Thankam

The most unprecedented aspect of Thankam is its distinct look at gold riders. Shyam Pushkaran's screenplay meticulously approaches its key characters Muthu (Biju Menon), Kannan (Vineeth Sreenivasan), and Jayant Sakhalkar (Girish Kulkarni), pulling you into their realistically gritty world with ease. The proceedings are completely engaging (up until the climax), with Bijibal's score, Kiran Das' cuts, and Gautham Sankar's cinematography serving their purposes well. Little revelations lead to bigger ones, and there are facets to Kannan that we get to know in bits and pieces. I wish Aparna Balamurali's character (Kannan's wife) had more meat to add to the plot, but since revelations surrounding Kannan are gradual, her character appears under-written.

Muthu and Bejoy (a superb Vineeth Thattil) take on the audience perspective, eager to find answers and getting perplexed at how sophisticated things are, beyond what they can imagine. Their internal banter also keeps things a bit light, in an otherwise cynical setup. Girish Kulkarni is fantastic, and the language barriers involved when a team of cops from Maharashtra investigate the case of a missing Malayali in Tamil Nadu are poignantly presented. He also gets at least one unexpectedly massy scene where a change of tone and posture in a conversation with a senior Tamil cop gets the job done faster. Same goes for the "poda koppe!" at the end. The climax, while not weak from a writing perspective, comes across as a bit of a dampener as all hopes of a bigger, more shocking twist are dashed.

Watched this one with my family today. This was an adult movie in a way. After an indifferent start, the film becomes so damn gripping. I really enjoyed it. It was a great police procedural. Awesome supporting cast - especially Vineeth Thattil (Kadan Benny Chettan in Angamaly Diaries), Gireesh Kulkarni and Jain Andrews, the actor who played Alex. After a slightly slow and indifferent start, the film suddenly grips you in a way only the best police procedurals can. Writer Shyam Pushkaran throws in a couple of mass scenes towards the end. Background score was jarring on some occasions. But this is a really terrific movie man. Great debut for director Saheed Arafat.

(8/10)

The first half of the film was highly involving and the making deserves an huge appreciation. The wonderful job on the Music by Bijipal helped as well.

I found the second half to be predictable and the story telling lost its pace which it gathered in the first half. Few shorts could have been avoided or bettered.

All the casting were perfect. The character done by Biju Menon, Muth was my personal favourite. But at the end of the day you will be thinking about Vineeth's character, Kannan. Thanks to Girish Kulkarni in trusting Working Class Heros, done amazingly well in the role of police officer. Vineeth Thattil's character was the joker in the pack, helped in the narration of the story, had also done an excellent job.

Highly recommended to watch in theatres!

It falls under a good film with proper script and screenplay to lead from scene to another.

No time wasting scenes, songs or fights Every charecter had their scenes naturally performed with realistic tone as in our real lives, as in most Malayalam movies.

Some logistic questions do come into mind?

How is that they travel from Thrissur to Coimbatore and then to Muthupet near Thiruvarur in coastal Tamilnadu and return back to Coimbatore on same night?! Geographically, this seems impossible even with highways and nil traffic!

The ending was very dampened and abrupt which made a movie that could be 'best' to score 'just good'!

What happened to the 2 kilo gold, is a million dollar unanswered question in the movie?! If anyone got a clue about this, please update!

Thankam (2023) : Brief Review -

A cowardly crime drama, but that's the life of some middle-class people who have more courage than rich people. Thankam is a crime drama, a murder mystery actually, with a cowardice motive revealed in the climax, but you don't know, or maybe you know, that's the life of some people. Some lower- and middle-class people try too hard throughout their whole lives but still can't make enough money. Some carry debts for a long time and then bury themselves underneath that load. Thankam is about that pressure, that load, and how one middle-class man finds a getaway through it. The point isn't reasonable enough, but like I said, it's life for some people, so it's damn realistic for that chunk of people. Society may call them cowards and losers, but they have the courage to take their lives. Will any rich man have enough courage to do so? I know, that doesn't make any sense. Why would any rich man have to take his life when he has everything in his life? That's why this film would look illogical to a certain section of people, and that's perfectly alright. It deserves some hate for the point that it tries to make, as it might harm the entire point of living life and fighting for it. The film is about two gold brokers, Muthu and Kannan, trying to make more money than they need for a subpar life. They travel to Mumbai for a gold deal, and after that, Kannan disappears. The police have a tough time finding Kannan's whereabouts and what lies ahead of them. Since it's a murder mystery, I don't think I should give away any more plot details. The screenplay is a bit slow in the first half, and then the second half is somewhat pacy. Its length is a major issue here, but the performances of Biju, Vineeth, Aparna, and Girish Kulkarni have recovered a lot of losses here. The key factor is missing in Saheed Arafath's direction, but somewhere down the line, you are bound to feel a little sentimental about the whole thing even if you don't like it.

RATING - 6/10*

By - #samthebestest.