Un ex interrogador militar convertido en jugador es perseguido por los fantasmas de su pasado.Un ex interrogador militar convertido en jugador es perseguido por los fantasmas de su pasado.Un ex interrogador militar convertido en jugador es perseguido por los fantasmas de su pasado.
- Premios
- 3 premios y 22 nominaciones en total
Ekaterina Baker
- Sara
- (as Kat Baker)
Rachel Michiko Whitney
- Nancy
- (as Rachel Whitney)
Joseph Singletary
- Inmate
- (as Joseph Singletary III)
Amye Gousset
- Judy Baufort
- (as Amye Bousset)
Reseñas destacadas
I was in the movie theater a few weeks ago and saw a poster for this movie which I had never heard of before. It had Oscar Isaac, Tiffany Haddish, Willam Dafoe, and was produced by Martin Scorsese, how had I not heard of it? Then, a few minutes later, I saw the trailer. It looked interesting, showing an army veteran going into gambling while dealing with his past. It seemed like it would be pretty good.
Key word there is "seemed"
This movie started off pretty well, with Oscar Issac's character playing blackjack while, in typical Scorsese fashion, narrating to us how counting cards works. However, it's only downhill from there. The movie seems to have an identity crisis, with two different plots that never seem to mesh together well. Not to mention the fact that either plot really isn't that interesting. The card playing scenes are the best parts of the movie, but it takes forever to get to them.
(Side Tangent: You gotta love how this movie's about someone who learned how to cheat at blackjack, and then spends the whole movie playing poker. Like, it's literally the title of the movie, how do you mess this up? Tangent over.)
One of the few good things about this movie is the performances. While the script is pretty meh, the cast does the best they can with it, and they do well. I mean, they're basically reading nothing, but at least they read it well.
"The Card Counter" had promise, but almost instantly fell on its face. The slow pacing, the bland story, and the general lack of any real substance to anything happening makes it a rather forgettable movie. There isn't much to gain from watching this, so don't feel bad if you miss it. There's much better things to watch right now.
Key word there is "seemed"
This movie started off pretty well, with Oscar Issac's character playing blackjack while, in typical Scorsese fashion, narrating to us how counting cards works. However, it's only downhill from there. The movie seems to have an identity crisis, with two different plots that never seem to mesh together well. Not to mention the fact that either plot really isn't that interesting. The card playing scenes are the best parts of the movie, but it takes forever to get to them.
(Side Tangent: You gotta love how this movie's about someone who learned how to cheat at blackjack, and then spends the whole movie playing poker. Like, it's literally the title of the movie, how do you mess this up? Tangent over.)
One of the few good things about this movie is the performances. While the script is pretty meh, the cast does the best they can with it, and they do well. I mean, they're basically reading nothing, but at least they read it well.
"The Card Counter" had promise, but almost instantly fell on its face. The slow pacing, the bland story, and the general lack of any real substance to anything happening makes it a rather forgettable movie. There isn't much to gain from watching this, so don't feel bad if you miss it. There's much better things to watch right now.
William Tell is a gambler and former serviceman released from prison who sets out to reform a young man seeking help to execute a plan for revenge on a military colonel.
Writer/director Paul Schrader offers a immersive arthouse, character driven drama. It avoids all the glitzy settings, putting the underbelly of gambling on display from the point of view of a flawed, troubled, gifted card-counter with no abode on display.
Oscar Isaac delivers a multilayered method acting performance and commands the screen. Tiffany Haddish does a great turn at acting. Notable is edgy Tye Sheridan. Willem Dafoe screen time is limited but impactful and essential. Robert Levon Been music is completely fitting, like the on location feel adding atmosphere and credence.
Isaac's voice over is utilised well and welcomed like Schrader's haunting telling dream sequences. It's not mainstream viewing and this may be a godsend for some in a flooded market of mediocre, it's not the greatest film ever made but it's gripping and well made in its own right.
Overall, its grim, compelling and has a lot to say about the society, the military and revenge without spoon feeding it to the viewer.
Writer/director Paul Schrader offers a immersive arthouse, character driven drama. It avoids all the glitzy settings, putting the underbelly of gambling on display from the point of view of a flawed, troubled, gifted card-counter with no abode on display.
Oscar Isaac delivers a multilayered method acting performance and commands the screen. Tiffany Haddish does a great turn at acting. Notable is edgy Tye Sheridan. Willem Dafoe screen time is limited but impactful and essential. Robert Levon Been music is completely fitting, like the on location feel adding atmosphere and credence.
