Mafia

Doesn't look like narcotics mind playing movie Poor investigation scenes being a narcotic crime Good story line Good camera work Dragging screen play with unnecessary slow shots Poor logicall thinking

I think this film total footage duration is 1 hour they stretched upto 2.30 hours with slow motions. No noticable plot twists at all. Easy guessings. Background Music is the only thing which make us can't sleep in this movie. Second part gonna come 😂😂😂 all the best for next film naren.

This amateurish bundle of footage makes you search for aspirin even before the end credits roll. Karthik Naren confesses in every interview that he looks up at Hitchcock, Nolan & Mani Ratnam as his inspiration. Right from frame one the director's urge to copy the making style from the west was evident. A cliche story, with one dimensional characters having no backstory and pathetic cast (except Arun Vijay and Prasanna) makes this less than 2 hour film tiresome. Every character in the movie was Karthik Naren. They are immodest and full of conceit and never fail to speak in English with little Tamil words sowed in between. Except shooting with guns, the characters have no role to play. The scenes were theoretically narrated instead of showing them visually. To top it all no movie in any region would have used slow motion this bad as in Mafia. The film's content was insufficient to even shoot a short film. Arun Vijay and Prasanna can proudly treasure this as their showreels. The climax twist gave no excitement as the time was already wasted. Mafia is indeed a failed attempt (rather a spoof) in mimicking Hollywood style crime thrillers. May be the unanimous praise for the director's earlier attempt D16 made him think like other commercial directors that audience will graze whatever you feed. The movie is the work of an immature director who has to learn making original films leaving aside his inspirations. 2 stars. 1 for Arun Vijay and 1 for Prasanna.

You know those essays we used had to write in some point of our educational career. The answer to the question could with just one sentence but in order to look smart and hard working we build up our paper with pages and pages of unnecessary garbage. Once we run out of garbage idea, we would finally reveal that one sentence answer. Mafia is basically the movie version of that essay. The director builds a whole movie full of slow-motion scenes of guns loading and biceps that are completely pointless and the one sentence answer is the grand climax suspense. And believe me I am a huge fan of revelation suspense movies. Like those are literally my most favorite kind climax suspense, but as much as these revelations are exciting to see the all the excitement depends on how intriguing the scenes that lead to the big revelation are. If the scenes that lead to the revelation have no steam then the revelation is basically pointless because it is going to have no impact on the audience. Director Karthick Naren completely fails to create and connection with the audience whatsoever. We end up just sitting there like idles with no emotions like fear, anger, or excitement (all of which are very important for a successful thriller) not overcoming us. This led to me reacting with just an "oh" to the great climax revelation. In fact the villain had to praise himself powerful because the character created for him is one-dimensional. However, I wouldn't say the movie was a complete waste. I really enjoyed staring at Arun Vijay's well-built body and hairstyle along with Prassanna and Priya Bhavni Shankar. I went in with huge expectations because of D16. I thought it would be similar to Vikram Vedha but I guess if you go in with no expectation it could be a decent one time watch.

Boring regular story with nothing brilliance in it.not even a single scene with intelligence.better watch it in OTT platforms.