PUNTUACIÓN EN IMDb
7,1/10
35 mil
TU PUNTUACIÓN
Relato ficticio de una noche increíble en la que los iconos Muhammad Ali, Malcolm X, Sam Cooke y Jim Brown se reunieron discutiendo sus papeles en el movimiento por los derechos civiles y la... Leer todoRelato ficticio de una noche increíble en la que los iconos Muhammad Ali, Malcolm X, Sam Cooke y Jim Brown se reunieron discutiendo sus papeles en el movimiento por los derechos civiles y la agitación cultural de los 60.Relato ficticio de una noche increíble en la que los iconos Muhammad Ali, Malcolm X, Sam Cooke y Jim Brown se reunieron discutiendo sus papeles en el movimiento por los derechos civiles y la agitación cultural de los 60.
- Nominado para 3 premios Óscar
- 68 premios y 177 nominaciones en total
Jerome A. Wilson
- Elijah Muhammad
- (as Jerome Wilson)
Resumen
Reviewers say 'One Night in Miami' delves into race, civil rights, and influential African-American figures of the 1960s. The film is lauded for its powerful performances, especially Kingsley Ben-Adir as Malcolm X and Leslie Odom Jr. as Sam Cooke. However, some critics deem it slow-paced and stagy, lacking cinematic depth. Others argue the execution is inferior to similar films. The fictionalized narrative receives mixed reactions, with some valuing creative liberties and others lamenting the loss of historical authenticity.
Reseñas destacadas
Oscar winning actress Regina King makes her directorial debut in One Night in Miami.
Adapted from a stage play. It imagines a meeting in a hotel after Cassius Clay's (Eli Goree) defeat of Sonny Liston in 1964 when he was crowned world heavyweight champion.
Clay and his friends Jim Brown (Aldis Hodge) Sam Cooke (Leslie Odom Jr) and Malcolm X (Kingsley Ben-Adir) get together to celebrate, joke, argue and debate about being black in 1960s America.
The pre credit sequence concentrates on each of these men. It shows the causal and non casual racism some of them encounter.
The crux of the movie is Clay deciding to become a Muslim and join the Nation of Islam which also entails changing his name.
Meanwhile Malcolm X is considering his future with the Nation of Islam which is causing tensions within the group.
Jim Brown wants to leave football and become an actor. It is better for his knees.
Cooke has realised that there is money to be made if white groups such as The Rolling Stones have big hits with the songs he has written.
Malcolm X though is angry with Cooke for not taking a strong political stance. He reminds Cooke that black people are being killed everyday. Others tell Malcolm that he is being too hard on Cooke.
Deep down this is a political movie, chiming with the Black Lives Matter debate.
The stagebound nature of this movie is hard to ignore. It also takes a while to get going but becomes compelling when Malcolm X and Sam Cooke clash.
The ensemble cast do bounce off well from each other. The best performance for me was by Leslie Odom Jr, especially his singing voice.
It has to be noted that within a year after this fictionalised meeting that both Malcolm X and Sam Cooke would be dead.
Adapted from a stage play. It imagines a meeting in a hotel after Cassius Clay's (Eli Goree) defeat of Sonny Liston in 1964 when he was crowned world heavyweight champion.
Clay and his friends Jim Brown (Aldis Hodge) Sam Cooke (Leslie Odom Jr) and Malcolm X (Kingsley Ben-Adir) get together to celebrate, joke, argue and debate about being black in 1960s America.
The pre credit sequence concentrates on each of these men. It shows the causal and non casual racism some of them encounter.
The crux of the movie is Clay deciding to become a Muslim and join the Nation of Islam which also entails changing his name.
Meanwhile Malcolm X is considering his future with the Nation of Islam which is causing tensions within the group.
Jim Brown wants to leave football and become an actor. It is better for his knees.
Cooke has realised that there is money to be made if white groups such as The Rolling Stones have big hits with the songs he has written.
Malcolm X though is angry with Cooke for not taking a strong political stance. He reminds Cooke that black people are being killed everyday. Others tell Malcolm that he is being too hard on Cooke.
Deep down this is a political movie, chiming with the Black Lives Matter debate.
