PUNTUACIÓN EN IMDb
6,8/10
6,5 mil
TU PUNTUACIÓN
Fox Rich lucha por la liberación de su esposo Rob, que está cumpliendo 60 años en prisión.Fox Rich lucha por la liberación de su esposo Rob, que está cumpliendo 60 años en prisión.Fox Rich lucha por la liberación de su esposo Rob, que está cumpliendo 60 años en prisión.
- Nominado para 1 premio Óscar
- 27 premios y 51 nominaciones en total
Sibil Fox Richardson
- Self
- (as Sibll Fox Richardson)
D.L. Johnson
- Self
- (as Dr. D.L. Johnson)
Gerald Davis
- Self
- (as Dr. Gerald Davis)
Hank Williams
- Self
- (metraje de archivo)
Garrett Bradley
- Self
- (sin acreditar)
Resumen
Reviewers say 'Time' delves into love, family, and incarceration, highlighting Sybil Fox Rich's fight to free her husband. The documentary is lauded for its artistic style and emotional resonance but criticized for its disjointed narrative and lack of depth. Opinions vary on its portrayal of the criminal justice system and its impact on families, with some finding it impactful and others deeming it shallow.
Reseñas destacadas
"It's almost like slavery time, like the white man keep you there until he figures it's time for you to get out." Robert Richardson's mother.
It's not what you would expect, this personal documentary narrated by Sibil Fox Richardson about the 21 years she waited for her husband, Robert, to be released from prison for a robbery he committed with her in 1997 in Shreveport, La. It is a quiet essay with almost professional grade home video for Sibil as she narrates the patient struggle to get her husband's sentence reduced from 65 years.
Although such a draconian sentence begs for the sobriquet of "Black racism," the doc, deftly directed by Garrett Bradley, makes few allusions to that societal challenge. It is rather, as its title succinctly suggests, a treatise on the passage of time with its attendant sorrows and its equally powerful hope: "God looks over the sparrows, Sibil. He's going to look over us," says Robert.
Sibil took a plea bargain of twelve years in order to attend to what would be six children, as handsome and articulate as their mom and dad. No weeping and gnashing, just melancholy longing to take time back to when the family had so much promise. Smartly, Bradley shows videos in the final shots of the family in reverse as if time could be altered but never would be.
He also makes the right decision to leave the doc in black and white in order to blend the past with the present. Unlike other documentaries about carceral injustice, Time does not demand we accept Robert as victim-it accepts his mistake and subtly suggests only that the sentence was excessive.
By showing the talented Sibil doggedly working for reform (she could have been a preacher) and her exemplary family soldiering on without dad is the best argument for careful, unbiased sentencing in a system that fails to account for incarceration's effect on everyone, the convict's family and us. Law and order sometimes forget the human factor.
"But at my back I always hear/ Time's winged chariot hurrying near." Andrew Marvel
It's not what you would expect, this personal documentary narrated by Sibil Fox Richardson about the 21 years she waited for her husband, Robert, to be released from prison for a robbery he committed with her in 1997 in Shreveport, La. It is a quiet essay with almost professional grade home video for Sibil as she narrates the patient struggle to get her husband's sentence reduced from 65 years.
Although such a draconian sentence begs for the sobriquet of "Black racism," the doc, deftly directed by Garrett Bradley, makes few allusions to that societal challenge. It is rather, as its title succinctly suggests, a treatise on the passage of time with its attendant sorrows and its equally powerful hope: "God looks over the sparrows, Sibil. He's going to look over us," says Robert.
Sibil took a plea bargain of twelve years in order to attend to what would be six children, as handsome and articulate as their mom and dad. No weeping and gnashing, just melancholy longing to take time back to when the family had so much promise. Smartly, Bradley shows videos in the final shots of the family in reverse as if time could be altered but never would be.
He also makes the right decision to leave the doc in black and white in order to blend the past with the present. Unlike other documentaries about carceral injustice, Time does not demand we accept Robert as victim-it accepts his mistake and subtly suggests only that the sentence was excessive.
By showing the talented Sibil doggedly working for reform (she could have been a preacher) and her exemplary family soldiering on without dad is the best argument for careful, unbiased sentencing in a system that fails to account for incarceration's effect on everyone, the convict's family and us. Law and order sometimes forget the human factor.
"But at my back I always hear/ Time's winged chariot hurrying near." Andrew Marvel
"Time" is an attention getting doc done thru the personal diary like videos of one Fox Rich a Louisiana mom of 6 who's faced almost 20 years without her husband Rob who's still locked up for armed robbery. It preaches faith, hope, and love, at the same time you see Fox's and the kids loss and pain without no husband or dad. Plus it looks at the prison system as being cruel and unkind and the doc promotes and ask that the criminal justice system be more forgiving. Done in black and white this is a focus and feature on human life, family, love, and most of all release and happiness as it's freedom from the system.
I almost lost hope in this documentary, but that hope was rectified with the final 15 beautiful minutes. However even though the documentary finished strong, as a whole it really failed to grip me!
The overall backbone of the film, was for me the journey that the family experienced whilst growing up without a father. This journey for me was incomplete. As a viewer I wanted to know how the mother created her own narrative and was reborn from the ashes, completely rising up from the total desperation of before she was incarcerated. How the children were effected by this when they were small children to when they were adults. Not just raw footage of a baby and then current video of a graduation. The director showed us the beginning and the end, unfortunately I found no middle ground.
