Fragmentos de una mujer

There are some nice moments late into the running time of "Pieces of a Woman," but you may not think the payoff of those scenes is worth what you had to sit through to get to them.

As anyone who knows about this movie already also knows, the opening is a lengthy and grueling one-shot scene of a homebirth gone wrong. Actually, that's not how the movie opens. There are a few brief scenes establishing the principal characters, namely Martha (Vanessa Kirby), her husband Sean (Shia LaBeouf), and Martha's domineering mom Elizabeth (Ellen Burstyn). These scenes quickly convey the dysfunctional family dynamic between this trio, and mostly warns the audience that all of these people are going to be pretty miserable to be around. The film then delivers on that promise. After the birthing scene, which wasn't as unbearable as I thought it would be aside from the vomit anxiety induced by watching Vanessa Kirby burp and almost throw up for 20 minutes, this movie becomes nothing but a mashup of marital misery, and reinforces my belief that you can have empathy for damaged people and understand how they became the way they are, but still not want to be around them.

Martha finds some solace and healing very late in the movie, providing Kirby with a chance to convey an emotion beyond hollowed-out bitterness. Burstyn is masterful and has a monologue that has Oscar clip written all over it. LaBeouf is hopeless, as he always is. He's a truly disgusting actor and he only plays disgusting characters and it's a relief when he abandons his wife and leaves the film. I only wish he'd done it sooner.

Kirby is being lauded for her performance, but she's limited by the material. We don't know anything about Martha before her trauma and anything we learn about her after is filtered through that lens. She's a character defined by her tragedy, and the movie makes it hard to care about her beyond the abstract care one would feel for any random person in similar circumstances.

Grade: B

I almost never watch movies like these -- mega-drama releases during Oscar season. But in my first year reviewing on Letterboxd, movies like this appear so consistently in the "Popular with Friends" feed I find myself drawn to them.

And after forcing my self to watch PIeces of a Woman knowing I'd struggle, I think I'm going with my gut next time around.

I don't really have much to add to what's been said before. The birth scene is heart wrenching. The acting is phenomenal. Shia Lebouf's performance was so excellent I kept wanting to slap myself in the face reminding myself that he's a complete asshole.

But the bulk of the movie after the first act is just painful to sit through. Not because of the depressing subject matter. Nothing really gels.

Overall it felt like a jigsaw puzzle that was half completed.

Almost too traumatic to watch at times, particularly the birth scene at the beginning with the impending tragedy.

After this, you find yourself watching a kind of ticking time bomb. I wasn't sure what was going to happen, was it going to end in violence, more tragedy, the tension almost seeped through the screen.

I was not aware of. Vanessa Kirby before this movie, what an outstanding performance she delivered, she left absolutely nothing in the rehearsal room and gave a performance, as powerful as I can remember. She was very well supported by the cast around her.

Grief must never be swept under the carpet, this movie, as hard as it is to watch at times, delivers a very important message.

People are saying that this movie is fantastic for the first half and then kinda looses steam. I kinda of agree but I think that it is much more up and down than that. The opening is really good but is a little manic at time. This bothered me a little bit but then I got the feeling that maybe it was on purpose to sort of drag us into the feelings of the characters at that moment.

I do agree that this film does start to sag after the opening but it does have more peaks especially the scenes between Vanessa Kirby and Ellen Burstyn. The scenes in the later parts of the movie between them characters were so good to watch. It was just such a showcase of great acting.

One small thing I found Shia's character to just be unlikable but that may be the fault of Shia I don't know. He was just so boring and flat and terrible.

The film does look good and I think some of the small production design choices were really well thought out and I enjoyed the other little techniques that the film makers used to make it a little bit more Interesting.

The score was just a tiny, tiny little bit off for me. It was so close for me but when I was enjoying it there would be a turn and I would be like oh no that wasn't right.

The issues above are all pretty minor as I have one major one and that is the dialogue. It was so soggy. It was just like sluggish. Some of it was better than other parts but the clunkers were really just bad. There was a lot of "hi how are you" "I am good" "oh good me too" "that's good" "yeah that is good".

I think you could watch it for the acting and especially the first half and parts in the latter half.

The screenplay and the resulting formal structure of the movie left me a bit puzzled. Did they try to parallel the experience of this young woman, surpassing a deep life crisis after a miscarriage, on the formal level and the structure of the movie? The film never recovers from its strong first 30 min, after this you have the feeling it breaks into pieces, like the life of this young woman itself. Sequences seem fractured and shattered, not really motivated or combined in a convincing way. Dialogue and acting often seems loosely improvised and unconnected. La Beouf's part for example, the most unconvincingly motivated character for me, suddenly loosing any connection, vanishing out of sight. But that's exactly the way the grieving mother must have felt it herself! Maybe they did that intentionally to give us the feeling of loss, pain, anger and emotional estrangement this woman is going through. Strong supporting acts by Ellen Burstyn and Molly Parker. But the movie's core and center is Vanessa Kirby here, giving a breathtaking performance, she carries this film almost alone. In the end it doesn't leave you frustrated, it seems there's enough hope left for a new beginning in life.