Luego de una serie de crímenes inexplicables, un padre se reencuentra con su hijo que ha estado desaparecido durante 10 añosLuego de una serie de crímenes inexplicables, un padre se reencuentra con su hijo que ha estado desaparecido durante 10 añosLuego de una serie de crímenes inexplicables, un padre se reencuentra con su hijo que ha estado desaparecido durante 10 años
- Dirección
- Guión
- Reparto principal
- Nominado a 1 premio BAFTA
- 29 premios y 131 nominaciones en total
Mara Cisse
- Jeantet
- (as Mara Cissé)
Reseñas destacadas
I didn't read anything about this movie, I heard it could make it onto the Oscar's long list so gave it a go.
Immediately you realise this small girl has "issues" not sure what, but all becomes clear after a few minutes.
She has a car accident and needs a titanium implant in her skull, this accident clearly leaves a cathartic impression on her and cars which caused her injury.
We then see her as an adult , a car fanatic and erotic dancer famous around Europe' car and custom shows.
Extreme scenes , those with needle phobias will need to look away a few times.
On the run, finds a firefighter who is looking for his son who went missing 10 years ago, both had needs and make a weirdly suitable match.
If it were a crime drama it would be clear A-B storyline, but the writers added a twist which you really have to get your head around. I won't say what it would spoil it for you, just to say it's weird.
Extremely compelling viewing, if you were to put the movies "Eraserhead, Christine and Backdraft into a blender this is the movie you would end up with.
I liked it.
Immediately you realise this small girl has "issues" not sure what, but all becomes clear after a few minutes.
She has a car accident and needs a titanium implant in her skull, this accident clearly leaves a cathartic impression on her and cars which caused her injury.
We then see her as an adult , a car fanatic and erotic dancer famous around Europe' car and custom shows.
Extreme scenes , those with needle phobias will need to look away a few times.
On the run, finds a firefighter who is looking for his son who went missing 10 years ago, both had needs and make a weirdly suitable match.
If it were a crime drama it would be clear A-B storyline, but the writers added a twist which you really have to get your head around. I won't say what it would spoil it for you, just to say it's weird.
Extremely compelling viewing, if you were to put the movies "Eraserhead, Christine and Backdraft into a blender this is the movie you would end up with.
I liked it.
The first 20 minutes or so of 'Titane' are about as off the wall bonkers as you'll ever see in a film. It got to the point where I was wondering if they were intending to keep that pace and insanity up for the runtime of the film. Things do settle down a bit from there on out (at least comparatively) but man that was a wild set up.
I felt I had a reasonably strong grip on what the film was going for, but I did watch a Youtube explanation video just to be sure. It was similar to what I thought but did point out a few things I had missed or misinterpreted. Beneath all the insanity there are certainly some layers of intelligence.
Agathe Rousselle in the lead role gives a quite incredible performance. Her transformation alone is stunning. But also the intensity and fascination she is able to attract is something this project couldn't have done without.
This is one of those extremely unique films that you will likely never see anything like again. I'd say it's not a film that is going to be to everyone's liking. But if you have the right mind-frame (and stomach) for it then give it a crack. Strap yourself in though, it's a bump ride. 7/10.
I felt I had a reasonably strong grip on what the film was going for, but I did watch a Youtube explanation video just to be sure. It was similar to what I thought but did point out a few things I had missed or misinterpreted. Beneath all the insanity there are certainly some layers of intelligence.
Agathe Rousselle in the lead role gives a quite incredible performance. Her transformation alone is stunning. But also the intensity and fascination she is able to attract is something this project couldn't have done without.
This is one of those extremely unique films that you will likely never see anything like again. I'd say it's not a film that is going to be to everyone's liking. But if you have the right mind-frame (and stomach) for it then give it a crack. Strap yourself in though, it's a bump ride. 7/10.
Not since David Cronenberg's CRASH has Cannes seen as 'auto'-erotic a film as Julie Doucurnau's TITANE. And, despite some controversy with each, both movies got Jury Awards (TITANE the Palme D'or).
