Noche en el museo 2

When I saw the trailer for this, I was pretty excited. I loved the whole premise of the first one, and having a sequel opened up whole new opportunities. I was excited when I saw all these famous characters from history being mashed together, Al Capone, Napoleon Bonaparte, Amelia Earhart, to name a few.

I walked into the theater not expecting to much, but when I left I was very happy with it. They handled every characters personality beautifully, and the inside jokes were hilarious. I don't want to give much away, but trust me, you'll laugh. It tackles many themes like, a house divided cannot stand, the way to happiness is doing what you love, don't dwell on the past, etc. For a family flick they handle this jumbled cast of characters with complex personalities amazingly. They threw away most of the characters from the first movie to make way for the newer characters, which I didn't like that much, but how many characters can you throw in a story to have it make sense?

This film is an amazing example of a movie made for kids and adults. Kids will enjoy the silly humor, and the monkey. While adults will laugh at the onslaught of in-jokes, and trust me, there's a lot.

All in all, this was a great movie, blew me away. The highlight for me was Hank Azaria, that lisp kills me every time.

I really liked the first Night at the Museum, not bowled over, but very entertained. It had great special effects and it was great to see childhood legend Dick Van Dyke again. I was looking forward to this sequel, hoping for the same sort of entertainment. This is not a terrible film by all means, but as a sequel and film I couldn't help feeling disappointed.

Granted, the special effects were absolutely wonderful, and the cinematography, locations, costumes, sets and editing striking. Granted, the score was rousing and fun, and most of the direction solid. And granted the actors give it their all, Ben Stiller is solid if occasionally going overboard, Amy Adams and Hank Azaria are absolute hoots and Robin Williams returns as Roosevelt and along with Azaria is the standout of the actors playing the historical figures.

However, the recurring support cast aren't given much to do excepting Robin Williams, Owen Wilson is rather annoying, Napolean and Al Capone are written as quite badly-written caricatures and don't get me started on the Jonas Brothers, their presence added absolutely nothing to the proceedings and they were not funny at all. And if only there was a story and script that were consistently engaging, but the script and sight gags are very hit and miss and the story is thin, and these are further disadvantaged by the overlong length, tacky ending and too many scenes that drag.

In conclusion, watchable but quite average. 5/10 Bethany Cox

Night at the Museum: Battle of the Smithsonian is the second film in the Night at the Museum series. While it isn't much different than the first film I have to say it isn't quite as good. Ben Stiller was pretty good but I don't think anybody else really stuck out. One thing I that disappointed by was the lack of screen time for Steve Coogan and Owen Wilson, or Octavius and Jedediah. In the first movie, they stole the show. But in this movie, they are underused like most of the others in the cast. Night at the Museum 2 has its funny parts, but seems to lack the charm and fun of the first movie. It's a worthy sequel that meets the standards of the first movie, but doesn't exceed them. You might want to wait for it's DVD/Blu-Ray release, but seeing in theaters is good too. Thanks for reading this review.

In this sequel to Night At The Museum, Ben Stiller now a millionaire who does motivational infomercials still finds time to visit his old friends at the Museum of Natural History where he made their acquaintence while working as a night security guard there.

But with his millions he can't stop changes as the Museum is now going for interactive exhibits and many are being packed away and sent to the National Archives, some for exhibit in the Smithsonian.

So Stiller goes back into action and visits the archive which is lots of underground space between the Capitol and Lincoln Memorial.

I wonder myself in both of these films was Stiller really visiting Madame Tussaud's with all the historical figures coming to life.

Theodore Roosevelt's connection with the Museum Of Natural History is well known and Robin Williams is back as our rough riding 26th president. Others are back and new ones added.

Hank Azaria is brilliant as the Egyptian prince whose incantation caused all these exhibits to come to life after sundown. He sounds like he was channeling Boris Karloff.

Amy Adams is a feisty feminist role model Amelia Earhart who gets kind of interested in Stiller. They make a good team.

As for them getting together. A gambit that Meet Joe Black and Bing Crosby's A Connecticut Yankee In King Arthur's Court used is applied here. You have to see the film to see what I mean.

A few good laughs in this nice family entertainment film.

This is a fun movie, no different from its predecessor really, except the threat of "death" for the exhibits being moved to Washington, and thus unable to come to life at night through the magic of the tablet. So what is the status of these walking, talking exhibits anyway? They seem somewhere in between automatons, which can move but don't have personalities, and "real" humans, who are always animated, not just at night. The solution, I think, is to consider the Opening of the Mouth Ritual, especially given the movie's ancient Egyptian thematics. That involved animating a statue with the soul of the departed. So the Teddy Roosevelt statue, for example, would be possessed by the soul of Teddy Roosevelt.

We enjoyed that this took place in the Smithsonian, as we were planning to visit D. C. for the Cherry Blossom festival. Then COVID-19 happened!

Seb's rating: 7 stars Sienna's rating: 7stars Paul's rating: 7 stars.