Una productora de televisión estirada toma el control de un segmento de un programa matutino sobre relaciones de pareja modernas presentado por un hombre misógino.Una productora de televisión estirada toma el control de un segmento de un programa matutino sobre relaciones de pareja modernas presentado por un hombre misógino.Una productora de televisión estirada toma el control de un segmento de un programa matutino sobre relaciones de pareja modernas presentado por un hombre misógino.
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- 3 premios y 5 nominaciones en total
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Reseñas destacadas
Light entertainment. Unfortunately they cut the parts that would have made it great.
Abby (Katherine Heigl) is an uptight, prudish tv producer who is forced to work with a loud-mouthed, misogynistic talk show host named Mike (Gerard Butler). Each presents an extreme stereotype of the sexes: Abby is a control freak who expects her man to be straight out of the Hallmark Channel while Mike treats women like he's ordering at the McDonald's drive thru. The plot revolves around a bet: Mike tells Abby that if she follows his neanderthal advice, she can snare her perfect dream man.
So there's an interesting sort of role reversal, where the prudish female is taking lessons from the neanderthal bro in order to achieve her ideal Hallmark romance. That itself was a great start, but this clever spirit of the film got lost when they cut a few critical scenes (I guess because those scenes focused on character development and didn't have enough zingers).
The scenes that were cut showed exactly how hopelessly neurotic Abby is and why she keeps scaring men off. And they focused on the important, yet mostly lost, subplot of how fake Abby must become in order to snare her man. 4 or 5 scenes were cut, and rather than understanding the degree of Abby's "Pygmalion" transformation, we the audience are rushed through the process. Also cut are some scenes that show Mike to be more sensitive/human, giving his character depth which is otherwise lacking. The result of these cuts is, instead of this film showing more of a complex gender-role-reversal switcheroo, it simply falls back on the black & white stereotypes of men being neanderthals and women being prudes. Nothing exceptionally clever, but still entertaining enough.
So in the end, yes, I can understand why the watered down message could offend some. What we get is mostly the male perspective of Mike, reducing Abby's role to being his clueless sidekick. And the rest is predictable.
The angle of them on a tv set with a producer/talent relationship is interesting, but it's nothing really new if you've done your romcom homework. On that account I would sooner recommend "Groundhog Day" which has the identical setup--Bill Murray playing the narcissistic tv talent with Andie McDowell playing his more sensible-minded producer--except that Groundhog Day rightfully focuses on the narcissist coming down to earth, not the other way around which we see here.
A final note worth mentioning. I've heard it said that any movie that ends with a hot air balloon is insulting to the viewer's intelligence. There is indeed a hot air balloon in this one. So be prepared...
Entertainingly rude, but also rather stupid, rom-com
Is that true about tap and bottled water being basically the same? I'll take that one on trust.
And why can't we see Mike's congratulatory cake? I bet that box was empty. Boo.
But back to the review...
Abby (Heigl) is nothing if not prepared. She's capable. She's unflappable, at least until Butler's character, Mike, shows up. I don't know about you but, background check and casual heightism aside, I rather like the idea of a date who comes to dinner with a prepared list of conversational topics. Who likes awkward silences?
Abby's TV morning show is dropping in the ratings, so her boss decides to freshen it up by hiring a spicy TV personality, Mike Chadway, to present the Ugly Truth. He's going to be controversial on love and relationships, the battle of the sexes, telling it how it is, in his mind anyway, not how folks pretend it ought to be. Abby is horrified, but the results are in and the numbers don't lie. Abby's lovelife being a trainwreck, in a short time Mike is doling out advice to her too.
Mike's TV routine, first seen on some kind of cable channel (is that right, cable?) is crude to say the least. Very lowbrow. He remorselessly objectifies women, gleefully in fact. And how does he do that so convincingly? I'll tell you. It's because this movie, The Ugly Truth, was screenplayed by three women. Yes. True. Look it up. Roger Ebert was astonished that something so vulgar could come from writers on the distaff side, but I'm not. No-one is better at objectifying women than women themselves. And yup, you guessed it - that's the ugly truth.
But what about this movie as another entry in the rom-com genre?
