Dead Kids

Felt catfished by the trailer that promised an edgy, dark comedy and exciting heist movie with social commentary. The editing was fast paced and dialogue chosen was controversial.

The film had barely any of that. It fell flat and became this cliche melodramatic sob fest. You cannot feel sympathy for any of the characters because their choices are so illogical and just dumb. The characters are flat and stereotypes that aren't even comedic, it's just annoying. The underdog characters have no charm either.

The direction was bland. A lot of people sitting down and talking scenes for a supposedly exciting heist film. The color grading was interesting at least. It's basically a pretty and drawn out episode of MMK. This movie was a disappointment, especially with the screenplay and it's frustrating because the trailer showed what it could have been if it lived up to it's potential.

... gone wrong? Well you have to watch to know. Though I would recommend watching the trailer first or at least read about what this is ... about. Not everything is for everyone and those teenage boys can be quite annoying. And when you come to their "plan", you may be even more annoyed.

The movie tries to keep it as real as possible, but gets quite crazy at times. Coincidences and everything included that is. The resolution may make some mad too, but it is what it is ... I've seen worse movies and as bad as the characters are, the movie is decent (acting has some downfalls though)

90 minutes with almost nothing happen, all the characters was annoying and unlikeable, no thrilling or suspense in here, just bunch of kids swearing with lack of capable acting, please avoid this crap or you'll be "dead kids" as well. Totally CRAP. Really hard to watch because the movie was superrrr boring.

While the Tagalog cinema is flooded with cheesy romantic comedies, it is often nice to have a break away from that genre, so I was excited to get to watch the 2019 movie "Dead Kids" by director and writer Mikhail Red.

However, it was a short lived excitement, because "Dead Kids" turned out to be a tedious movie experience. An experience of which I managed to last 1 hour, then I simply gave up out of sheer and complete boredom. Nothing much of any interest happened through the course of that ordeal of an hour I sat through. And I can honestly say that I have no intention of returning to watch the rest of the movie, as the storyline failed to interest me at all.

I will say, however, to the movie's defense that the acting in the movie was good, and the actors and actresses seemed quite adept at making the characters come to life on the screen. Just a shame that they had nothing to work with in terms of script and storyline.

This was a disappointment for me and I am rating "Dead Kids" a mere three out of ten stars. This is by no means the best that the Tagalog cinema has to offer.

Mikhail Red's "Birdshot" (2016) was the first Filipino film to stream on the Netflix platform. There had since been several other Filipino films to reach worldwide viewership this way. This year, Red goes one step further with his latest film "Dead Kids," which gains the distinction as the first Filipino film to be produced by Netflix. This had its world premiere last November 17, 2019 as the closing film of the recent Cinema One Originals film festival. Two days ago, it made its Netflix debut.

The title "Dead Kids" refer to outcasts or unpopular kids in school, those who are don't exist to the other students. The story refers to a gang of such kids: the serious leader Blanco, the wacky joker Paolo, the vaping Chinese nerd Yu and their new recruit, poor scholar Mark Sta. Ana. Tired of being tormented by popular rich kid Chuck Santos, the boys hatch a plot to kidnap the bully and demand a sizable ransom from his drug lord father. Once their nefarious plan gets going though, they realize how much they were in over their heads.

This is another one of those youth-themed films showing their shenanigans in school. While these could be very entertaining for young people, for parents they paint disconcerting pictures of what they don't see after they drop their kids off every morning. We have seen these tropes before -- the bullies, the mean girls, the nerds, the massage parlor, the dance clubs. However, this one took things further with a particularly violent turn which made it all the more disturbing for everyone.

Admittedly, the actors may look older than typical senior high school students, but they all brought their A-games to their roles. They were all very natural in their portrayal of youthful recklessness. Vance Larena looked dangerously volatile with his big baleful eyes reflecting issues jumbled around inside Blanco's head. Khalil Ramos was too effective at being the annoying jerk that Paolo was, you'd want to shut that noisy mouth of his yourself. New actor Kelvin Miranda pulled off the misfit naivete required of the central role of Mark very well.

Among the girls, Sue Ramirez had prominent billing, but her character, the smart girl Janina, was largely sidelined and undeveloped. Instead, it was Gabby Padilla who got to join in the action more as Paolo's nosy girlfriend Yssa.

With energetic camera work and edgy musical score, director Mikhail Red succeeded to create a nihilistic milieu in which the underdogs attempt the unthinkable to extract revenge and extort money at the same time. He could have pushed the outrageous concept into further depths of violence, but wisely elected to still keep things grounded in reality. Part one of the caper may have looked a bit too easy to pull off, but Red made sure the rest of the plan would not just come together that conveniently for the boys. The suspense and tension of the final outcome will keep viewers hanging on to the very end. 7/10.