Sin señas particulares

Numerous aspects of this film are outstanding.

The cinematography is breathtaking, the camera capturing what is beautiful in the borderland. For once, justice is done to the nuanced flora, fauna, terrain, and architecture of this region so plagued with one-dimensional portrayals. And it shows the beauty of the people. Yet this only serves to intesify the first-person experience of what violence ravashes so beautiful a place. By grounding a story of Hell in lush Eden, the filmmakers humanize a narrative that would otherwise be overlooked by reductive stereotypes.

Symbolic imagery is worked into the narrative with truly uncommon delicacy: scenic shots of upside down landscapes and a profaned church are together a meditation on the desecration of the land. Intentional closeups on faces are icons. The one unholy icon was appropriately vile - meaningful in light of the smoldering spirituality of this film.

Most impressive of all, however, is the bravery of the filmmakers to create such an honest portrayal of the cartels. It is thoroughly damning in every sense of the word. One is left to wonder how they navigated the filming process - the real border, government and cartel checkpoints, all in an area that is, at present, actually controlled by the cartel. Are those involved with the film currently safe? It undoubtedly took immense courage to take on such a risk, when mum's the word, as the film so unflinchingly shows.

This is a very good movie with great production values, an excellent cast, and some very good performances. But it's a very bleak movie, it's very somber and realistic and it shows the blurred lines between the Mexican police, the military and the cartels. It really shows the truly diabolical nature of the cartels and what Mexico has to deal with.

End the war on drugs and the cartels cease to exist. America has essentially created the cartels with this ridiculous war on drugs and Mexico has paid the price.

This movie is to the brain dead (conservative) immigration talking points what Flags of our Fathers is to Letters from Iwo Jima. It's the exact opposite counterpoint and it shows the price of the Mexicans have to pay for their desire to emmigrate to America for a better life.

What's worse, to know that you're son is dead or not to know and keep living with a remainder of hope? A mother decides that she cannot live without knowing and embarks on a search through dangerous, lawless territory full of natural beauty and human bestialities. Very slowly told but very touching as one can feel the emptiness that surrounds the protagonist.

A mother's perilous journey across Militia-run lands inspires. Expertly crafted and shot. Valadez' extraordinary feature debut.

Screenplay...................................... 10 / 10 Acting............................................... 10 Cinematography............................... 10 Sound................................................... 8 Editing................................................ 7 Score....................................................... 6 Timeless Utility................................. 9 Total.................................................... 60 / 70 ~= 8.6 (which I rounded to 9) Verdict................................................. Highly Recommended

A story well shot and told, but far too long and slow. The cinematography is excellent, and Valadez's direction and choice of close-ups, angles, blurs, etc, make it feel like your are walking in the mother's shoes.