Mike's right. "The truth is never pretty." Does this movie stick to its truth till the end? It ought to be a bitter end, given the obnoxious date-doctor's philosophy, but, well, things tend to end happy kissy in Romcom Land. And this is a standard issue Hollywood genre picture, with just the kind of locations, lighting, lensing, soft music, bouncy spirit, to make it only barely distinguishable from a host of others. What sets it apart? Heigl and Butler both have good energy, likeability, and Mike's crass, schoolboyish sense of humour, the kind the ladies both disapprove of and giggle/swoon over. Contradiction? In a man's world yes. In a woman's mind, call it multitasking.
In under half an hour Mike has had chicks wrestling in pudding on morning television. Abby then has a dream where she's demoted to being a nude weathergirl, dropping tacky innuendoes. Neither set piece is remotely convincing. Nor for that matter is the cat up the tree scene, also inside the first half hour. Once Mike/Butler starts dishing on his fellow men, then, well, you really know this stuff was written by women. It's testament to Butler's charm and Heigl's that they make this crass piffle funny and entertaining. And I disagree with Ebert about the restaurant underwear scene. I think Heigl's impromptu O-performance is more impressive than Meg Ryan's (from I'll Have What She's Having) for being fake real as opposed to fake fake. Curious to admit, but The Ugly Truth rises in status within the genre on account of its unusual, explicit vulgarity. It's not insipid, which makes a nice change. It's borderline gross, but not gross-out. It's rude-funny without being disgustingly filthy. It may be completely unbelievable that someone so icky would get a morning tv timeslot alongside news anchors, and likewise end up advising a beautiful woman on how to date moment-by-moment, but the payoffs outweigh the absurd setups.
Recommended, I'm ashamed to say.
Nothing ugly about this show. Thats the truth.
THe premise is as such. Abby Richter (Katherine Heigl) is a perfectionist, "control freak"-ish morning show TV producer whose show is on the verge of being canceled due to low ratings. One night, she comes home from a disastrous date and happens to watch a segment of a TV show, "The Ugly Truth", hosted by "shock jock" by Mike Chadway (Gerard Butler). Abby calls into his show and argues with Mike on-air, in response to cynical attitude about relationships prompts, which leads to her quite literally "hating his guts". The next day, she discovers that the station she works for has hired Mike to do a segment on her show in order to boost ratings. This kicks starts a very storm tossed relationship between the two which lends itself to numerous comedic turns. Sooner than expected, Abby just so happens to fall for her doctor neighbor and she grudgingly goes to Mike for advice at "netting" the man of her dreams(actually the only man who fulfilled her listed criteria). The unlikely pair cut a deal in that if she is She agrees to his advice and is successful, it would prove Mike's theories on relationships and she will work happily with him. However if Mike fails, he agrees to quit.
Anyone with experience in this genre of movies can more or less fill in the rest of the story. Unlikely pair work together, more jokes, fall for each other, more jokes, Love triangle develops, tragedy strikes, touching finale. Finish.
In this case, I would admit that the usual formula actually works to a certain extent. It allows the audience the satisfaction of actually knowing what they are watching, and getting exactly what they are expecting. This is not avant Garde cinema, but it is entertainment. Also the formulaic story allows one to focus more on the scripting and acting, which IMO is where this movie truly shines.
Witty banter and a cornucopia of innuendo-ed jokes fill up most of the film. Sexual references abound but are written in such a tactful way that they do not come off as crass or crude. Most sexual innuendo jokes tend to be rude and sometimes offensive; thankfully thats not the case here.There is wit to the humor in this movie that utilities word puns and double meanings in their jokes to good effect. Thankfully, the humor is not over-played and the more serious moments of the movie are spliced very well into the overall narrative. The characters and situations are written in such a way that anyone could easily identify with them, which lends to a greater emotional involvement in the film.
Stellar acting by the cast also helps. Special mention goes to Gerald Butler who proves to be an exceedingly versatile actor. He nails the carefree, in-your-face, yet internally bitter character of Mike Chadway to the point that it is easy to forget the actor playing the role and just become so involved with character himself. Katherine Heigl does a satisfying job as Abby, lending both her acting chops and eye candy to the complex lead role.
