Nuevo sabor a cereza

There are "David Lynch vibes". Lost highway, maybe Mulholland drive. In my opinion, it's got nothing to do with Cronenberg.

90's /early 00's aesthetic. Weirdness, witchcraft, multi-layered characters. Catherine Keener is magnificent. If you are into bizarre mystery movies with horror elements and a few funny scenes, you will like this.

Nevertheless, there are downsides. The ending is not bad, but it's not very good/cathartic either, it feels like a mid season finale.

You also don't feel much tension, you don't feel 100% the horror and the agony of the characters , it's a little bit superficial and shallow. Maybe this was exactly the creators' choice, lighten up a bit. If so, it's not a bad choice, but i would prefer it darker.

To sum up, it keeps your attention right to the very end and it's entertaining. I am glad i watched it and i would like to see a second season.

*Pros* The main actress (Rosa, playing Lisa) is amazing! It was a very demanding role, which she nailed & completely sold the story. Boro, Lou and Alvin (the funny producer man), were also brill. -- The premise is solid, and time is taken towards enabling us to really resonate with the main character. -- I like the cinematography; and filming locations. -- The hair, makeup & fashion departments deserve a shout out.

I really enjoyed it & it's addictive. And would recommend if you like this genre. Especially if you like AHS.

*Cons* In episodes 1-5, the character's behaviours and motivations made sense & were moderately realistic. And that's what made it so engaging. However, from ep. 6 onwards, characters would behave in ways that are unusual / illogical / counterintuitive. (However, I appreciate that sometimes this is necessary to push the story forward.) -- A lot of plot holes and unanswered questions. -- I think they could have benefited from making the main character more compassionate in some situations involving innocent parties. -- I would have slightly toned down the gruesomeness; it started to get predictable that if we see something gross... someone is going to eat it.

It's always nice when something new comes along. They need to take more chances like this. It's not anything extraordinarily crazy but it is a new take on older things. The acting is done well and the characters keep you interested in wanting to know what is going to happen to them. It's a darker tone with just a little bit of humor thrown in very rare which is nice because it doesn't have a confusing tone. It's only trying to be one thing and that's what it is. I myself was not familiar with any of the actors aside Catherine Keener Who plays her character very well in this. Even not being familiar with the other actors they all seem to be pretty organic and believable. It's definitely not for everyone it has more of a horror tone than anything. But it's not the typical hacker slasher that most stuff seems to be these days. It also has elements of a psychological thriller. If you're looking for something new and different give it a try, I would recommend it.

A Netflix series that follows the descent into hell of a young woman (Rosa Salazar) dreaming of making it big in the Hollywood. We discover how far she must go to make a feature film, and to do that, she has to put up with lots of vomiting kittens, occult and revenge in equal measures. It relentlessly portrays the power dynamics, revenge and the consequences that arise from it. In the later course of the series, these developments are also reflected in grotesque body horror, which uncomfortably unites a weird melange of genres. Combined with Rosa Salazar's impressive screen presence and Catherine Keener's provocative portrayal of Boro.

However the 2nd half of the series took a downturn with cheesy moments and forced storylines. The series starts off compelling and then just kind of goes off the deep end with weak dialogues and rushed screenplay. It recalls Asia Argento's Scarlet Diva, films of David Cronenberg, Lucile Hadzihalilovi, some Hong Kong Cat III sleaze-fest, Nicolas Winding Refn aesthetics, and tries hard to be Lynchian. There's Patrick Fischler who is famous for the Winkie's scene in Lynch's "Mulholland Drive" as Alvin Sender. I felt like this had a lot of potential but I just wasn't enjoying myself anymore in the last half but it partially attempts to get back on track towards the very end and feels rushed.

There is comic relief, Jonathan who plays Lou's son and I don't know if it was intentional or not. His role was very amusing. Even the kitten puking thing will begin to seem more normative after repeated. Felt it was stretched, I was even laughing. I see the "gore" the series was after, but it didn't come through in full circle except for the fisting scene.

In any case, Brand New Cherry Flavor is one of those visual experiences that is truly one horrifying series, but the horrifying doesn't really feel earned. A lot of weird feelings surrounding this series. This will definitely be a hard slog for general viewers for it's uncanny atmosphere even if it doesn't necessarily pay it off but will leave a lasting impression for those who can go into this series with an open mind.

It's SO DIFFICULT to find stuff done like this that is not half-measured, watered down or censored to impotency.

This series is surreal horror in the vein of Cronenberg, Kafka and Burroughs, and it's done RIGHT.

The cast is SPECTACULAR, the effects are top notch and the overall design is perfect. Yeah, it's weird, really weird. But it's totally grounded in great dialog, a completely digestible story and a surreal mind bending plot.

If you're looking for PG screamfest, this isn't it. But this is SO much better than this sort of thing has been for years. And it does not fall off as it goes.

Eighty-six stars.