe some effects, some action, maybe some cute or clever sight gags, maybe some laughs, hopefully some emotion, where Pixar shines above all others in animation and over a good 99% of the movies out there is they can intertwine it all and do it seemingly effortless, which is an incredible feat. To do this in a few movies is one thing, but Pixar has pretty much nailed this now for their entire career of making movies, that's just simply unprecedented.
I should note I saw the 3D version which, to be honest, didn't really take the movie to the next level. One of the more well known syndicated reviewers had said you're better off seeing the non-3D version on screen, and I actually agree. The 3D glasses added little to nothing to the movie except for an eye-strain headache later in the night. It didn't take away from Up mind you, it just didn't add to it either.
Up is a great movie either way you slice it and it should be noted, the theatre I saw it in gave it a fairly loud round of applause at the end. It's pretty rare these days that an audience applauds after a movie, perhaps we as a society has become too jaded, or too just expecting of the goods or feeling we're entitled to the entertainment. It's nice when a movie hits on all cylinders and elicits such a range and emotional reaction people who don't know each other in a packed room all gasp, laugh, cry, and applaud together. Great movies however can do that and Up is truly a great movie.
This lovely film tells the story of Carl Fredrickson, a little friendly widower who lives alone in a house restored along with his late wife, Ellie, whose memory he cherishes constantly. Forced to leave his home, threatened by real-estate interests, to live in a nursing home where he didn't want to go, Carl decides to go on a long journey that always wanted to do with his wife but that life never allowed... and departs with your home through a system that he created and that makes it fly. But the journey is bound to change radically when he meets the scout Russell, eight-year-old, grabbed on his porch, an unwitting passenger on that trip.
Directed by Pete Docter and Bob Peterson, two brilliant directors of Pixar Animation Studio behind hits like "Wall-e", "Monsters Inc." or "Finding Nemo", this film has a number of experienced voices and a touching soundtrack, which earned the Academy Award that year for Best Original Score. A curious fact: the place represented as a destination point for Carl's trip - the fictional Paradise Falls - exists on the real life, in the border between Venezuela and Brazil: its Mount Roraima.
The most touching on this film is to see the love of Carl and Ellie, alive even after her death and visible in the way he keeps her memory alive and ever present. Russell's goodness also move us, especially when he is confronted with the harsh ways of stubborn Carl, who sees in Russell a problem. Another deeply moving character is Dough, a friendly and affectionate dog who speaks through a device placed on his leash.
For all these things, "Up" is a film for the whole family, is a film that touches us, moves us and thrills. It proves that, if love cannot move mountains can still move homes, and that no one is too old to live an adventure or fulfill a dream.
Directed by Pete Docter and Bob Peterson, two brilliant directors of Pixar Animation Studio behind hits like "Wall-e", "Monsters Inc." or "Finding Nemo", this film has a number of experienced voices and a touching soundtrack, which earned the Academy Award that year for Best Original Score. A curious fact: the place represented as a destination point for Carl's trip - the fictional Paradise Falls - exists on the real life, in the border between Venezuela and Brazil: its Mount Roraima.
The most touching on this film is to see the love of Carl and Ellie, alive even after her death and visible in the way he keeps her memory alive and ever present. Russell's goodness also move us, especially when he is confronted with the harsh ways of stubborn Carl, who sees in Russell a problem. Another deeply moving character is Dough, a friendly and affectionate dog who speaks through a device placed on his leash.
For all these things, "Up" is a film for the whole family, is a film that touches us, moves us and thrills. It proves that, if love cannot move mountains can still move homes, and that no one is too old to live an adventure or fulfill a dream.
¿Sabías que...?
- CuriosidadesBefore the film's worldwide release date, Pixar granted a wish from 10-year-old Colby Curtin to see the movie before she died. Colby had been diagnosed with cancer and was too sick to go to a theater. A Pixar employee flew to the Curtins' house with a DVD of the finished film and screened it for her and her family. Curtin died seven hours later at 9:20 pm, shortly after seeing the movie.
- PifiasThe phrase "Jiminy Cricket" was used in common slang as a euphemism for "Jesus Christ" (in context of a "cuss" word) since the 1920s. The expression is spoken in movies like The El sastrecillo valiente (1938) and El mago de Oz (1939). Pinocho (1940) had a character named Jiminy Cricket who was named after the expression, not the other way around.
- Citas
Carl Fredricksen: This is crazy. I finally meet my childhood hero and he's trying to kill us. What a joke.
Dug: Hey, I know a joke! A squirrel walks up to a tree and says, "I forgot to store acorns for the winter and now I am dead." Ha! It is funny because the squirrel gets dead.
- Créditos adicionalesThe photographs of characters shown during the end credits thematically match the crew members' positions, as do the "Wilderness Explorer" badges that also appear.
- Versiones alternativasIn international prints, the label on the savings jar for Paradise Falls bears a drawing of said place as opposed to text.
- ConexionesEdited into La misión especial de Dug (2009)
Selecciones populares
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Up: Una aventura de altura
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 175.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 293.004.164 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 68.108.790 US$
- 31 may 2009
- Recaudación en todo el mundo
- 735.103.954 US$
- Duración
- 1h 36min(96 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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