PUNTUACIÓN EN IMDb
5,2/10
5 mil
TU PUNTUACIÓN
Un solitario veterano de las Fuerzas Especiales libera su bestia interior mientras persigue a los secuestradores de su hija - y acaba convertido en sospechoso.Un solitario veterano de las Fuerzas Especiales libera su bestia interior mientras persigue a los secuestradores de su hija - y acaba convertido en sospechoso.Un solitario veterano de las Fuerzas Especiales libera su bestia interior mientras persigue a los secuestradores de su hija - y acaba convertido en sospechoso.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 nominaciones en total
Camille Dugay Comencini
- Cameriera King of the Pollo
- (as Camille Dugay)
Reseñas destacadas
That Italian flick tries something already used and overused by the US film industry: a former Special Forces member suffering of post traumatic disorder and whose daughter was abducted. I expected something new from this European film, especially released on Netflix, I expected something daring, more brutal, gritty, why not nasty, disgusting, disturbing. But directing and acting are more than OK though.
"The Beast" as the title translates, doesn't really ring true.
Akin to films like "Taken" (which is also implausible) the primary issue with this film is one of realism. The key protagonist is apparently a highly skilled, special forces operative. Yet his situational awareness is poor, as is his judgement. Of course, we are told he has PTSD. Even so, that level of experience becomes instinctive, so this is a thin excuse.
He blunders into multiple hostile situations. His combat skills look more like those of a simplistic street fighter. They lack polish and precision. No one with that kind of background would go in unarmed, either. A hammer, a box cutter, kitchen knife, or even a crow bar, can make a huge difference.
Just as improbable, his adversaries leave him for dead at one point, rather than finishing him off. All this after he proves he is at the least a tangible, if disorganised, threat.
Acting by contrast, is excellent. The main character is believable but he's let down by a script that fails to seriously ask how a soldier with this degree of training and experience, would really perform in this kind of scenario.
The outcome is a film that's more or less watchable but for anyone with any real training, it offer's up far too many "yeah right' moments to be convincing.
5/10 from me.
Akin to films like "Taken" (which is also implausible) the primary issue with this film is one of realism. The key protagonist is apparently a highly skilled, special forces operative. Yet his situational awareness is poor, as is his judgement. Of course, we are told he has PTSD. Even so, that level of experience becomes instinctive, so this is a thin excuse.
He blunders into multiple hostile situations. His combat skills look more like those of a simplistic street fighter. They lack polish and precision. No one with that kind of background would go in unarmed, either. A hammer, a box cutter, kitchen knife, or even a crow bar, can make a huge difference.
Just as improbable, his adversaries leave him for dead at one point, rather than finishing him off. All this after he proves he is at the least a tangible, if disorganised, threat.
Acting by contrast, is excellent. The main character is believable but he's let down by a script that fails to seriously ask how a soldier with this degree of training and experience, would really perform in this kind of scenario.
The outcome is a film that's more or less watchable but for anyone with any real training, it offer's up far too many "yeah right' moments to be convincing.
5/10 from me.
The movie starts OK and then the plot becomes a mess... and the action scenes are boring. No need to view it.
La Belva is a stylishly-made-but-ultimately-generic actioner with a father-saves-daughter plot that's been done to death. Leonida Riva is an ex-army veteran suffering from PTSD and has partially disconnected himself from his wife and children. When his little daughter gets kidnapped, he revives the beast inside of him to get her back. A film that goes the 'Taken' route with slightly more layered characters, La Belva's strength lies in its set-pieces. Though there's nothing we haven't already seen, there's some beauty in the staging of a car chase or a good ol' fashioned fist-fight.
As in the case of action thrillers, fallacies (Riva infiltrates places with ease) in continuity and logic are conveniently ignored. The climactic finale gets over even before it begins; the weakest of all. Fabrizio Gifuni's rugged, tough-man act is befitting the film's plot, while the rest of the cast is adequate. La Belva offers nothing new to the genre, but as an action-movie fanatic, it didn't put me to sleep either.
As in the case of action thrillers, fallacies (Riva infiltrates places with ease) in continuity and logic are conveniently ignored. The climactic finale gets over even before it begins; the weakest of all. Fabrizio Gifuni's rugged, tough-man act is befitting the film's plot, while the rest of the cast is adequate. La Belva offers nothing new to the genre, but as an action-movie fanatic, it didn't put me to sleep either.
This movie is watchable, but not as good as I had hoped.
Guy just gets his ass kicked most of the time.
Should have gave the script to Scott Adkins.
¿Sabías que...?
- CuriosidadesThe soundtrack at the end of the film was used also in the Logan movie, "way down we go" by Kaleo.
- ConexionesReferenced in Flix Forum: The Beast (La Belva) (2024)
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