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- Dirección
- Guión
- Reparto principal
- Premios
- 7 premios y 19 nominaciones en total
Resumen
Reviewers say Joker: Folie à Deux received mixed reactions, highlighting Joaquin Phoenix's and Lady Gaga's performances. The musical transformation was criticized for disrupting the original's dark tone. The plot was seen as aimless and lacking emotional depth, though some appreciated the exploration of Arthur Fleck's mental state and the Joker-Harley relationship. Pacing and predictability were frequent criticisms, yet a few reviewers valued the film's bold, unique approach.
Reseñas destacadas
The story falls flat due to weak writing. While a few scenes are dramatically well-executed, they fail to captivate the audience, making the movie feel tedious from the start. The progression in both writing and direction is lacking, raising the question of whether a sequel was necessary in the first place.
Joaquin Phoenix once again delivers a remarkable performance, but it is difficult to fully appreciate or enjoy it given the film's flaws.
Lady Gaga's portrayal of Harley Quinn is underwhelming.
Even Todd Phillips' competent direction does little to elevate the movie.
I don't recommend watching this film. Instead, revisit the original "Joker."
Joaquin Phoenix once again delivers a remarkable performance, but it is difficult to fully appreciate or enjoy it given the film's flaws.
Lady Gaga's portrayal of Harley Quinn is underwhelming.
Even Todd Phillips' competent direction does little to elevate the movie.
I don't recommend watching this film. Instead, revisit the original "Joker."
Before watching the movie, I avoided reading reviews or watching trailers because I had incredibly high expectations. With stars like Joaquin Phoenix and Lady Gaga, I was hoping for an intense and profound portrayal of the Joker-a character known for his dark, complex, and psychopathic nature.
While Phoenix and Gaga give solid performances, the film falls flat in delivering the story we all wanted. Instead of diving deep into the Joker's twisted psyche, we're given an odd mix of musical numbers and dance sequences that feel out of place, often popping up every few minutes without any real purpose. The Joker's torment, his darkness, and his complexity-all of that is missing.
What makes it worse is that we all know this isn't the *real* Joker from the comics or earlier films. But even with that freedom, the movie wastes the potential to explore the more psychological, chaotic side of the character. Instead, we're left with a shallow version of what could've been a gripping dive into madness.
The supporting characters, like Harley Quinn (played by Gaga), are equally underserved. Instead of playing into their notorious, toxic dynamic, her character feels one-dimensional, with little depth to their connection. The lack of meaningful interaction between the Joker and figures like Murray Franklin or even Arkham inmates drains the story of any tension or intrigue.
It's a real shame because, with the right direction, this could've easily been one of the best films of the year. Instead, it's a disappointment. Save yourself the time and money-this one doesn't live up to the hype.
While Phoenix and Gaga give solid performances, the film falls flat in delivering the story we all wanted. Instead of diving deep into the Joker's twisted psyche, we're given an odd mix of musical numbers and dance sequences that feel out of place, often popping up every few minutes without any real purpose. The Joker's torment, his darkness, and his complexity-all of that is missing.
What makes it worse is that we all know this isn't the *real* Joker from the comics or earlier films. But even with that freedom, the movie wastes the potential to explore the more psychological, chaotic side of the character. Instead, we're left with a shallow version of what could've been a gripping dive into madness.
The supporting characters, like Harley Quinn (played by Gaga), are equally underserved. Instead of playing into their notorious, toxic dynamic, her character feels one-dimensional, with little depth to their connection. The lack of meaningful interaction between the Joker and figures like Murray Franklin or even Arkham inmates drains the story of any tension or intrigue.
It's a real shame because, with the right direction, this could've easily been one of the best films of the year. Instead, it's a disappointment. Save yourself the time and money-this one doesn't live up to the hype.
Joker: Folie à Deux, a sequel that disappoints, Joaquin Phoenix and Lady Gaga offer a good performance giving life to two tormented and complex characters. However, it is the story that is full of holes.
While the first film had won us over with its psychological depth and its powerful social criticism, this second chapter seems to struggle to find its own identity. The plot, at times fragmented and predictable, cannot hold its own against its predecessor. The characters, although interesting, remain in the background compared to an action that gets lost in useless digressions.
In conclusion, Joker: Folie à Deux is a film that leaves a bitter taste in the mouth, it is often even boring. Despite the technical merits and the excellent performances, the story is weak.
A sequel that disappoints expectations, with a poor plot and a much lower emotional impact than the first film.
While the first film had won us over with its psychological depth and its powerful social criticism, this second chapter seems to struggle to find its own identity. The plot, at times fragmented and predictable, cannot hold its own against its predecessor. The characters, although interesting, remain in the background compared to an action that gets lost in useless digressions.
In conclusion, Joker: Folie à Deux is a film that leaves a bitter taste in the mouth, it is often even boring. Despite the technical merits and the excellent performances, the story is weak.
A sequel that disappoints expectations, with a poor plot and a much lower emotional impact than the first film.
Joker 2 attempts to once again dive into the mind of Arthur Fleck, but unfortunately, it treads too much of the same ground as the first film. The original Joker was such a meticulous and thorough character study that by the end, it felt like there was little left to uncover. That exact feeling haunts this sequel, as it struggles to find new dimensions to Arthur's complex psyche, leaving the film feeling more like an epilogue rather than a fresh narrative.
