PUNTUACIÓN EN IMDb
7,1/10
11 mil
TU PUNTUACIÓN
Un hombre de ascendencia coreana que creció en el Bayou de Luisiana trabaja duro para ganarse la vida por su familia. Se enfrenta a los fantasmas del pasado cuando descubre que será deportad... Leer todoUn hombre de ascendencia coreana que creció en el Bayou de Luisiana trabaja duro para ganarse la vida por su familia. Se enfrenta a los fantasmas del pasado cuando descubre que será deportado del único país al que alguna vez llamó hogar.Un hombre de ascendencia coreana que creció en el Bayou de Luisiana trabaja duro para ganarse la vida por su familia. Se enfrenta a los fantasmas del pasado cuando descubre que será deportado del único país al que alguna vez llamó hogar.
- Premios
- 1 premio y 8 nominaciones en total
Martin Bats Bradford
- Lajon
- (as Martin Bradford)
Reseñas destacadas
I really enjoyed this movie. It was very emotional and moving. Definitely one of the best dramas I've watched this year. Hats off to Justin Chon for making an amazing film. 8 stars.
What a beautiful and poignant story. The characters are real, tugs at the heartstrings and lays bare the total lack off empathy in the modern immigration processes. The fact that it depicts real life anguish makes this film signifficant. I really hope it can pass it's message to millions and help to tear down the wall.
This is a nice emotional family drama. Its story is beautiful, real, sad, and heartbreaking. It also tackles an important topic and spreads awareness about a serious issue. My only issue with it is that it has many subplots that makes it a bit distant and messy sometimes. Performances are solid by both Chon and Vikander.
"Blue Bayou" (2021 release; 116 min.) brings the story of Antonio Leblanc. As the movie opens, Antonio is interviewing for a job and turned down. From the interview we learn that he was born in Korea and adopted at a young age by a family in Louisiana. Antonio is married to Kathy, who is highly pregnant with the couple's first child (Kathy has a young daughter Jessie from a prior marriage). Kathy's ex is a New Orleans cop. One day, he and another cop harass Kathy and end up viciously beating and arresting Antonio, who before we understand what is happening is facing deportation to Korea... At this point we are 15 min into the film but to tell you more of the plot would spoil your viewing exprience, you'll just have to see for yourself how it all plays out.
Couple of comments: this film is a labor of love from leading actor/writer/producer/director Justin Chon. Here he brings a fictional story (loosely based on actual facts) of how an adopted person who has lived in the US for decades still may face deportation, and faster than you may think is possible. What exactly causes this to happen is the crux of the entire film so I'm not going into details about this. The movie benefits enormously from the heartfelt performances of Justin Chon (as Antonio), newcomer Sydney Kowalske as 5 yr. Old Jessie and lst but certainly not least Oscar-winner Alicia Vikander ("The Danish Girl"), pretty much unrecognizable as Kristy (it wasn't until the end credits rolled that I realized it was indeed Vikander). These performances carry the film. That doesn't mean that the film is flawless: the script is at times uneven. And the camera work contains far too many extreme closeups and handheld footage. And yes, the movie does contain the classic title track song, but not by Roy Orbison or by Linda Ronstadt. Instead we hear it covered by... Alicia Vikander! Yes, not only is she a top actress and stunningly beautiful, but she can also sing. Oh yes, she can!
"Blue Bayou" premiered at this year's Cannes Film Festival to positive acclaim, and the film opened in select theaters in late September. The Sunday early evening screening where I saw this at my local arthouse theater here in Cincinnati was attended so-so (7 people in total, including myself). Regardless, if you are in the mood for a heavy duty family drama that is likely to raise the hairs on your arms, I'd readily suggest you check this out, be it in the theater (if you still can), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.
Couple of comments: this film is a labor of love from leading actor/writer/producer/director Justin Chon. Here he brings a fictional story (loosely based on actual facts) of how an adopted person who has lived in the US for decades still may face deportation, and faster than you may think is possible. What exactly causes this to happen is the crux of the entire film so I'm not going into details about this. The movie benefits enormously from the heartfelt performances of Justin Chon (as Antonio), newcomer Sydney Kowalske as 5 yr. Old Jessie and lst but certainly not least Oscar-winner Alicia Vikander ("The Danish Girl"), pretty much unrecognizable as Kristy (it wasn't until the end credits rolled that I realized it was indeed Vikander). These performances carry the film. That doesn't mean that the film is flawless: the script is at times uneven. And the camera work contains far too many extreme closeups and handheld footage. And yes, the movie does contain the classic title track song, but not by Roy Orbison or by Linda Ronstadt. Instead we hear it covered by... Alicia Vikander! Yes, not only is she a top actress and stunningly beautiful, but she can also sing. Oh yes, she can!
"Blue Bayou" premiered at this year's Cannes Film Festival to positive acclaim, and the film opened in select theaters in late September. The Sunday early evening screening where I saw this at my local arthouse theater here in Cincinnati was attended so-so (7 people in total, including myself). Regardless, if you are in the mood for a heavy duty family drama that is likely to raise the hairs on your arms, I'd readily suggest you check this out, be it in the theater (if you still can), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.