My only beef with this movie is that it could have expounded on the relationship themes a little more instead of falling back on "the usual thing". Having a clearer conflict of ideals between Mike and Abby and maybe going deeper into the strengths and flaws of the ideas presented would have turned this film into a more thought provoking experience. "what men really want" , "what women really look for", "loving the 'me you want to see' or loving 'the real me'", all those little tidbits would have made benefited from a more central role in the film which would have given this movie a "fresher" feel instead of the stale standard story.
I was personally very entertained by "The Ugly Truth" especially in the laughs department, not just because the jokes were extremely funny, but that they were also well written, witty and made sense without being offensive. I loved superb acting by the leads, excellent cast chemistry and an overall sense of escapism.
At the end of the day, All i can say is that unless you are already a fan of romantic comedies or unless you have an open mind when it comes to various movie genre(<---like me), its best to stick with what you like. "The Ugly Truth" won't convert staunch action movie junkies or epic fantasy aficionados anytime soon, that's for sure, but just sit back relax and enjoy a good laugh that is easy on the brain. A hearty chuckle and a few quick tugs at the heartstrings now and then is good for body, mind and soul.
Note to the "not so proficient in English" crowd: Keep your ears open for all the double meanings behind the jokes, its funnier that way.
One of the few all-around great love movies, both for women and men!
Another GREAT Romcom for 2009
I was dragged to see the proposal by my girlfriend and thought it was hilarious. When she wanted to go and see The Ugly Truth I found myself putting up less of a fight this time. And I'm glad.
This film is HILARIOUS. I have to say I enjoyed almost every second from start to finish. It truly is designed for both men and women with fantastic views on romance, sex, attraction etc from both sides.
Acting is great, story is great and the chemistry between Katherine Heigl and Gerard Butler works very well on screen.
To sum this film up I have to say watch it. Make your own mind up. But I bet you won't be disappointed and I bet you can't stop yourself from one agreeing with some of the points made and two laughing out loud.
¿Sabías que...?
- CuriosidadesIn the film, Gerard Butler's character appears as a guest on The Late Late Show with Craig Ferguson (2005). Butler and Craig Ferguson are good friends in real life, and the former has been a guest on the real show several times.
- PifiasWhen Mike makes a comment about an "Irish Craig Ferguson," he's making fun of Abby's awful attempt to mimic Craig's Scottish accent; he's not saying Craig Ferguson is Irish.
- Citas
Mike Chadway: [sarcasticly] Oh, I know, I've got a great idea! Why don't we pass the time with you telling me how much *fun* you and Colin had having sex in Los Angeles?
Abby Richter: I broke up with Colin in Los Angeles, you jackass!
Mike Chadway: What?
Abby Richter: Oh, oh yeah, that's got your interest. Well if you think we're going to finish what we started in L. A. you are out of your mind. You lost your chance.
Mike Chadway: Oh, c'mon, I never had a chance with you.
Abby Richter: You're right. I had a momentary lapse in judgement when I thought you were more than you are, but you aren't. Clearly.
Mike Chadway: Oh, yeah? Well what does that mean?
Abby Richter: [mockingly] I'm Mike Chadway. I like girls in Jello. I like to fuck like a monkey. Don't fall in love. It's scary.
Mike Chadway: Yeah, it is scary. It's terrifying. Especially when I'm in love with a psycho like you.
Abby Richter: I am not a psycho!
Mike Chadway: I just told you that I loved you and all you heard was "psycho." Well you're the definition of neurotic.
Abby Richter: No! The definition of neurotic is a person who suffers from anxiety, obessive thoughts, compulsive acts, and, and physical ailments without any objective evidence of...
Mike Chadway: Shut up! Yet again I just told you I'm in love with you and you're standing here giving me a vocabulary lesson.
Abby Richter: You're in love with me. Why?
Mike Chadway: Beats the shit out of me, but I am.
[she leans over and kisses him]
- ConexionesEdited into The Ugly Truth: Deleted/Extended Scenes (2009)
- Banda sonoraHot N Cold
Written by Dr. Luke (as Lukasz Gottwald) Max Martin and Katy Perry
Performed by Katy Perry
Courtesy of Capitol Records
Under license from EMI Film & Television Music
Selecciones populares
- How long is The Ugly Truth?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- La crua realitat
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 38.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 88.915.214 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 27.605.576 US$
- 26 jul 2009
- Recaudación en todo el mundo
- 205.599.393 US$
- Duración
- 1h 36min(96 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1