Isaac's voice over is utilised well and welcomed like Schrader's haunting telling dream sequences. It's not mainstream viewing and this may be a godsend for some in a flooded market of mediocre, it's not the greatest film ever made but it's gripping and well made in its own right.
Overall, its grim, compelling and has a lot to say about the society, the military and revenge without spoon feeding it to the viewer.
I thought this film was going to be about a blackjack player, but I was pleasantly surprised that it was more of a Texas Hold'em experience. The film was directed by the talented Paul Schrader and stars Oscar Issac as the gambler. It also features Willem Dafoe in a cameo. The Dafoe character is very shallow, and we have no idea about how he became the person he was. However, the character exploration of William is much better. Two other characters are also featured; Tiffany Hadish as La Linda, the romantic interest for William, and. Tye Sheridan as Cirk (as in jerk). Too much Abu Gharib torture crap and not enough pyscho-poker. At times, vaguely reminiscent of Taxi Driver due to the driven personalities of the similar protagonists, but Taxi Driver far more effective. A decent take on the miserable, lonely, depressing, and meaningless existence of gamblers, and how casinos are not exciting and fun places to be; they are quite the opposite. Family is far more important.
Too depressing without getting anywhere. Using music and all the scenes to create the dark and ruthless vibe, without actually letting the emotions to go places. 95% of the time it's too plain for my taste. It does discuss some deeper issue, like torturing, interrogating, revenge, PTSD, etc. It has a real tragic ending. Not a bad movie, not far from being good. Just the plot way too empty.
Whenever I see "such and such presents" on the cover of a movie I think to myself oh no, this movie obviously isn't very strong and they need to attach a good filmmaker's name to it to try and trick people into thinking it's good. I hoped that wouldn't be the case with 'The Card Counter' but it absolutely was. This movie was a bit of a mess.
There are a lot of scenes where the lead character narrates different casino games and explains how best to win them. There is the odd interesting one like the card counting explanation, however most of them are embarrassing to listen to when you know a thing or two about casino games. They are both over-dramatised and over-simplified at the same time.
The film itself is just bizarre. Characters find connections without the film doing anything to sell them to us. We are just supposed to accept them. It's really odd. Also for a large portion of the film we have no idea what the point is. Things just kind of drift along and you wonder why you are even watching this. Then at the end it tries to make up for all that lost time, but again it is just so out of place, unearned and unusual that it has no effect on you at all.
I wanted to like this film, I really did. The premise sounded so good in the synopsis. I assure you though, the promise of "cinematic intensity" is not lived up to for one minute. This is one of the least intense films I've ever witnessed. I'll generously give this a 5/10. Not one I'd recommend.
There are a lot of scenes where the lead character narrates different casino games and explains how best to win them. There is the odd interesting one like the card counting explanation, however most of them are embarrassing to listen to when you know a thing or two about casino games. They are both over-dramatised and over-simplified at the same time.
The film itself is just bizarre. Characters find connections without the film doing anything to sell them to us. We are just supposed to accept them. It's really odd. Also for a large portion of the film we have no idea what the point is. Things just kind of drift along and you wonder why you are even watching this. Then at the end it tries to make up for all that lost time, but again it is just so out of place, unearned and unusual that it has no effect on you at all.
I wanted to like this film, I really did. The premise sounded so good in the synopsis. I assure you though, the promise of "cinematic intensity" is not lived up to for one minute. This is one of the least intense films I've ever witnessed. I'll generously give this a 5/10. Not one I'd recommend.
¿Sabías que...?
- CuriosidadesThis a truly independent film; every one who gave money got an exec producer credit. At 20 E.P. credits in the opening credit reel it is a Hollywood record.
- PifiasThe blackjack tables are missing the "hole card peeker" mirror that is needed so the dealer can look at the corner of his hole card to determine if he has 21 without bending the card and without seeing its value.
Although the blackjack table "hole card peeker" exists most casinos, there are plenty casinos that do not have this. The dealers check it the old fashioned way.
- Citas
William Tell: [voiceover] The feeling of being forgiven by another and forgiving oneself are so much alike, there's no point in trying to keep them distinct.
- Banda sonoraEruptar
Written by Robert Levon Been (as Robert Levon Been)
Performed by Robert Levon Been (as Robert Levon Been)
BMG (ASCAP)
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
- How long is The Card Counter?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- The Card Counter
- Localizaciones del rodaje
- Gulfport Harbor Lights Winter Festival - 2269 Jones Park Dr, Gulfport, Mississippi, Estados Unidos(Tell and La Linda walk into Garden Glow)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 2.657.850 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 1.039.580 US$
- 12 sept 2021
- Recaudación en todo el mundo
- 5.040.860 US$
- Duración1 hora 51 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta