Lapsis
- 2020
- 1h 48min
PUNTUACIÓN EN IMDb
6,2/10
2,9 mil
TU PUNTUACIÓN
Luchando por mantenerse a sí mismo y a su hermano menor enfermo, el repartidor Ray acepta un trabajo extraño en un nuevo y extraño reino de la economía de conciertos.Luchando por mantenerse a sí mismo y a su hermano menor enfermo, el repartidor Ray acepta un trabajo extraño en un nuevo y extraño reino de la economía de conciertos.Luchando por mantenerse a sí mismo y a su hermano menor enfermo, el repartidor Ray acepta un trabajo extraño en un nuevo y extraño reino de la economía de conciertos.
- Premios
- 3 premios y 5 nominaciones en total
Reseñas destacadas
Lapsis is one of those films that makes you think. One that will be a classic in time due to its quirkiness and story. The normal story of a many named ray who joins a mysterious company that pulls cables for the quantum computer. It starts off normal until he starts to notice things and unravels a mystery that drives you deep. The cast and director both did great. Its a well written and acted film that although strange it makes fun a fun watch.
An amazing & engaging start, something weird is going on here & I enjoyed the journey with our lead, Ryan Reynolds', slightly chubby older brother.
The world building is interesting & is definitely intriguing up to one hour, but then it starts to wander about & you start wondering will there be a pay off, which there isn't.
It feels like there's an impending Orwellian, dystopian horror in hour one, but it's rather heavy handed social commentary, inviting dangerous tech into our lives, cruel mega corps bleeding the sick dry, we're all like worker ants, take your pick. With some indulgent, unnecessary plot points that stretch the viewers concentration, you realise by the end that it runs about 15 minutes too long.
Some great ideas, but as with anything quantum, it can be hard to see the point.
The world building is interesting & is definitely intriguing up to one hour, but then it starts to wander about & you start wondering will there be a pay off, which there isn't.
It feels like there's an impending Orwellian, dystopian horror in hour one, but it's rather heavy handed social commentary, inviting dangerous tech into our lives, cruel mega corps bleeding the sick dry, we're all like worker ants, take your pick. With some indulgent, unnecessary plot points that stretch the viewers concentration, you realise by the end that it runs about 15 minutes too long.
Some great ideas, but as with anything quantum, it can be hard to see the point.
I also watch almost anything SF. Problem is, most ostensible SF is SF in name only, what used to be disparaged as "sci-fi" in the SF community.
True SF is about ideas, not just mindless action sheathed in sci-fi trimmings. That is why, even with the compulsion to watch almost anything that may possibly be SF, we are mostly disappointed, so much so that being disappointed becomes the default expectation.
So, indeed, Lapsis surprisingly exceeds these expectations. It takes an idea and runs with it. That it may not comport "realistically" with actual cable laying is beside the point. We explore the "idea" and its ramifications, and this exploration is enjoyable and engaging.
That is what SF is about...so perhaps being pleasantly surprised in this manner inflates the rating a little bit, but if the grading is on a curve, it is well-deserved.
True SF is about ideas, not just mindless action sheathed in sci-fi trimmings. That is why, even with the compulsion to watch almost anything that may possibly be SF, we are mostly disappointed, so much so that being disappointed becomes the default expectation.
So, indeed, Lapsis surprisingly exceeds these expectations. It takes an idea and runs with it. That it may not comport "realistically" with actual cable laying is beside the point. We explore the "idea" and its ramifications, and this exploration is enjoyable and engaging.
That is what SF is about...so perhaps being pleasantly surprised in this manner inflates the rating a little bit, but if the grading is on a curve, it is well-deserved.
The Writer-Director of Lapsis, Noah Hutton, is the savvy heir to the throne of Tim Hutton and Debra Winger, two of the Hollywood elite of the last generation. Therefore, it should by all means disqualify him from achieving any success as a Writer or Director. I should write a negative review just in the hope of stopping him from taking on a bigger and more influential presence in the film industry.
In this case, however, he is redeemed substantially by providing us with an original concept, a well-written screenplay, unknown cast and a troubling alternative universe. None of this should have happened, but because it did, Noah Hutton deserves praise for a job well done and congratulations for his bright future in this industry.
In another life, Noah might have played his parents' connections to the extent that the result would have been worthless. However, he has exceeded that level of achievement and is the pleasant recipient of an indescribable satisfaction, the kind of result that comes from a deep understanding of the nuances of story and directing, a rare achievement for a young person of any lineage.
Since I had no preconceived notions about the storyline, I went into this blindly, and was amazed that I felt as compelled as I did to follow the main plot to the end. Although none of the actors was recognizable, everyone performed their roles well, and every word that was uttered seems to have been arrived at naturally.
The basis of the story is that there is a technology known as "quantum computing" that is similar in some way to 5G and the population is similarly paranoid about it as many are about 5G towers. The way the Quantum tech is executed is through having ordinary people string cables through miles of wilderness areas to provide the access to the so-called "quantum" technology and it is up to desperate people to run the miles of cable through the wilderness to various cubes of this unknown technology -- again, very similar to 5G, albeit much more insidious.
The central character, RAY, is a chubby schulb who is hired to run cable through miles of forest, and finds out halfway through that he has been given a false name to use on the job which causes everyone to distrust him. Thus, the mystery is born. What is the significance of the name? What is the hidden cost of the technology? He undertakes a mission with a high payout, to run cables for many miles, and is slowly educated by a woman he meets on the trail named Anna, who reveals some part of the mystery what the name he was given really means.
All through the screenplay we are left trying to decode the various clues that are dropped without much success, until we reach the point where several loose threads are tied together near the end. There is a moment of triumph, but in the back of our minds, the triumph is very much a false one. The corporate entities that are the villains of the story are there, and. as in real life, they have a stranglehold on the brave new world of Lapsis.
In this case, however, he is redeemed substantially by providing us with an original concept, a well-written screenplay, unknown cast and a troubling alternative universe. None of this should have happened, but because it did, Noah Hutton deserves praise for a job well done and congratulations for his bright future in this industry.
In another life, Noah might have played his parents' connections to the extent that the result would have been worthless. However, he has exceeded that level of achievement and is the pleasant recipient of an indescribable satisfaction, the kind of result that comes from a deep understanding of the nuances of story and directing, a rare achievement for a young person of any lineage.
Since I had no preconceived notions about the storyline, I went into this blindly, and was amazed that I felt as compelled as I did to follow the main plot to the end. Although none of the actors was recognizable, everyone performed their roles well, and every word that was uttered seems to have been arrived at naturally.
The basis of the story is that there is a technology known as "quantum computing" that is similar in some way to 5G and the population is similarly paranoid about it as many are about 5G towers. The way the Quantum tech is executed is through having ordinary people string cables through miles of wilderness areas to provide the access to the so-called "quantum" technology and it is up to desperate people to run the miles of cable through the wilderness to various cubes of this unknown technology -- again, very similar to 5G, albeit much more insidious.
The central character, RAY, is a chubby schulb who is hired to run cable through miles of forest, and finds out halfway through that he has been given a false name to use on the job which causes everyone to distrust him. Thus, the mystery is born. What is the significance of the name? What is the hidden cost of the technology? He undertakes a mission with a high payout, to run cables for many miles, and is slowly educated by a woman he meets on the trail named Anna, who reveals some part of the mystery what the name he was given really means.
All through the screenplay we are left trying to decode the various clues that are dropped without much success, until we reach the point where several loose threads are tied together near the end. There is a moment of triumph, but in the back of our minds, the triumph is very much a false one. The corporate entities that are the villains of the story are there, and. as in real life, they have a stranglehold on the brave new world of Lapsis.
Not the easiest thing to review. It's really frustrating to get through an entire film only to come to a conclusion that one either doesn't understand or just doesn't make sense. Considering many of the reviews on here, it doesn't appear that I am alone with the finale puzzlement. I don't know when this takes place, though everything seems "today" with landlines and cell phones and normal vehicles, but it sure plays like futuristic sci-fi about, of all things, gig workers being taken advantage of. These workers are literally pulling cables through forests to connect to a new kind of computing technology. It's a very unusual, original & intelligent film with a cast of unknowns who all give honest and very real performances starting with the lead, Dean Imperial. It's well made and looks good especially for a low budget film. There 's a lot of real life family connections running through this that you can read about here. Talent clearly runs in the family. Still, as I said at the beginning, this oddity is ultimately a frustrating experience due to that obscure ending, though I'm sure writer/director Noah Hutton knows what it means. Shame he didn't let us in.
¿Sabías que...?
- CuriosidadesFilmmaker Noah Hutton's younger half- brother Babe Howard plays Jaime. They both have the same mother, actress Debra Winger. Her husband and Babe's father is Arliss Howard, who plays Dr. Mangold in the film.
- ConexionesReferenced in Film Junk Podcast: Episode 829: The Matrix Resurrections + Don't Look Up (2021)
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- How long is Lapsis?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en todo el mundo
- 74.069 US$
- Duración1 hora 48 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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By what name was Lapsis (2020) officially released in India in English?
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