Añade un argumento en tu idiomaElla Dashwood (Erin Krakow) and her sister Marianne (Kimberley Sustad) are huge Christmas enthusiasts and own a party-planning business. One of their new clients is a toy company and they do... Leer todoElla Dashwood (Erin Krakow) and her sister Marianne (Kimberley Sustad) are huge Christmas enthusiasts and own a party-planning business. One of their new clients is a toy company and they don't see eye-to-eye with Edward Ferris (Luke Macfarlane), the company's C.E.O.Ella Dashwood (Erin Krakow) and her sister Marianne (Kimberley Sustad) are huge Christmas enthusiasts and own a party-planning business. One of their new clients is a toy company and they don't see eye-to-eye with Edward Ferris (Luke Macfarlane), the company's C.E.O.
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Most of the time I can stomach the male lead. The female lead is annoying, as usual. But I liked Kimberly's character so I gave it four more stars than I would have done otherwise.
'Sense, Sensibility and Snowmen' isn't one of them sadly. The premise sounded like there would be a couple of attempts to be different, but mostly story-wise it was typical Hallmark in the cookie cutter fashion that is seen in too many of their Christmas offerings. As far as Hallmark's 2019 Christmas films go, 'Sense, Sensibility and Snowmen' is neither one of the best or worst, somewhere around low middle. As a film on its own, it didn't strike me as a terrible film but it is a long way from great.
There are good things here definitely, it takes a lot for me actually to call a Hallmark film or anything film/television etc-related irredeemable. It's nicely filmed and has some very eye catching scenery. There are some pleasant moments on the soundtrack.
Macfarlane is a likeable enough male lead and Kimberley Sustad is spirited support.
Erin Krakow however is the opposite. She badly overacts with no attempts at nuance or making the character more than a stereotype and the character grates very quickly, nothing likeable or endearing about her. She has no chemistry with Macfarlane, they even look uncomfortable together. All the chemistry seemed disconnected between all and the rest of the acting is nothing memorable. The direction never rises above workmanlike at best and tends to be pedestrian.
While the soundtrack has moments, it tends to be used too much and over-scored. Very intrusive too often. The script is basically the shallowest of froths, more sugary than a candy cane and cheesier than cheese gone off. The story is very dull and thin, and is also very contrived and without anything fresh. The characters don't engage or are easy to root for on the whole, especially Ella.
Summing up, very lacklustre. 4/10
Here, however, the entire foundation of character interaction is built on awkward conversations. That would be OK, except there is far too much of it, and the actors try to sell it by "act cute", rather than just performing. The result comes off very stilted, unnatural, and at times just annoying.
This won't be on our rewatch list.
¿Sabías que...?
- CuriosidadesLoose modernization of Jane Austen's novel "Sense and Sensibility"
- PifiasErin Krakow repeatedly pronounces the name of the event venue as WaBOSH. Even though it is fictional, the setting is in Chicago and anyone in the region would know that it is named for the Wabash River, which is pronounced WAH-bash. Apparently, nobody in the entire cast or crew has ever been to Indiana, Illinois or the surrounding states because they would know the correct way to say Wabash.
- ConexionesReferences Sentido y sensibilidad (1995)
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