Un buen partido

People giving it a lower rating might be the ones who are used to gripping tales these days from the very first episode as gone are the days of good slow burn soap operas. To really appreciate this, one needs to be familiar with Vikram Seth's writing, which itself takes time to dwell in you with its fine details to all the characters and the period they are set in and secondly, not many people are familiar with Mira Nair's work. She has a beautiful eye for details in her direction and the way she narrates her story is always with a kind of tenderness and her characters take their own time to amalgamate. I understand, at first, it's a bit unusual to see many familiar faces having lengthy conversations in english, especially the actors whom we have only seen in 'Hindi' speaking cinema/series till now. But I do believe the ensemble is doing justice to their roles and with time we will become more attached to them. I for one will be rooting for the show.

Having read the novel a few months ago, I was quite excited about this series.I watched the first episode as soon as it was released.

However, from the very first episode I felt everything was quite rushed. How could they possibly do justice to a 1300+ pages long novel in 6 episodes? While the show starred some talented actors such as Tabu and Ishaan Khatter, the actors just couldn't turn the show around. It lacked a lot of character development and a large chunk of the history which was mentioned in the book was simply removed. At the end of the day, I felt this was simply a matchmaking drama. It could have been so much more!

I write this as a Western person with no real knowledge or bias regarding the Hindu religion, Islam, or the people involved in making this film.

The story seems to centre on "Romeo and Juliet"-like themes of "forbidden" love - certainly not an earth-shattering, ground-breaking movie theme. Some of the characters are, to me, overblown; the mother's histrionics about her daughter's affair with a Muslim, the son who behaves wildly and inappropriately at a Holi party, the daughter-in-law who melts down the father's medals for earrings, and the corpulent sultan who seems to revel in causing conflict.

Certainly the scenery and cinematography are exquisite, but I found the story somewhat difficult to follow at times. I chalk this up to my not being a part of the target audience. I did not really understand the significance of the songs and poems. I don't know how the parliament/city council/legislature depicted here works or is constituted. I don't understand the nuances of how people dress for various occasions. I did not grasp that a kiss in a temple was so significant. Other productions about India (Jewel in the Crown, Gandhi Slumdog Millionaire) made these kind of things clear to the Western viewer, but A Suitable Boy seems to have missed that mark.

I don't know and can't comment on whether or not the show was pro or anti Hindu, only on whether or not I understood and enjoyed it. That seems to boil down to a 50-50 split - some parts were good, some were not.

My Rating : 6/10

Great selection of actors, music and settings however it's too bland - too gimmicky and cringe most of the time.

The book is one of the greatest ever - this doesn't do justice to its scale and opulence.

OK for a one-time viewing.

A Suitable Boy is an adaptation of Vikram Seth's eponymous novel brought to life through an ensemble cast, some heartwarming performances and a fairytale directional effort by Mira Nair and Shimit Amin. Set in the 1950's post partition India, A Suitable Boy is a heady concoction of a number of social and personal affairs, most of which remain relevant even today.

The story's mainstay is the subject of the parental control over a girl's future and her arranged marriage, taken to a ridiculous level by the single minded determination of an indulgent mother. In the case of our heroine Lata, her choice of the suitable boy during the modern day "swayamvar" is deemed legitimate so long as she will toe the line drawn by her guardian, and although all is well that ends well, the question about the uncertainty of the future remains. However, the central theme apart, A Suitable Boy also has a meaningful coverage of several other social issues like politics, power, competition, interfaith relationships, the rich and poor divide, rebellious youth and its potential effects, deep family bonding, feudal issues and communal harmony. The directors' ability to intertwine these issues with the central theme keeps the narrative breezy, interesting, diverse even when it plunges from being lighthearted to parlous.

The casting is indeed a coup and possibly the jewel in the crown of this rather larger than life, glossy series with magnificent production values. Tanya Maniktala is charming and effervescent in the central role of Lata, and Mahira Kakkar defines the role of her mother to the precision of excellence in the domain of intolerable indulgence. Our hearts go out to the earnest performances of Ishaan Khattar, Danesh Razvi, Shubham Saraf, Shahana Goswami, Vivaan Shah, Vijay Varma and young Yusuf Akhtar (as the adorable Bhaskar Tandon, the prodigious child). The standout execution of their respective role comes from the ever dependable Tabu as the ageing courtesan in a tumultuous phase of life, Ram Kapoor and Aamir Bashir who redefine friendship and communal harmony and finally, Namit Das, the chosen one, exuding confidence, strength of character, devotion, selflessness and an amiable personality that borders on OCD. Don't miss A Suitable Boy, there's a lot to discover in it, and you may even associate with some of the proceedings in this period drama.