Joaquin Phoenix, as expected, delivers an excellent performance as Arthur Fleck, further cementing his unsettling portrayal of the Joker. Lady Gaga also brings depth to her role as Harley Quinn, adding a new dynamic to Arthur's story. However, the movie continuously pulls away from their strong performances with unnecessary musical numbers and courtroom drama that feel out of place.
Ironically, the movie feels its best when it alludes to the iconic scenes and atmosphere of the first film, rather than when it tries to experiment with new elements. The callbacks to Arthur's lonely and disturbed journey in the original film evoke the same eerie tension and emotional weight that made Joker so powerful. However, the attempts to add new layers with the courtroom drama and out-of-nowhere musical sequences ultimately detract from the story's flow, feeling more like distractions than meaningful additions.
The film shines brightest when it focuses on the twisted and toxic relationship between Joker and Harley. The chemistry between Phoenix and Gaga adds a fascinating layer to the film, but unfortunately, these moments are too few and far between.
Ultimately, Joker 2 feels more like a continuation that didn't have much more to say. While it has its highlights, particularly in its performances, the film feels like an unnecessary add-on to the first rather than a compelling new chapter. For fans of the original, it might feel redundant, offering little new exploration of Arthur's character or the world he inhabits.
Joaquin Phoenix, as expected, delivers an excellent performance as Arthur Fleck, further cementing his unsettling portrayal of the Joker. Lady Gaga also brings depth to her role as Harley Quinn, adding a new dynamic to Arthur's story. However, the movie continuously pulls away from their strong performances with unnecessary musical numbers and courtroom drama that feel out of place.
Ironically, the movie feels its best when it alludes to the iconic scenes and atmosphere of the first film, rather than when it tries to experiment with new elements. The callbacks to Arthur's lonely and disturbed journey in the original film evoke the same eerie tension and emotional weight that made Joker so powerful. However, the attempts to add new layers with the courtroom drama and out-of-nowhere musical sequences ultimately detract from the story's flow, feeling more like distractions than meaningful additions.
The film shines brightest when it focuses on the twisted and toxic relationship between Joker and Harley. The chemistry between Phoenix and Gaga adds a fascinating layer to the film, but unfortunately, these moments are too few and far between.
Ultimately, Joker 2 feels more like a continuation that didn't have much more to say. While it has its highlights, particularly in its performances, the film feels like an unnecessary add-on to the first rather than a compelling new chapter. For fans of the original, it might feel redundant, offering little new exploration of Arthur's character or the world he inhabits.
I absolutely loved the first Joker movie directed by Todd Phillips, but I have to say, what the hell were they thinking when they decided to go into the sequel. Unlike the first film, this movie has practically no story, but rather a series of strange delusional vignettes that were thrown together along with musical numbers that got old very fast and made the run time way longer than needed for how unentertaining it actually was. Joaquin Phoenix delivers a decent performance, but it's nowhere near as good as he was in the first film. I kept waiting in anticipation thinking this must be building towards some big moment that unfortunately never arrives, and instead was left with nothing but disappointment as the movie ends on a worse note than it began.
I was on the fence when I watched the trailer, but now having seen it I kind of wish I wouldn't have. If you're a fan of the first movie, it's a pretty big toss up whether you'll like this one or not, but I wouldn't recommend it.
I was on the fence when I watched the trailer, but now having seen it I kind of wish I wouldn't have. If you're a fan of the first movie, it's a pretty big toss up whether you'll like this one or not, but I wouldn't recommend it.
¿Sabías que...?
- CuriosidadesThe film's subtitle "Folie à Deux" means "Madness of Two" in French. This initially led to speculation about Harley Quinn's appearance in the film, which was shortly thereafter confirmed. The name "Folie à Deux" comes from the 19th century French psychiatrists Charles Lasègue and Jules Falret. The term was coined to refer to two or more people that share the same madness or delusion. It is also known as Lasègue-Falret syndrome.
- PifiasThe jury foreperson speaks of the "People of New York" instead of Gotham City. This is because the State of New York is the plaintiff in a criminal trial, and this version of Gotham City is evidently located in New York state (most versions place Gotham in New Jersey).
- Citas
Arthur Fleck: [Written as a spiteful autograph with a sad smiley face] I HOPE YOU GET CANCER
- Créditos adicionalesThe film opens with a Looney Tunes title sequence, featuring the Warner Bros logo surrounded by rings and the Joker's face.
- ConexionesFeatured in AniMat's Crazy Cartoon Cast: The Wicked Discovery of a Lifetime (2022)
- Banda sonoraMerrily We Roll Along
Written by Eddie Cantor, Murray Mencher and Charles Tobias
Performed by The Warner Bros. Studio Orchestra
Courtesy of Warner Bros. Entertainment Inc.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Juliet
- Localizaciones del rodaje
- Soho Hospital - 520 Belleville Avenue, Belleville, Nueva Jersey, Estados Unidos(Arkham Asylum exteriors)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 190.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 58.300.287 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 37.678.467 US$
- 6 oct 2024
- Recaudación en todo el mundo
- 207.500.287 US$
- Duración
- 2h 18min(138 min)
- Color
- Mezcla de sonido
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