Historia de lo Oculto

Watched at BeAfraidHorrorFestival and BAM!!!! it blowed my mind! One of the best movie of the year. if they had a bigger budget they would have done a masterpiece as The lighthouse. MUST TO WATCH if you love good cinema. <3

Atmospheric, mysterious, somber, oblique, apocalyptic. Goes needlessly off the rails a bit when hallucinogens are introduced in that always-disappointing way which has the filmmaker apparently thinking that gas lighting the viewer into wondering what is real and what is a hallucination is somehow entertaining or clever. It's similar to movies in which something creepy or startling happens but, oh gee, it was just a dream. These tactics are ineffective cliches and almost always bring a movie down a notch or two in my book. Despite these shortcomings this is a pretty cool movie with an impactful inclusion. It does come down to literally the last 30 seconds, in which we see that a stylistic element that had been introduced earlier in the film as seemingly a mere stylistic element is actually part of the story.

Side note: I have to wonder whether the name of one of the antagonists being Belasco is a nod to The Legend of Hell House, the Richard Matheson novel, and if a reference to Beaumont Street is a nod to Charles Beaumont, who wrote some of the best Twilight Zone episodes. This movie does have a very Twilight Zoney feel to it so maybe it's not a coincidence.

Preparing for a special broadcast, the crew of a local news show is getting ready for a potentially explosive story to break regarding a connection between the government and a massive conspiracy, but as time goes on they realize there's more to the encounter than they initially expected.

Overall, this was a highly enjoyable and chilling effort. One of the more enjoyable elements here is the wholly unique and intriguing storyline that serves as a perfect launching point for its burgeoning plot points. Operating as the behind-the-scenes exploits of the crew attempting to use the broadcast and the specifics are known about how important it is to get the facts out involving their relevance and duration, the dialog-heavy plot-points mentioned here about each of the guests keep this one intriguing. The interview-based setup where the film talks with each of the specific guests about their connection to the fabled notebook brought out as the centerpiece of the show serve as a fine counterpoint to the discussions brought about through the show. That brings about the other impressive aspect of the film in the secretive nature of the revelations that come about. With the conversations involving the supposed warlock and the doubting skeptic that tries to bring about a dubious conspiracy theory hiding behind the scenes. The way the conversations go where it spends more time on the secretive nature of their individual history with each other and how that spills into the plot points involving the warlocks' background with the occult and how the tell-all book was written generates a lot of fun moments as the tension builds throughout the night. Once it gets to the final half where the group is trying to bring the issue to a head under a time deadline and the group starts to feel the effects of the potential witchcraft being conducted against them which brings about some enjoyable flashes with the witchcraft affecting them. Overall, these elements give this one a lot to like while there are a few minor issues to be had with the film. The main problem is a simplistic approach by being heavily based on conversations between the crew working in the background on exposing the conspiracy rather than actually generating any action. The low-key style that serves to slowly enhance the escalating dread and suspense about the conspiracy doesn't produce as much action as one might expect since it's either showing the sit-down roundtable interviews or the crew in the backstage area talking about specific points that have to be mentioned. This can be quite dull for those that want more activity in their films, which is all the more pronounced to those who aren't invested in the political intrigue featured. This isn't all that well-explained and can bring the film down somewhat.

Rated Unrated/R: Graphic Language and Violence.

...and we liked that a lot!

Great acting, you really feel like you're watching an old TV broadcast, and the people outside that do transmit an old way of acting on movies of that era.

Good atmosphere, wasn't expecting it to look so old but relatable at the same time.

Of course, the end is a bit frustrating, but it is part of the movie, so it is somehow expected to end that way.

Hope to watch more of this director soon.

"History of the occult" is almost a cosmic political horror, an intriguing story that plays with several figures of speech wrapped in a plot of growing tension, mysticism and strangeness. The direction always seeks to disorient the viewer, but in a positive way, in order to cause an instigating curiosity. With a black and white photograph with few colored details, the feature's aesthetic is one of the points that draw attention, as it speaks to its script, everything is very simple but always very detailed, with light, shadow and three-dimensional effects to cause fear. And tension, many rules are pre-established and a narrative set becomes linear with an occurrence of facts that follows a path, but even so we are lost about the outcome of the work and its subtexts. The performances of "History of the Occult" are good for a low-budget film, the ramifications of its script are great and its horror construction too, in fact, the film scares, not in a silly and fleeting way, we were really amazed by its subtleties . 8/10 grade.