Knackningar

This film is a must see! A solid thriller drama with breathtaking acting from Cecilia Milocco. The story is rather simple in one sense. It follows Molly, a women coming home from a psychriatic clinic after dealing with the loss of her girlfriend. Back home she hears noises, knockings, in the walls and ceiling. It sounds like a woman in pain. It drives Molly to investigate where the sounds comes from but no one believes her conviction that a women in the building is getting hurt. This is the setting for this drama taking place in the suburbs somewhere in Sweden. But the big sucess of this film is not a smart plot or a who-done-it-mystery for the viewer to solve. Its the brilliantly performed emotional journey of Molly and the bold storytelling of relying in the moods and senses of the lead role that makes this a magnificent debut film from Frida Kempff. The visionary camerawork is highly emotionally driven and the script makes plenty of room for both moods and tensions far beyond the written dialogue. The movies core is the suggestive and subjective experience of loneliness and the effects of not being heard. In that sense, this movie suceed of being both a deeply moving drama and a thriller full of suspense. Cecilia Miloccos moving potrayal of Molly, a women struggling with sorrow and depression is masterly performed and makes this film a masterpiece.

Knocking, directed by Frida Kempff, is a slow-burning psychological thriller that is equal parts haunting and frustrating. The film follows a woman named Molly who is released from a psychiatric hospital and moves into a new apartment, only to be tormented by a persistent knocking sound that nobody else seems to hear.

The film's cinematography and sound design are excellent, with Kempff using close-ups and atmospheric soundscapes to create an eerie and unsettling atmosphere. The film's lead actress, Cecilia Milocco, also delivers a strong performance, conveying both the vulnerability and the resilience of her character.

However, the film's pacing is a major issue, with the slow-burn approach feeling unnecessarily stretched out and repetitive at times. The film also struggles to balance its psychological and supernatural elements, with the latter feeling tacked on and underdeveloped.

The film's themes of trauma and gaslighting are timely and relevant, but the film's execution falls short of fully exploring them in a meaningful way. The film's ending, while intriguing, is also frustratingly vague and leaves too many unanswered questions.

I recently watched the Swedish film 🇸🇪 Knocking (2021) on Shudder. The storyline follows a woman who has recently been released from a psychiatric ward and is beginning her new life in a new apartment. However, she hears strange knocking from the ceiling and walls. Is she losing her mind, or is her apartment haunted?

Directed by Frida Kempff (Winter Buoy), the film stars Cecilia Milocco (The Circle), Ville Virtanen (Bad Family), Charlotta Åkerblom (Agent Hamilton), and Emil Almén (The Girl with the Dragon Tattoo).

This movie focuses on a woman's deteriorating mental state with little else driving the plot. While the acting is solid and the ending is very good, it's a long, slow, laborious journey to get there. The film offers a unique depiction of an individual's mental state, and the special effects at the end are effective in portraying the struggle between truth and reality. It's a poignant reminder of the battles many people face, with or without paranormal phenomena.

In conclusion, Knocking has some interesting elements but not enough to stand out in the genre. I would score it a 5/10 and recommend skipping.

Knocking is more of a psychological thriller than a classic horror film, dealing with the idea of gaslighting and mental illness.

The story could be summed up in a sentence and the pacing is rather slow, but the cinematography is great - and as the film progresses so do the mental prisons of it's protagonist break and reveal the true reality.

A psychological thriller that is handled with a certain suspense, although from the visual point of view it does not have bright ideas. The story benefits from an adequate length (short film based on a short story), although it gives the impression that the path takes us not very far from where we were at the beginning. Good performing by Cecilia Milocco, which is above the predictability of the story.