Vaca

Greetings again from the darkness. Farming and ranching are about two main things: commerce and sourcing food and other items (wool, leather, cotton, etc). Director Andrea Arnold won an Oscar for her short film WASP (2003), and also directed a couple of narratives that I've seen, WUTHERING HEIGHTS (2011) and AMERICAN HONEY (2016). Her first feature documentary takes us to a dairy farm in rural England, and closely follows the daily life of the cows on the farm.

We open with the birth of a calf and the instant bonding with its mother, Luma. Then, as we've seen in other documentaries, the two are separated and we clearly see the anxiety this creates in the bovines. But this is a working dairy farm and cows exist for two reasons: to produce milk and to have babies. Ms. Arnold wisely keeps the focus on the cows, and the human workers are rarely seen or heard. It's not a pleasant existence for the cows. They spend time being milked by a metallic contraption or being impregnated by a local bull. Denied connection with their offspring, the cows seem to be allowed very little time to frolic or graze in the fields.

Cinematographer Magda Kowalczyk does get some creative shots, but there are a few times the closeness of the camera to the cows gives us a feeling of temporary motion sickness. We are also bounced between mother and calf quite often, and we 'feel' the mother's bellowing as she longs for her baby. The point is made that cows have feelings, especially as related to their offspring, but some of the attempts to drive that home stretch credulity a bit too far. Also responsible for a slight dulling of the film's impact is that it arrives so closely to last year's artistic masterpiece, GUNDA (2021) from Viktor Kosakovskiy, though director Arnold wins for the most abrupt ending (for us and the cow).

In theaters and On Demand beginning April 8, 2022.

An honest look at how cow farming works in the first world. No commentary, no agenda, as little interference as possible. Each viewer can watch with his own eyes and make up his own opinion about the topic. This documentary portrays a civilized farm, so take in consideration that in most of the farms around the world life for cows is much worse. Also consider that the farm owners/workers might have slightly changed their behavior knowing they were filmed. Having said that, it looked to me quite honest and genuine. I liked the absence of sentimentalism and the close portrait of farm cows. I'm a consumer of milk and cheese, but at the same time I love animals and cows. Is there something we can do that reconciles the two?

STAR RATING: ***** Brilliant **** Very Good *** Okay ** Poor * Awful

Documentary filmmaker Andrea Arnold follows Luma, a cow around a dairy farm, through her daily cycle of grazing, milking, and cultivation, through to giving birth to her calf, with whom she becomes separated. The monotonous routine of her life is captured in grim detail, before she meets her inevitably grim end.

Dairy farming is a matter that has been raised a lot recently with regards the whole climate change movement, and this very intimate, personal film shines a light on the plight of a typical, average cow reared in such an environment, who inevitably meets with a grim conclusion.

Arnold has admittedly tried to aim for a very personal, close up film, which shines through in scenes at the beginning, with Luma staring directly into the camera with an almost pleading glare, but the complete lack of context ends up leaving the viewer alienated. To anyone not familiar with the agricultural process, some sort of overhead offering some kind of explanation as to what is taking place, or some statistics around dairy farming, would have put us in the picture and made it more involving.

With the lack of verbal input, Arnold uses an emotive soundtrack at various points to illicit our feelings. It all builds up to a grim, unoptimistic ending, not quite as gory as you may has envisaged, but still pretty stark and brutal, in the end pulled off with all the subtlety of a mafia hit. If only there'd been a little more context and clarity to it all, and his brutally tragic story could have had the true impact Arnold was aiming for. ***

Because you know how it's gonna end. At least environment is better than U. S. factor farms. But I only go for grass-fed free range milk and meat, if I eat meat at all. I do not care what kind of "mind" a cow has, this is no way to treat these beautiful animals. Here must be a better way. Humans must be kind to all creation.

Condemned to a life on a prison farm, there's plenty here to raise the alarm, perpetually expecting, poked, prodded and collecting, appreciation paid through point blank firearm.