The overall backbone of the film, was for me the journey that the family experienced whilst growing up without a father. This journey for me was incomplete. As a viewer I wanted to know how the mother created her own narrative and was reborn from the ashes, completely rising up from the total desperation of before she was incarcerated. How the children were effected by this when they were small children to when they were adults. Not just raw footage of a baby and then current video of a graduation. The director showed us the beginning and the end, unfortunately I found no middle ground.
Greetings again from the darkness. "Our prison system is nothing more than slavery, and I'm an abolitionist." So states Fox Rich, a successful business woman, and the mother of six boys. Director Garrett Bradley brings us the story of this woman who devoted 20 years to the mission of getting her husband's prison sentence reduced. It was 1997, and the desperate Shreveport couple were arrested for armed bank robbery. Fox took the plea bargain, while husband Rob did not.
Fox served less than 3 years for her involvement in the robbery, while a Louisiana judge sentenced Rob to 60 years (the maximum sentence was 99), with no allowance for parole. Fox was pregnant with twins when Rob was sentenced. She named the twins Freedom and Justus. Director Bradley expertly weaves clips from the home videos Fox recorded for Rob with 'in the moment' discussions and observations of her attempts to get someone in the system to hear the case.
What we witness over the course of the film is a proud, strong, fierce woman who, as a single mother, raises 6 kids while she works - at her job and to get Rob released. Twice per month visits is all that she's allowed with Rob, which leads one of the sons to comment that hiding behind the strong family image is a lot of pain. Fox discusses how her mother taught her to believe in the American Dream, but desperate people do desperate things ... although we never get an explanation of just why Fox and Rob were so desperate to rob a bank. Fox's mother states, "Right don't come to you doing wrong", and then she turns around and compared incarceration to slavery.
There are some mixed messages delivered here, which is understandable given how complicated life can get. Perhaps the most vivid message is the impact incarceration has on a family. Fox is an extraordinary woman devoted to raising her sons as strong and smart young men. But she also decries that her boys have never had a father and don't even know the role one plays. While Fox displays the ultimate in polite phone decorum despite her frustrations with an uncaring, inefficient system, we do see her sincerity as she stands in front of her church congregation asking for forgiveness of her poor choices.
The film was highly acclaimed and talked about at Sundance 2020, and that's likely because it strikes hard at family emotions and societal issues. A prime example is the phone call between Fox and Rob just prior to his re-sentencing hearing. From a filmmaking perspective, the black and white images are terrific, and as previously stated, the home movies and "live" filming are expertly blended. On the downside, the sound mix is horrible at the beginning, and the music (beautiful piano playing) often overpowers the dialogue throughout. It's a film meant to create discussion amongst viewers, and it's sure to do so.
Fox served less than 3 years for her involvement in the robbery, while a Louisiana judge sentenced Rob to 60 years (the maximum sentence was 99), with no allowance for parole. Fox was pregnant with twins when Rob was sentenced. She named the twins Freedom and Justus. Director Bradley expertly weaves clips from the home videos Fox recorded for Rob with 'in the moment' discussions and observations of her attempts to get someone in the system to hear the case.
What we witness over the course of the film is a proud, strong, fierce woman who, as a single mother, raises 6 kids while she works - at her job and to get Rob released. Twice per month visits is all that she's allowed with Rob, which leads one of the sons to comment that hiding behind the strong family image is a lot of pain. Fox discusses how her mother taught her to believe in the American Dream, but desperate people do desperate things ... although we never get an explanation of just why Fox and Rob were so desperate to rob a bank. Fox's mother states, "Right don't come to you doing wrong", and then she turns around and compared incarceration to slavery.
There are some mixed messages delivered here, which is understandable given how complicated life can get. Perhaps the most vivid message is the impact incarceration has on a family. Fox is an extraordinary woman devoted to raising her sons as strong and smart young men. But she also decries that her boys have never had a father and don't even know the role one plays. While Fox displays the ultimate in polite phone decorum despite her frustrations with an uncaring, inefficient system, we do see her sincerity as she stands in front of her church congregation asking for forgiveness of her poor choices.
The film was highly acclaimed and talked about at Sundance 2020, and that's likely because it strikes hard at family emotions and societal issues. A prime example is the phone call between Fox and Rob just prior to his re-sentencing hearing. From a filmmaking perspective, the black and white images are terrific, and as previously stated, the home movies and "live" filming are expertly blended. On the downside, the sound mix is horrible at the beginning, and the music (beautiful piano playing) often overpowers the dialogue throughout. It's a film meant to create discussion amongst viewers, and it's sure to do so.
A lot to absorb in this fascinating documentary about a black man sentenced to sixty years for armed robbery and the fight by his wife to get him released after a more reasonable period of incarceration, although twenty years is still pretty hefty all things considered. It's a story centred on the injustice system but at its heart is Fox Rich whose dedication, love and drive to get her husband freed shows a commitment few others could aspire to under these challenging circumstances. Innovatively filmed and presented, the saddest part is that we become increasingly immune to such injustice as it's so often encountered, especially within African American men.
¿Sabías que...?
- CuriosidadesGarett Bradley met Sibil Rich in 2016 while working on her short film Alone, a New York Times Op-Doc. She intended to make a short documentary about Rich, but when shooting wrapped, Rich gave Bradley a bag of mini-DV tapes containing some 100 hours of home videos she had recorded over the previous 18 years. At that point, Bradley transitioned the short into a feature.
- ConexionesFeatured in The Oscars (2021)
- Banda sonoraThe Mad Man's Daughter
Written and Performed by Emahoy Tsegué-Maryam Guèbrou
Courtesy of Emahoy Tsege Mariam Music Foundation, Inc.
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- How long is Time?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- 談
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en todo el mundo
- 574.361 US$
- Duración
- 1h 21min(81 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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