Strawberry Mansion

Give it a try, it's better than half the movies coming out in cinema these days, I wish this had show at my local Cinemas. Decent acting and good comedy.

The greatest surrealist love story since Brazil.

This film takes you on a chaoticly beautiful journey through a fantastical dreamscape that leaves you mesmerized and pondering throughout the entire feature. This movie is quirky, odd, funny, imaginative and above all hopeful. If you have the ability to embrace the abstract and bizarre you will love the journey that it takes you on.

The writing/directing duo of Kentucker Audley and Albert Birney manage to navigate through dreams in an unpretentiously fun manner without sacrificing the narrative (too much).

Watch this weirdness and know beauty.

I loved this movie! The aesthetic is very pretty, I got a bit Wes Anderson-, "The adventures of Baron Munchhausen"-, and Terry Gilliam-vibes from it.

The plot is very interesting. I don't understand the people here that says it doesn't make sense. Yes, it's surreal and the weirdness factor is through the roof, which probably is what confuses them. But I love weird and surreal movies that isn't obvious in any way. I hate being spoon fed what a movie is about (which is probably why I hate new and modern films). I like there to be shrouded parts you really have to think about, and movies you might have to see more than one or two times to get the full picture. Strawberry Mansion is just like that!

It's obvious it is on an bit of a budget, but I think that only adds to the charm. The length was good, but maybe they could've tightened the entire thing up a little bit.

To me it is a good sign when the reviews of a movie is either from people who loved it or from people who hated it, and almost no one that was just "Eh...". To me that is a sure sign the movie is interesting and worth a watch.

Anyway...I loved it and I'll definitely see it several times again!

A film about taxes and dreams, and then a love that seems to transcend the latter (or take place within the latter), Strawberry Mansion is also about taxing dreams, and some potential conspiracy about advertising in dreams. There are lots of dreams. It is unsurprisingly dreamlike and there's something undeniably impactful about it, but I feel like I got lost in both good ways and bad.

Still, more good than bad. I mostly liked this a lot. It's creatively fantastical for something that doesn't look big budget, and I like how so much stuff that sounds goofy on paper was presented with sincerity. It commits to a deeply strange logic and always feels consistent to itself, though I wished I was able to keep up entirely. Some parts are quite moving in ways that are hard to describe.

The experience it provides makes it more than worth digging out. I also thought the music was incredible, and it was cool to learn Dan Deacon was behind it (have heard at least one of his albums before).

At the end of the day, I feel like there's a lot that could be said about Strawberry Mansion; maybe even too much. But I can't say much at the moment. Whether seeing it again or reading up on it will unlock more of its secrets remains to be seen. For all I know, maybe everyone else is similarly lost (again, this is mostly a good thing; feels generally intentional, if just the tiniest bit frustrating).

Oh, it was also funny how much one of the supporting actors in this looked like Nick Offerman.

If you prefer imagination over spectacle, story over CGI, and heart over the sameness and blandness of many movies being released today then this film is for you.

The production value isn't top notch but the story and ideas are original, inventive and exciting. This film percolates in your mind long after viewing.

It's an enjoyable and satisfying journey which I'm sure to take again and again through repeated viewings.