Cuando el hijo mimado y la nueva esposa de un patriarca multimillonario conspiran para asesinarlo, forman un vínculo psicosexual con su brutalmente guapo asesino a sueldo.Cuando el hijo mimado y la nueva esposa de un patriarca multimillonario conspiran para asesinarlo, forman un vínculo psicosexual con su brutalmente guapo asesino a sueldo.Cuando el hijo mimado y la nueva esposa de un patriarca multimillonario conspiran para asesinarlo, forman un vínculo psicosexual con su brutalmente guapo asesino a sueldo.
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Imagine if Lifetime tried to make a comedic thriller... This is what that movie would be. Low budget, the writing seems a little off, nothing is quite natural... but for some reason, you sort of like it?
Let's start with the good. Some of this is funny. Like, laugh out loud funny. It seems to waver between over the top, ridiculous satire and legitimate humor thriller. It works a lot better when it sticks to the former. The funny moments are when the movie doesn't take itself seriously.
Now, the bad- everything else. It's objectively not good. It would've been better if it just committed to being a parody. Personally I wouldn't waste your time with it, but there are some fun moments.
Let's start with the good. Some of this is funny. Like, laugh out loud funny. It seems to waver between over the top, ridiculous satire and legitimate humor thriller. It works a lot better when it sticks to the former. The funny moments are when the movie doesn't take itself seriously.
Now, the bad- everything else. It's objectively not good. It would've been better if it just committed to being a parody. Personally I wouldn't waste your time with it, but there are some fun moments.
But no more than that. It like reviewer ferguson said, a charade, that easily couldve made a million on a broadway scene, but they took it to the movies, with partial success. Its a harrasment of the rich old men divorcing and marrying young lassies, about infidelity, about step moms and sons, and secret children of dead mistresses, and last but not least the typical fashion of rich young gay men.
Its made in a lifetime style, where every opportunity to get rich is made,and everything is twinkling and shining like a colgate smile so when the sleazy, bored wife and stepson joins force and hires a hitgay to murder the old rich womanizer, things go balluba.
Its a small cast, average production, shallow but witty story and plot, if spanish or french it wouldve been even broader and sharper than this, but its a try, and a small recommend from the grumpy old man.
Its made in a lifetime style, where every opportunity to get rich is made,and everything is twinkling and shining like a colgate smile so when the sleazy, bored wife and stepson joins force and hires a hitgay to murder the old rich womanizer, things go balluba.
Its a small cast, average production, shallow but witty story and plot, if spanish or french it wouldve been even broader and sharper than this, but its a try, and a small recommend from the grumpy old man.
The combination of satirical dialogue, romance and murder make this a really entertaining film about the horrors of the 1% with a twist you won't see coming.
For as thrilling as this premise is--a son and stepmom plot to kill their rich father/husband-I found myself laughing throughout this campy, fun film that is unapologetically queer. The over-the-top characters from the gay son with daddy issues to the seemingly stupid trophy wife turned calculated murderess turn basic stereotypes on their head in a way that felt really refreshing. I also thought the film's social commentary on victim narratives is ahead of its time. The tone reminded me of a lot of Jennifer's Body. When I heard "We're white and we're rich, we can kill one guy," it reminded me of the iconic line, "You're killing people! No, I'm killing boys!" There's not a lot of movies with this specific kind of dark humor so I really appreciated that.
Also worth mentioning how great the cast was! Chris Baker was phenomenal, Eliza Coupe was hilarious, and the Lala Kent cameo was superb!
For as thrilling as this premise is--a son and stepmom plot to kill their rich father/husband-I found myself laughing throughout this campy, fun film that is unapologetically queer. The over-the-top characters from the gay son with daddy issues to the seemingly stupid trophy wife turned calculated murderess turn basic stereotypes on their head in a way that felt really refreshing. I also thought the film's social commentary on victim narratives is ahead of its time. The tone reminded me of a lot of Jennifer's Body. When I heard "We're white and we're rich, we can kill one guy," it reminded me of the iconic line, "You're killing people! No, I'm killing boys!" There's not a lot of movies with this specific kind of dark humor so I really appreciated that.
Also worth mentioning how great the cast was! Chris Baker was phenomenal, Eliza Coupe was hilarious, and the Lala Kent cameo was superb!
This glitzy yet dark comedy never lets up. The main characters are completely depraved, but somehow likable. The performances are great and the film looks beautiful! Worthy of you time!
Emphasis on the fun. This movie is one of a kind. It teases out thrills from several different perspectives (murder, psycho-sexual, mystery, drama). All of those experiences get tied together from this sense of fun and humor that ties it all together.
The entire time you feel like you are in on the fun and in on the joke but without breaking the 4th wall. The self deprecating humor comes from an original and authentic voice that brings a sense of humanity and humility to the vapid.
Within the humor comes a satire that is a net positive experience for our culture. After leaving this film, you feel light-hearted and happy and more connected across socio economic classes, giggling all the while that it was a goofy medium the solidly delivered.
The entire time you feel like you are in on the fun and in on the joke but without breaking the 4th wall. The self deprecating humor comes from an original and authentic voice that brings a sense of humanity and humility to the vapid.
Within the humor comes a satire that is a net positive experience for our culture. After leaving this film, you feel light-hearted and happy and more connected across socio economic classes, giggling all the while that it was a goofy medium the solidly delivered.
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- How long is The Estate?Con tecnología de Alexa
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- Duración
- 1h 25min(85 min)
- Color
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