Madame Web

I don't understand what the big problem is. Yes, the movie may not be the best superhero movie, but the low ratings aren't justified either. Overall, the story is sometimes told in a rushed manner and the script doesn't deserve an Oscar, but overall the movie was entertaining. To be honest, I was expecting the worst and I was biased because of the negative ratings. After watching the movie, I couldn't understand all the hate for the movie at all. I'm already reasonably discerning when it comes to movies, but guys, let's be honest, this isn't an art house movie, this is popcorn cinema. The movie is supposed to entertain and it did. Even if it was a bit bumpy in places. Overall, I can recommend the movie to people who just want to be entertained. Not more and not less.

I understand what the plan was here. They wanted a trippy film, focusing on a strong future for the Sony verse. The problem is the delivery. The camera work in this movie made it quite irritating to follow, as there was constant quick close up shots of the action. The dialogue was awful, and there was quite a lot of blatant voice over during the villain scenes.

So much wasted time was given to boring scenes in the movie, which led me to believe the screen writers finished the script and realised that it was under the word count.

Honestly the acting quality was quite poor across the board, especially the villain, who honestly seems as if they didn't cast for his role at all, just picked up someone off the side of the road.

For someone who's guilty pleasure is watching bad movies, I it was a painful time. Don't recommend.

I went in with very low expectations and I felt like I got better than I was expecting and had a nice time watching the film. Despite having a budget of 80 million dollars, the movie feels low budget. Was not to the level of a modern marvel film but more like a marvel tv show.

The characters were not as well established or as likable as they could of been. It was cluttered and cliche and suffers form a lack of originality. The cast deserved better, wasted talents of Dakota Johnson and Sydney Sweeney. The villain was generic and uninspiring. Constantly complaining about "everything he as built' being destroyed, while not showing anything that he has built.

Im not fully up on the real origin story but after looking into it more it seems Sony fully molested the comic book version for their own that barely resembles anything of the original. I see why that would make many purist upset. That would help explain a current rating of 3.7, which is crazy considering all the far worse films with higher ratings. I was entertained watching this film but that is with the caveat that this was not a good or very well made movie. The film fell flat on the execution of creating a compelling narrative.

The pepsi product placement rivaled the pepsi placement in the "I will not bow to any sponsor" scene in Wayne's World. "Its like people only do things because they get paid, and its really sad" -Garth.

Look at the profiles for the writers that wrote Madame Web. You'll see virtually every movie they've written has a bad rating and bad reviews. Why then does Hollywood continually hire these same writers for these big budget films? I could understand if they wrote movies for Asylum Films because all their movies are terrible.

Madame Web is god awful! Very difficult to sit through. None of the main characters are likeable. Even the villain is lame. It seems like the entire movie was written to set up a sequel. But why would people spend money to see the sequel of a movie that is one of the worst movies ever written? I'm shocked at how bad this movie is and if there is a sequel I certainly wont bother watching it.

Stop hiring bad writers, Hollywood!

Madame Web is the fourth film in Sony's Spider-Man Universe and depicts the origin story of Cassie Webb. The beginning felt awkward, with uninspiring performances from Kerry Bishé as Constance Webb (Cassie Webb's mother) and Tahar Rahim as Ezekiel Sims. The scenes were underwhelming and failed to engage the audience. The narrative then shifts to Cassie Webb's life, 30 years after her birth.

The story revolves around Cassie Webb attempting to save three young women from Ezekiel Sims, who is determined to kill them before they become Spider-Women in the future and ultimately end his life.

The writing could have been significantly better, and the poor editing was a major drawback. The transitions between scenes were jarring and disrupted the flow of the film. Dakota Johnson's performance was decent, and she looked stunning as always. However, Tahar Rahim's lackluster acting and poor dubbing severely impacted the movie's overall quality. Adam Scott and Emma Roberts were underutilized in minimal roles, while Sydney Sweeney, Isabela Merced, and Celeste O'Connor were visually appealing but lacked strong performances.

S. J. Clarkson's direction was mediocre, although a few scenes, such as the chase sequences and train station moments, were executed well.

The background score and VFX were commendable, but overall, the movie failed to deliver a satisfying experience.

Final Rating: 4/10.