Detective Dee y el misterio de la llama fantasma

In 689 A.D., the Empress Wu Zetian (Carina Lau) is building a 66 m high statue of Buddha for her inauguration as the first empress of China under the objections and conspiracy of the other clans.

When the engineer responsible for the construction mysteriously dies with a spontaneous combustion of his body, the superstitious workers are afraid since the man removed the good luck charms from the main pillar. There is an investigation of Pei Donglai (Chao Deng) and another investigator that also dies after withdrawing the amulets.

Empress Wu assigns her loyal assistant Shangguan Jing'er (Li Bing Bing) to release the exiled Detective Dee (Andy Lau) from his imprisonment to investigate with Donglai and Jing'er the mystery of the deaths. They ride in a mystic and epic adventure to unravel the mystery.

"Di Renjie" is a mystic and melodramatic adventure with a magnificent cinematography and wonderful choreography of fights. However, the plot entwines action with moments of soap-opera that might be culturally appreciated by Asian viewers, but absolutely boring and breaking the pace of the first-half of the film. My vote is six.

Title (Brazil): "Detetive D e o Império Celestial" ("Detective D and the Celestial Empire")

This is a visually sumptuous and stunning-looking film by Tsui Hark who has directed or produced some of the classic Hong action films of the last 25 years. The Hark films I've seen, which often have great fight sequences, are hit and miss in terms of the cohesiveness of the stories, though when they work the films can be fabulous (Peking Opera Blues, the Once Upon A Time In China, series, etc.)

This period film has an interesting mystery at its heart with lots of red herrings and twists. The story follows Detective Dee as he's brought out of his political imprisonment to investigate a series of murders during the lead-up to the coronation of the first female Emperor. There some plot inconsistencies and problems, but they're small. The lead actors are all very good, including Andy Lau, Bingbing Li, Carina Lau, and Chao Deng. All in all, it's a compelling film not overloaded with action-for-the-sake-of-action that looks at an interesting period in China's history.

There's some very good things to say about this film. Great set pieces, wonderful camera work and some very good actors. Colourful, historic and epic in its aims, with some great but not overly violent martial artistry.

Yet for all that it ticks off on the list, it's just not very engrossing.

The detective story is a bit convoluted and tries to marry magic, superstition, rationalism and surprise. Yet, it gets all a little too confusing and not something you can accept. I agree that you have to suspend disbelief, but you are meant to be figuring out the mystery and you just lose interest when some of the revelations are made. Some of it is clever but too left-field to admire.

This is just a disappointment. I just couldn't get into this, I watched to the end and was left just underwhelmed. As said, I liked a number of things about this film, yet the sum of its parts is definitely not less than the whole.

A super-sized fantasy epic -- and a cracking good mystery story -- from a director who, for this viewer's money, has never completely lost his mojo, despite some box-office and critical misfires in recent years. DETECTIVE DEE carries on the tradition of exhilarating visual craftsmanship that Tsui Hark has demonstrated on many of his pictures over the years, only here it's fronted by a franchise-worthy leading figure in real-life Tang Dynasty forensic detective De Renjie (Andy Lau), and buttressed with Tsui's inimitable visual zest and a smart, politically-tinged and ultimately very satisfying mystery narrative in which senior government officials spontaneously combust from the inside out. As in his best costume fantasies (and even a couple of his not-so-best, such as LEGEND OF ZU), Tsui again conjures some of the most captivating scenery yet seen in a Chinese film, including a 200-foot tall statue-in-progress of Buddha (complete with scaffolding and suspension bridges connected to a central tower) that figures prominently into a spectacular plot to kill the wicked and divisive Empress Wu (Carina Lau), and the underground Phantom Market, a massive, forbidding, fire-lit city of caves wherein a key witness (Richard Ng) resides. Opulent palace interiors have been seen in countless Chinese films and TV series over the years, but feel fresh here -- I don't know if it's simply new sets, new set dressing or new camera angles, but it all feels purpose-built for this production (perhaps it was?). Sammo Hung's choreography is impeccably designed and flawlessly edited, and loaded with the kind of soaring wireworked wuxia you may not realize you sorely missed in Hong Kong/Chinese action movies because so many people have knocked it nearly every time it has been used in the last decade. The film's plentiful CGI is, for the most part, seamlessly integrated, such is the level of technical expertise of contemporary effects houses across Asia, in this case armies of computer jockeys in Korea and Hong Kong (their only weak spot perhaps being an onslaught of battling deer, which are just enough left-of-field to make up for any weaknesses in their rendering). Despite being largely a Mainland production (as far as I know), this has the heart and soul of a classic Hong Kong fantasy, particularly those of it's ace director, albeit one made with much cooler modern filmmaking toys. (Viewed at TIFF 2010)