His biggest film yet in a career that still feels as though its only just beginning, actor, Youtuber and director Justin Chon delivers his biggest project yet in the form of the New Orleans set immigration themed drama Blue Bayou, a familiar feeling character drama that is nevertheless an effective and emotionally engaging experience with great performances from the multi-tasking Chon and the radiant Alicia Vikander.
Perhaps most well known in popular culture as Eric from the Twilight saga, Korean blooded Chon delivers a heartbreaking performance as down on his luck tattoo artist, one time felon and family man Antonio LeBlanc, who finds his workmanlike life turned on its head when he faces the possibility of being deported from the United States after a run in with the law and a discovery that his adoptive American parents never filed the correct paperwork to legally declare him an American citizen.
Based around some confronting home truths occurring in the United States in this present day when it comes to their dealings with long term citizens but not legally recognized ones, Bayou hits fairly hard when its stars align and the chemistry between Chon and Vikander as his long suffering but devoted wife Kathy and her daughter Jessie (a nice turn from young actress Sydney Kowalske) ensures that this intimate and raw humanly centered drama makes for some of 2021's most touching moments as the LeBlanc's try their best to keep their heads above water with the past and present converging to hold them under.
Shot in a documentary like manner, with Chon keeping things focused tight on his films subjects on most occasions throughout, Bayou never feels Hollywoodized or materialistic and even while it has a few too many narrative devices that don't feel fully formed or too convenient for dramatic tension, the performances and honesty on show here will keep willing audiences involved throughout its entirety.
As an added bonus to the film itself, its reliving too see the talented Vikander as good she's been in years, with a rough period of recent times that includes the likes of Beckett, Earthquake Bird, Jason Bourne and Tulip Fever all failing to make a mark or give material worthy to the talented performer who shone so bright in the likes of Ex Machina and The Light Between Oceans, Vikander's performance here in Chon's tale is a stern reminder that she's one of the best working in the industry today when picking the right projects.
Final Say -
It doesn't rewrite the dramatic rulebook and follow's a fairly well-worn path too its emotional climax but Blue Bayou signals both a return to form for Alicia Vikander and an official announcing of Chon as a filmmaker to get excited about.
4 sausages out of 5.
For more reviews check out Jordan and Eddie (The Movie Guys)
Perhaps most well known in popular culture as Eric from the Twilight saga, Korean blooded Chon delivers a heartbreaking performance as down on his luck tattoo artist, one time felon and family man Antonio LeBlanc, who finds his workmanlike life turned on its head when he faces the possibility of being deported from the United States after a run in with the law and a discovery that his adoptive American parents never filed the correct paperwork to legally declare him an American citizen.
Based around some confronting home truths occurring in the United States in this present day when it comes to their dealings with long term citizens but not legally recognized ones, Bayou hits fairly hard when its stars align and the chemistry between Chon and Vikander as his long suffering but devoted wife Kathy and her daughter Jessie (a nice turn from young actress Sydney Kowalske) ensures that this intimate and raw humanly centered drama makes for some of 2021's most touching moments as the LeBlanc's try their best to keep their heads above water with the past and present converging to hold them under.
Shot in a documentary like manner, with Chon keeping things focused tight on his films subjects on most occasions throughout, Bayou never feels Hollywoodized or materialistic and even while it has a few too many narrative devices that don't feel fully formed or too convenient for dramatic tension, the performances and honesty on show here will keep willing audiences involved throughout its entirety.
As an added bonus to the film itself, its reliving too see the talented Vikander as good she's been in years, with a rough period of recent times that includes the likes of Beckett, Earthquake Bird, Jason Bourne and Tulip Fever all failing to make a mark or give material worthy to the talented performer who shone so bright in the likes of Ex Machina and The Light Between Oceans, Vikander's performance here in Chon's tale is a stern reminder that she's one of the best working in the industry today when picking the right projects.
Final Say -
It doesn't rewrite the dramatic rulebook and follow's a fairly well-worn path too its emotional climax but Blue Bayou signals both a return to form for Alicia Vikander and an official announcing of Chon as a filmmaker to get excited about.
4 sausages out of 5.
For more reviews check out Jordan and Eddie (The Movie Guys)
¿Sabías que...?
- CuriosidadesJustin Chon worked closely with a speech coach as he developed his character, whose accent is based on three actual people.
- PifiasAntonio takes a card out containing the number of his last foster mother, Susanne. But, according to his lawyer, Susanne lives in St Francisville, LA. The number 504-165-8704 would not be correct, 225 is the area code for St Francisville.
- Citas
Antonio LeBlanc: I'm not leaving my family.
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- How long is Blue Bayou?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Dòng Nước Xanh
- Localizaciones del rodaje
- Nueva Orleans, Luisiana, Estados Unidos(Film setting)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 788.675 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 329.840 US$
- 19 sept 2021
- Recaudación en todo el mundo
- 919.649 US$
- Duración1 hora 57 minutos
- Color
- Relación de aspecto
- 1.66 : 1
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