El hombre del presidente

As good as expected. Powerful performances, tense, good pace, very well shot, magnificent use of shadows and dark scenarios in line with the theme.

Koreans know how to tell the stories of their history. I would be so proud if Portugal was capable to do something similar with our rich history...

The possession of power often leads people to lose their way and forget their initial intentions. In the movie, through Lee Byung-hun's internal struggle, it highlights how those in power can become wrapped up in their position, eventually feeling that they are the most important. They start expecting others not to betray them, displaying a certain level of selfishness. While there are quite a few movies about political maneuvering, this film also gives us insights into Korea's historical background. It really reminds me of China's ancient emperor system and the ongoing military conflicts in many countries. The truth is, people often don't ask for much, but someone always climbs up and becomes a leader, managing the masses. It's a reflection of both human nature and animalistic tendencies.

The movie is based on a political history and its backstage dark site. It is sad, South Korea had dictators which weren't that long time ago. But,however it is free from its dictators now, however it gained its desirable democracy.

I don't know how the movie portraits Kim as a patriot or as a traitor. But,his acting was amazing and other cast did a great job.

A slow-burning political drama from South Korea, this one tells the true story of a military dictatorship of the 1970s and how it ended in an abrupt and bloody fashion. It's anchored by a wonderfully underplayed and sensitive turn from Lee Byung-hun, aided by a strong cast. It's a really slow moving piece that nonetheless captures you with its icy realism and attention to detail, the political backdrop carefully depicted. The last half an hour is as tense as they come.

A compelling political thriller set in South Korea that painstakingly recreates the tense forty days before President Park Chung-hee was assassinated in 1979. Based on actual historical occurrences and Kim Choong-sik's nonfiction book, the film tells a slow-moving yet incredibly captivating story, propelled by Lee Byung-hun's understated yet captivating portrayal of Kim Gyu-pyeong, the KCIA director divided between conscience and loyalty. The film captures the oppressive ambiance of political anxiety with its subdued color scheme, methodical pacing, and incisive cinematography, where power struggles take place in quiet, calculated maneuvers and alliances change like shadows. Although it stays away from sensationalism, its subtle tone heightens the moral ambiguity and makes the finale all the more unavoidable and terrifying.