Knackningar

Well not really - on the other hand what do I know? Not that much to be truthful. I could tell you what happens at the end of the movie - but it would be - well there are certain ways to interpret what actually happens or rather happened there (and before).

The central performance is qute something. Yes this is a slow burning independent movie - I don't think this should come as a surprise. Neither that it uses certain proven tropes (or I guess you could call them "cliches"). Still and because of that powerful performance and because the movie keeps you guessing ... this may tickle your interest. And if it does and it manages to tickle all the right parts ... you will be entertained - for sure.

Having said that, you have to be in the mood for this. And for possible explanations. I read one about the ending and I have to admit that ... well it's not that I disagree, but whoever wrote that, seems too certain to know what the ending meant and how we should interpret it ... I on the other hand am telling you ... you can read it exactly opposite to what I read and what someone else wrote. So if ambiguity does not get you annoyed, I can recommend the movie for sure.

This film is a must see! A solid thriller drama with breathtaking acting from Cecilia Milocco. The story is rather simple in one sense. It follows Molly, a women coming home from a psychriatic clinic after dealing with the loss of her girlfriend. Back home she hears noises, knockings, in the walls and ceiling. It sounds like a woman in pain. It drives Molly to investigate where the sounds comes from but no one believes her conviction that a women in the building is getting hurt. This is the setting for this drama taking place in the suburbs somewhere in Sweden. But the big sucess of this film is not a smart plot or a who-done-it-mystery for the viewer to solve. Its the brilliantly performed emotional journey of Molly and the bold storytelling of relying in the moods and senses of the lead role that makes this a magnificent debut film from Frida Kempff. The visionary camerawork is highly emotionally driven and the script makes plenty of room for both moods and tensions far beyond the written dialogue. The movies core is the suggestive and subjective experience of loneliness and the effects of not being heard. In that sense, this movie suceed of being both a deeply moving drama and a thriller full of suspense. Cecilia Miloccos moving potrayal of Molly, a women struggling with sorrow and depression is masterly performed and makes this film a masterpiece.

Knackningar (or Knocking for the English title) is a Swedish mystery/thriller. It's also categorized as a horror movie but that is absolutely not the case, not a bad movie but just not a horror. Although the running time is rather short (78 minutes) the story development was slow paced and made the movie seem longer. But the ending made up for that, not bad at all. During the entire movie there is a mysterious vibe that keeps you guessing and interested in the story. Cecilia Milocco was good, very believable in her performance. There's only a handful of actors and they all did good. Overall not a bad movie but with a faster pace it could have been better.

I recently watched the Swedish film 🇸🇪 Knocking (2021) on Shudder. The storyline follows a woman who has recently been released from a psychiatric ward and is beginning her new life in a new apartment. However, she hears strange knocking from the ceiling and walls. Is she losing her mind, or is her apartment haunted?

Directed by Frida Kempff (Winter Buoy), the film stars Cecilia Milocco (The Circle), Ville Virtanen (Bad Family), Charlotta Åkerblom (Agent Hamilton), and Emil Almén (The Girl with the Dragon Tattoo).

This movie focuses on a woman's deteriorating mental state with little else driving the plot. While the acting is solid and the ending is very good, it's a long, slow, laborious journey to get there. The film offers a unique depiction of an individual's mental state, and the special effects at the end are effective in portraying the struggle between truth and reality. It's a poignant reminder of the battles many people face, with or without paranormal phenomena.

In conclusion, Knocking has some interesting elements but not enough to stand out in the genre. I would score it a 5/10 and recommend skipping.

After her release from psychiatric care, a woman's attempt to settle into a new apartment is disturbed by a series of upsetting events.

Not-so-tight psychological thriller that left me unsatisfied. The main strength is the lead performance, which presents a difficult character who causes everyone around to take a step back. Plenty of close-ups, and a couple of scenes where psychotic-breaks are represented by body-cam focused on the actor's face as she moves around.

The story tries to have the apartment block stand in for society, with its well-meaning but uncomprehending reaction to the protagonist's deteriorating state. But it also seems to stand for her own psyche, as she insists that a woman is dying within its walls. It might have helped if we knew what she was actually missing through the unspecified tragedy in the flashbacks. Just companionship? But why would that induce psychosis? In the end the story seems to insist that the experience was all literally true, and does it through voice-over rather than imagery - not a great way to finish off a piece of cinema.

Just too many discrepancies left for me - am I supposed to believe the other residents and the social services were in bad faith? - and I always thinks it's a mistake for a psychic story to insist on literal truth, because it takes away the nuance that allows meaning to find a place in the gaps in the official version.

The editing is good, but the pace was a bit of a drag, mostly because the woman's behaviour became tiresome. Music and sound design created good tension.

Overall: Simple story that sedated its own psychology.