Sin señas particulares

What's worse, to know that you're son is dead or not to know and keep living with a remainder of hope? A mother decides that she cannot live without knowing and embarks on a search through dangerous, lawless territory full of natural beauty and human bestialities. Very slowly told but very touching as one can feel the emptiness that surrounds the protagonist.

Numerous aspects of this film are outstanding.

The cinematography is breathtaking, the camera capturing what is beautiful in the borderland. For once, justice is done to the nuanced flora, fauna, terrain, and architecture of this region so plagued with one-dimensional portrayals. And it shows the beauty of the people. Yet this only serves to intesify the first-person experience of what violence ravashes so beautiful a place. By grounding a story of Hell in lush Eden, the filmmakers humanize a narrative that would otherwise be overlooked by reductive stereotypes.

Symbolic imagery is worked into the narrative with truly uncommon delicacy: scenic shots of upside down landscapes and a profaned church are together a meditation on the desecration of the land. Intentional closeups on faces are icons. The one unholy icon was appropriately vile - meaningful in light of the smoldering spirituality of this film.

Most impressive of all, however, is the bravery of the filmmakers to create such an honest portrayal of the cartels. It is thoroughly damning in every sense of the word. One is left to wonder how they navigated the filming process - the real border, government and cartel checkpoints, all in an area that is, at present, actually controlled by the cartel. Are those involved with the film currently safe? It undoubtedly took immense courage to take on such a risk, when mum's the word, as the film so unflinchingly shows.

Sin señas particulares (2020) is a Mexican film shown in the U. S. with the title "Identifying Features." (The literal Spanish translation is "No Particular Signs.") The movie was co-written and directed by Fernanda valadez.

The film stars Mercedes Hernandez as a mother trying to find her son. He has left home with a friend to try to cross the border into the U. S. The friend is dead, and her son's backpack has been found. However, her son's body has not been discovered.

The trailer for this film shows the truth, but not the whole truth. We know immediately that this will be a difficult and desperate search. The question for us is whether she will find him.

However, the movie itself is much more than that. It holds your attention from start to finish, and the plot is not simply what you expect.

Mercedes Hernandez is a superb actor. Fernanda valadez knows how to utilize the skills of Hernandez to their best effect. (The editing is sometimes jarring, but the plot sorts itself out each time.)

We saw this movie on the small screen, where it worked well. We watched it as a screening from the DC Labor FilmFest. Identifying Features has a solid 7.4 IMDb rating. I thought it was even better than that, and rated it 9.

A story well shot and told, but far too long and slow. The cinematography is excellent, and Valadez's direction and choice of close-ups, angles, blurs, etc, make it feel like your are walking in the mother's shoes.

Valadez's film has gone off as a firecracker, winning awards at the most recent Sundance Film Festival. It explores and exposes myths as well as expanding filmmaking tropes on the topic of "borderlands".

This film was directed by Fernanda Valadez but she co-wrote its Sundance Award-winning script with Astrid Rondero.

Its cast include Mercedes Hernández, David Illescas and Juan Jesús Varela. It plot is about Guanajuato mother, Magdalena (played by Hernández) trying to search for her missing son, Jesus (played by Varela) at the U.S./Mexico border.

It some ways, the story becomes an emotional, traumatic road trip, exploring the "border" within fear, anxiety, even looking into surveillance border technology and "coyote" subcultures.