The stagebound nature of this movie is hard to ignore. It also takes a while to get going but becomes compelling when Malcolm X and Sam Cooke clash.
The ensemble cast do bounce off well from each other. The best performance for me was by Leslie Odom Jr, especially his singing voice.
It has to be noted that within a year after this fictionalised meeting that both Malcolm X and Sam Cooke would be dead.
I think there is some fantastic acting in this. Especially Kingsley Ben-Adir and Leslie Odom Jr. Now, this also marks Regina King's directorial debut. I dont think she did a bad job, but I dont think she did the best job of transforming this medium. The movie is based on a play and let me tell you, it very often feels like you're watching a play and not a movie.
This is very much an actor's film. You'll watch and enjoy for the performances. But I didnt find anything else about the film stood out to me in any way.
This is very much an actor's film. You'll watch and enjoy for the performances. But I didnt find anything else about the film stood out to me in any way.
A stylish and promising debut from Regina King. While not as constantly engaging as I was hoping, it still features brilliant performances all around and some of the strongest directing I've seen all year; I would love to see the Oscar winning actress become an Oscar nominated director!
Overall, I think this was a very fine film. Affecting, intelligent. And a great "meeting of the minds" what-if scenario. Some things were better than others. The actor who played Ali nailed a young version of The Greatest. The Malcolm X character was played with some of the real Malcom's fervor and zeal. But having read Malcom X's biography, I find the real Malcolm was stronger and, at times, more severe than he was played here. I understand though the film wanted to capture more of his humanity and vulnerability, which I could appreciate. The boxing scenes didn't look like anything like the way the real Ali fought and were a bit flat. And it took quite a while for the film to get going. But once it does... once it brings these four great men together, it's very good.
What do 4 African American community icons talk about in a hotel room in Miami?
It's a fictional meeting, yes, but the content discussed could not be more real.
The film focuses on civil rights and the increasingly influential role of African Americans in American society, whether in sport, music, politics or society in general.
The actors are perfect for the roles they play, giving essential authenticity to the story, and not just that each character was the raw reflection of the areas in which they are inserted.
The discussions / talks are captivating and well-paced, without any boring moments.
Regina King really knew how to make this film, without too much drama or too much "demonization" of the white man, and giving to the audience a truth that many still try to hide nowadays.
It's a fictional meeting, yes, but the content discussed could not be more real.
The film focuses on civil rights and the increasingly influential role of African Americans in American society, whether in sport, music, politics or society in general.
The actors are perfect for the roles they play, giving essential authenticity to the story, and not just that each character was the raw reflection of the areas in which they are inserted.
The discussions / talks are captivating and well-paced, without any boring moments.
Regina King really knew how to make this film, without too much drama or too much "demonization" of the white man, and giving to the audience a truth that many still try to hide nowadays.
'One Night in Miami' Cast Talks Representation on Screen
'One Night in Miami' Cast Talks Representation on Screen
Regina King, director of One Night in Miami, and stars Aldis Hodge, Leslie Odom Jr., Eli Goree, and Kingsley Ben-Adir share the first time they saw themselves reflected on screen. They dive deep into the actors and roles that inspired them, and what they hope audiences will take away from their ground-breaking film.
¿Sabías que...?
- CuriosidadesEvents in this film take place February 1964. Sam Cooke was shot to death December 11, 1964 in a bizarre motel incident.
- PifiasThe film ends with Malcolm X watching Sam Cooke perform "A Change is Gonna Come" on TV while he and his family are seeking shelter from the firebombing of their house. In reality, the firebombing occurred on February 14th, 1965. Sam Cooke was murdered on December 11th, 1964, a month before the firebombing. The performance which Malcolm watches actually occurred on February 7th, 1964, a week before the film takes place.
- ConexionesFeatured in IMDb Originals: A Salute to Women Directors (2020)
- Banda sonoraCopacabana Theme
Written by Ruy Folguera
Performed by HKP Band
Published by Hampton King Louisiana Productions, LLC administered by Legs Music, Inc.
Courtesy of Hampton King Louisiana Productions, LLC
By arrangement with ABKCO Music & Records, Inc.
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- One Night in Miami...
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 16.937.665 US$ (estimación)
- Duración
- 1h 54min(114 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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