Juniper

Juniper is a film about the unlikely bond between a troubled teenager and his estranged grandmother, set in rural New Zealand in the 1990s. The film is driven by the superb performance of Charlotte Rampling as Ruth, a former war photographer who has become an alcoholic recluse with a sharp tongue and a dark past. George Ferrier plays Sam, her grandson who is sent to live with her after being suspended from school for self-harm. The two clash at first, but gradually find solace and healing in each other's company.

The film is not without flaws. The plot relies on some contrived devices and coincidences, and some of the supporting characters are underdeveloped. The tone shifts between comedy and tragedy, sometimes awkwardly. However, the film also has moments of beauty and poignancy, especially when it explores Ruth's backstory and Sam's inner turmoil. The cinematography captures the stunning landscapes of New Zealand, creating a contrast between nature and human suffering.

Juniper is both a coming-of-age film and an end-of-the-line film. It shows how life can be cruel and unpredictable, but also worth living. It may not be a masterpiece, but it is worth watching for Rampling's captivating presence.

A lonely young man struggling with his mother's death is confronted by the visit of his acerbic alcoholic grandmother.

I found this very moving. With very real characters whose lives you can feel right into and performances to match, with George Ferrier looking very good beside veterans Charlotte Rampling and Martin Csokas. I empathised strongly with the protagonist's situation: his grief, his inability to communicate it, his feelings of isolation and hopelessness, and also how the slightest hint of positive attention from someone new, unlike anyone else in your world, can change your whole perspective. A character study with vulnerable honesty and an underplayed depth of feeling.

A slow moving film,more a study in character and acting.charlotte rampling the sixties icon not afraid to show her age.her study in age and truth,things lost roads not taken is dealt with great aplomb.the small but valuable supporting cast is very good.her vinegary put downs and side swipes hide a very brittle person.very reminiscent of Mrs havisham the way she manipulates people around her like chess pieces.death is also dealt with in the physical and mental acceptance of it.the choice of music good but not intrusive.an overall small independent film that deserves a better release.well worth an hour and half of your time.

Greetings again from the darkness. A tale as old as time. No, this first feature film from writer-director Matthew J Seville is not a new spin on 'Beauty and the Beast', however it is a story that has a familiar feel, and one made more meaningful through terrific acting and expert cinematography. We are engaged through characters rather than plot, and in fact, we grow to care about two of these people after initially finding both a bit abrasive.

Charlotte Rampling stars as Ruth, aging mom to Robert (an underutilized Marton Csokas). The two have never been especially close as Ruth's career as a war photographer allowed her to escape traditional parental duties. With a recent broken leg set in a cast and brace, Ruth finds her wings clipped and Robert senses an opportunity. By moving Ruth into the house during recovery, he can have his son, Sam (George Ferrier), help Nurse Sarah (Edith Poor). Sam is a party boy recently expelled from his boarding school and wants nothing to do with the convalescing grandmother he barely knows.

Dad's ulterior motive gets off to a rough start. Both Ruth and Sam are hard-headed and rebellious. In fact, it's these traits that end up drawing them closer. Ruth seems to survive on her all day gin-binges as her vile vocal spewings are those of a woman whose world has shrunk to the point of feeling captive. Sam is one who doesn't take direction well as he tries to hide his depression and grief driven by the death of his mother. Adding to this mess is Nurse Sarah's consistent attempts to inject some religion into Ruth before the bell tolls.

What we have is self-destruction times two. Ruth and Sam are rude and self-centered, and those shared traits end up thawing the icy relationship and improving their much different circumstances. George Ferrier is a relative newcomer from New Zealand, and he has the looks and on-screen charm to build a nice career. Of course, Charlotte Rampling is in her seventh decade of acting, and she instinctively knows how far she can push this character and still keep us engaged. It's a terrific performance that probably deserved an Oscar nomination. The cinematography of Marty Williams works in the enclosed spaces of the house, as well as the beautiful landscape when the characters head outdoors. Some of the scenes may be a bit too much 'on the nose', but the humor and acting allows for the desired impact.

Opens February 24, 2023.

The movie is set in stunning New Zealand. We meet troubled teenager Sam (George Ferrier). Sam has returned from boarding school and is struggling to accept the sudden presence of his English alcoholic grandmother, Ruth (Charlotte Rampling) in his home, after breaking her leg. The pair get off to a rough start, however, as time goes on he realises they have more in common than he first believed. This is a nice story about life, family and love. And the acting of both George Ferrier and Charlotte Rampling is so good. You really get carried away in their story and in the movie. The cinematography is excellent, captivating the greenery and natural beauty of New Zealand and the sun-rises they spent together. The colour scheme mostly feels wintery and cold, pointing to some of the dark but real themes the film showcases. The dialogue is well considered, humorous and realistic. Talented newcomer, Sam Ferrier, and screen icon, Charlotte Rampling work impressively together to create a credible bond that will draw you in. This is a very touching movie and focusses on the hardships of life and the lessons we can learn no matter what age. This is a movie well worth watching.