Di Renjie zhi tongtian diguo or Detective Dee and the mystery of the phantom flame is a Chinese fantasy movie that takes place during the Zhou Dynasty when the first and only Chinese empress Wu Zetian started her reign. The cold, cruel and somewhat megalomaniac woman that wants to rule on her own accord and who killed several potential enemies in the past is now menaced days before her crowning. After the mysterious death of two people during the construction of a giant Buddha statue in front of the emperor's residence, she asks the Chaplain, a sort of state preceptor who speaks through a magical deer, for help. He gives her the advice to recruit the banned Detective Dee who had openly accused the empress for having possibly killed her late husband and who was one of the leading persons in a growing revolution eight years ago. Even before Detective Dee can be contacted, a group of assassins tries to kill him and another prisoner but they ultimately fail. Intrigued by the strange murders and the will to make peace with his past, Detective Dee soon discovers that black magic seems to be the cause of the deaths. Accompanied by the empress' charming but mysterious attendant and an albinistic officer in the penal system, Detective Dee has to put the pieces of the puzzle together before the crowning of the empress takes place and soon discovers a well organized conspiracy with the goal to kill the empress.

This movie has a historic background that is though not developed in a profound way. The film rather focuses on fantastic elements around black magic, a few mild suspension moments and a couple of artistic action choreographies done by some of the best experts of several outstanding Hongkong action movies of the late eighties and early nineties. This film though wastes a little bit of potential on here as it turns out to be too diversified to truly convince in any of the genres it touches and as it lacks of a few more developed cultural and historical bits and pieces that would make the final result more authentic.

Apart of the action choreographies, a true highlight are definitely the buildings, costumes and masquerades in the movie that were created in a very precise and professional way as it often happens to be in contemporary Chinese movies. On the other side, the special effects are less impressive and often to artificially flavoured so that they destroy the movie's certain kind of magic a few times. That's where Hollywood is still slightly ahead of modern Asian cinema.

While the story of this movie definitely has a few good points and a couple of small twists as well, there are still some negative factors. One never really gets to know why the two persons in the beginning of the movie really had to die instead of killing the empress in an unexpected way during her crowning. The movie also has a few anachronisms such as way too modern ships in the harbour and the diplomat in the beginning of the film whose identity and role remains strangely unresolved. These flaws are pardonable if you take this movie as a fictional film only.

In the end, you get an entertaining fantasy movie with a solidly suspenseful story, well done choreographies and stunning costumes. The movie though has no truly innovating elements, surprising moments or touching scenes. It has without a doubt a certain kind of magic after all but it is sometimes too professionally done to touch the people. This movie is rather ordinary in comparison to what the gifted director Tsui Hark has done in the past but it's still one of the more entertaining Asian movies from 2010. After all, I guess I would only recommend this film to long time fans of Asian cinema as well as of stunning costumes and artistic choreographies. I would go for a loan instead of an immediate purchase as the film is surely entertaining but nothing outstanding enough to be a worthy addition to a film collection of an Asian cinema maniac.