After a childhood flashback leaves Alexia (played as an adult by Agathe Rousselle) with a metal plate in her head. The 30ish woman is now a dancer at a strip club where the ladies gyrate with automobiles (and, if there's something that eclipses a man's fancy more than girls and cars - it's girls AND cars). A bizarre late night S&M encounter leaves Alexia pregnant -- and with an increasing penchant for violence and aggression. Doucurnau (RAW) doesn't flinch from showing the sex and brutality in all it's grindhouse glory. The movie provocatively begs the question of whether it's any less exploitative if it's directed by a woman.
After this savage (overly so) opening*, Doucurnau's script (with "consultants") abruptly changes gear when Alexia comes into contact with Vincent (Vincent Lindon), a fire chief of a special fire fighting unit. He takes Alexia under his protection and becomes a father figure to her. Vincent has severe issues of his own, and their relationship becomes a symbiotic one, however peculiar it may be. Rousselle and Lindon play off each other well here and their bond becomes as believable as this strange tale can become. More to the point, it becomes quite moving in its own perverse manner.
Doucurnau's movie isn't just interested in the standard horror tropes, as it confronts head on gender identity, sadomasochistic relationships and the fetishizing of women's bodies. Genre fans will see parallels to such earlier films such as Cronenberg's THE BROOD, DEAD RINGERS and RABID (along with the aforementioned CRASH). BLADE RUNNER 2049, UNDER THE SKIN, THE DEMON SEED and last year's PROMISING YOUNG WOMAN are also evoked (the latter, of course, a coincidence of timing). The story-telling isn't always cleanly nor coherently told, but, it accumulates a certain power.
TITANE is certainly not your typical Cannes Awards winner, nor your standard horror film, but Doucurnau has created her own disturbing vision of the intersection of sexual politics and what it means to be human in this age of rapidly accelerting advances in bio-medical technology.
*there were walkouts in the theater.
After a childhood flashback leaves Alexia (played as an adult by Agathe Rousselle) with a metal plate in her head. The 30ish woman is now a dancer at a strip club where the ladies gyrate with automobiles (and, if there's something that eclipses a man's fancy more than girls and cars - it's girls AND cars). A bizarre late night S&M encounter leaves Alexia pregnant -- and with an increasing penchant for violence and aggression. Doucurnau (RAW) doesn't flinch from showing the sex and brutality in all it's grindhouse glory. The movie provocatively begs the question of whether it's any less exploitative if it's directed by a woman.
After this savage (overly so) opening*, Doucurnau's script (with "consultants") abruptly changes gear when Alexia comes into contact with Vincent (Vincent Lindon), a fire chief of a special fire fighting unit. He takes Alexia under his protection and becomes a father figure to her. Vincent has severe issues of his own, and their relationship becomes a symbiotic one, however peculiar it may be. Rousselle and Lindon play off each other well here and their bond becomes as believable as this strange tale can become. More to the point, it becomes quite moving in its own perverse manner.
Doucurnau's movie isn't just interested in the standard horror tropes, as it confronts head on gender identity, sadomasochistic relationships and the fetishizing of women's bodies. Genre fans will see parallels to such earlier films such as Cronenberg's THE BROOD, DEAD RINGERS and RABID (along with the aforementioned CRASH). BLADE RUNNER 2049, UNDER THE SKIN, THE DEMON SEED and last year's PROMISING YOUNG WOMAN are also evoked (the latter, of course, a coincidence of timing). The story-telling isn't always cleanly nor coherently told, but, it accumulates a certain power.
TITANE is certainly not your typical Cannes Awards winner, nor your standard horror film, but Doucurnau has created her own disturbing vision of the intersection of sexual politics and what it means to be human in this age of rapidly accelerting advances in bio-medical technology.
*there were walkouts in the theater.
I am speechless!
Erm......seriously I have no idea what i just watched?
This has got to be one of the most unusual, disturbing, weird and completely bonkers film that I've seen in a while. The first 30 minutes of the film are the best for me, felt more a "standard" horror/thriller setup. However this film takes so many bizarre twists and turns which I'm not sure all worked. Trust me you have a lot of questions after seeing this film.
Visually stunning I must say though and I love the fact that this is a really ballsy film, 100% original for that matter!! However I think it might have helped if now and then it was just a little boring or normal hahaha!
I mean its an experience I wont forget but then again I wont rush to see this film again any time soon, I think I need to let my brain process this all. I completely understand why a lot of people would hate this film, it really is not for everyone!!
