Dead Kids

The premise of a bunch of amateurs gathering together to pull off a great crime - robbery, kidnapping, murder, or something else - may have been done many time before in movies, but even then I always find the premise irresistible. When I sat down to watch this particular example, I was especially intrigued because it was not an American effort, but instead a Filipino effort. The new setting gave this some novelty, which did help sometimes when the movie was showing off its shortcomings. I'm not saying this is a BAD movie - it's not boring, and I admit that part of me was interested in seeing how things would be wrapped up in the end. And despite a fairly low budget, it never looks so cheap to be distracting. However, the movie has its downs as well as ups. It doesn't seem to find a consistent tone - sometimes it's goofy, and sometimes it's serious. Also, while I know the central figures are just teenagers, even then they seem really stupid and haven't taken the time to plan things out (it seems they make their plans in 48 hours or less.) Some viewers may also have a problem with the fact the characters are constantly changing between speaking English and speaking Tagalog (though I know this is how many Filipinos do speak.) I'd recommend it to viewers who don't have their expectations particularly high.

Good to passable acting. Cinematography is ok. Cringy Dialogue. The main character is supposedly a smart dude but almost everything is dumb. What was even the point of Sue Ramirez's character? When you search for this movie you see her name on the list of actors first but for what? She wasn't really a plot device or a 'Chekov's gun' in a sense. She was just there...

While the Tagalog cinema is flooded with cheesy romantic comedies, it is often nice to have a break away from that genre, so I was excited to get to watch the 2019 movie "Dead Kids" by director and writer Mikhail Red.

However, it was a short lived excitement, because "Dead Kids" turned out to be a tedious movie experience. An experience of which I managed to last 1 hour, then I simply gave up out of sheer and complete boredom. Nothing much of any interest happened through the course of that ordeal of an hour I sat through. And I can honestly say that I have no intention of returning to watch the rest of the movie, as the storyline failed to interest me at all.

I will say, however, to the movie's defense that the acting in the movie was good, and the actors and actresses seemed quite adept at making the characters come to life on the screen. Just a shame that they had nothing to work with in terms of script and storyline.

This was a disappointment for me and I am rating "Dead Kids" a mere three out of ten stars. This is by no means the best that the Tagalog cinema has to offer.

This movie is a breath of fresh air from all the cheesy rom-coms and angsty love stories that Filipino media regurgitates on a daily basis. It's dark, but not Joker dark, humorous, yet serious when it needs to be, and delivers quite a powerful message when it comes to privilege.

The cast made me love the movie even more. Vance Larena definitely stood out to me, as he was the most intriguing character of the movie. Despite how his actions were morally wrong, you can't help but feel pity and sorrow for Blanco, as it is clear that he is a victim to his circumstances. Khalil Ramos brings his A game as the comedic relief, delivering ridiculously stupid puns and punchlines with the ease of a late night show host, which compliments the edgy teen flick feel of the movie.

Overall, some plot holes here and there are in fact very noticeable, but didn't ruin my enjoyment of the film. If you want a break from all the love stories of Filipino media, this is for you.

Honestly, I was really impressed the first time I watched this. I don't really watch Filipino movies anymore because of the cringefest we usually get from film festivals, but hey, I was randomly scrolling on Netflix and saw this, and the trailer was very compelling--I had to watch it.

And oh boy, slow clap for the production of this film-from the music/score, to the shots, color grading was aight-everyone's doing it so it was nothing new but it was right for the aim of the film.

The acting was actually really good, I was impressed, it was nothing like the ones I've seen in Philippine cinema/TV with all the over the top screaming, crying, and such. I hate to say this, but Sue Ramirez has that typical Filipino acting, but I guess they needed someone mainstream to invite audience into watching this film. I loved the scene at the car before they did the act, the silence was so intense, you could feel and see how nervous they were, which was only the natural thing to feel if it was your first time kidnapping someone, moreover, as a 19 y/o! I have nothing against with the conyos in this film, I know enough conyos in my life, so yeah, I thought they were natural.

The second time I watched this, I watched it with my fam, it suddenly became corny and cheesy. My parents didn't understand the movie, so I guess this one is for the youth. But still, props to Mikhail Red for doing a different take on the Philippine films. Hope this keeps going and reach wider audience.