70% out of 100, I'm stunned and shocked how this turned out and the fact that someone thought of this idea for a film.........are they ok? Hahahah!!
Erm......seriously I have no idea what i just watched?
This has got to be one of the most unusual, disturbing, weird and completely bonkers film that I've seen in a while. The first 30 minutes of the film are the best for me, felt more a "standard" horror/thriller setup. However this film takes so many bizarre twists and turns which I'm not sure all worked. Trust me you have a lot of questions after seeing this film.
Visually stunning I must say though and I love the fact that this is a really ballsy film, 100% original for that matter!! However I think it might have helped if now and then it was just a little boring or normal hahaha!
I mean its an experience I wont forget but then again I wont rush to see this film again any time soon, I think I need to let my brain process this all. I completely understand why a lot of people would hate this film, it really is not for everyone!!
70% out of 100, I'm stunned and shocked how this turned out and the fact that someone thought of this idea for a film.........are they ok? Hahahah!!
Original. Daring. But doesn't quite gel.
I am writing a review after ages. Perhaps it's a sign of a good movie that provoked this response. Or perhaps it's just appreciation for a director who really did go for it. Ducarnau demonstrated the Cronenbergesque body horror and satire in her first feature film. Titane has confirmed that she is definitely could be the next champion of extremely physical movies. Film reminds of themes of Crash ( 1996 ) and to some extent Videodrome ( 1983 ) .
Keeping the cryptic and puzzling aspects aside, it's a basic story of finding closure and a place in this world, when you have ambiguous intimacy / sexuality, distorted physicality, suppressed emotions and childhood trauma.
Ducarnau is however not quiet able to meet the ambition of ideas she is putting down on canvas. There is rather drastic shifts in tone of movie, which can be confusing. There is no harm in mixing genres but I felt a bit lost in parts of second half.
The shock values of the scenes ( and they are shocking ) wears off once you are no longer sure of motives of players especially when you are not totally buying into it. In first 15 min, the film hits such high note that the twists and turns that follow almost negate the impact.
I would say if you are looking for a provocative film, this is the one. However, keep an open mind. Titane is ambitious but it's not able to live up to its potential.
I am writing a review after ages. Perhaps it's a sign of a good movie that provoked this response. Or perhaps it's just appreciation for a director who really did go for it. Ducarnau demonstrated the Cronenbergesque body horror and satire in her first feature film. Titane has confirmed that she is definitely could be the next champion of extremely physical movies. Film reminds of themes of Crash ( 1996 ) and to some extent Videodrome ( 1983 ) .
Keeping the cryptic and puzzling aspects aside, it's a basic story of finding closure and a place in this world, when you have ambiguous intimacy / sexuality, distorted physicality, suppressed emotions and childhood trauma.
Ducarnau is however not quiet able to meet the ambition of ideas she is putting down on canvas. There is rather drastic shifts in tone of movie, which can be confusing. There is no harm in mixing genres but I felt a bit lost in parts of second half.
The shock values of the scenes ( and they are shocking ) wears off once you are no longer sure of motives of players especially when you are not totally buying into it. In first 15 min, the film hits such high note that the twists and turns that follow almost negate the impact.
I would say if you are looking for a provocative film, this is the one. However, keep an open mind. Titane is ambitious but it's not able to live up to its potential.
¿Sabías que...?
- CuriosidadesAt the start of the closing ceremony of the 74th Cannes Film Festival, Jury President Spike Lee was told in French to reveal the "first prize," but misinterpreted the phrase to mean "first place." As a result, he prematurely revealed that the film had won the Palme d'Or.
- PifiasAt 1:20'50: the dad pushes Adrien's hand which sends the syringe to the side; there is no needle attached to it.
- Banda sonoraWayfaring Stranger
Arranged by David Eugene Edwards, Jean Yves Tola
Performed by Sixteen Horsepower (as 16 Horsepower)
With kind permission from Glitterhouse Records
Editions BMG Rights Management (UK) Limited
Avec L'Autorisation de BMG Rights Management [France]
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- How long is Titane?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 5.700.000 € (estimación)
- Recaudación en Estados Unidos y Canadá
- 1.442.988 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 533.397 US$
- 3 oct 2021
- Recaudación en todo el mundo
- 4.968.791 US$
- Duración
- 1h 48min(108 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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