Toby Fleishman sabía qué esperar cuando él y su esposa de casi 15 años se separaron: tensión en sus negociaciones de crianza compartida.Toby Fleishman sabía qué esperar cuando él y su esposa de casi 15 años se separaron: tensión en sus negociaciones de crianza compartida.Toby Fleishman sabía qué esperar cuando él y su esposa de casi 15 años se separaron: tensión en sus negociaciones de crianza compartida.
- Nominado para 7 premios Primetime Emmy
- 2 premios y 19 nominaciones en total
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I started watching this because I love Claire Danes. After a couple episodes, I was ready to give it up: the episodes were meandering and mediocre, at best, and Danes was barely even in it. Then, I saw someone mention episode 7 and how amazing Danes' performance was. I decided to persevere.
The first six episodes were quite a slog of upper middle class navel gazing. I kept wondering what purpose the story really served. Did we really need to know about these people and their boring, privileged lives? I think that it was well acted, but the focus on Toby seemed a poor choice: he was the least interesting character in the series, to me. Episode 6 picked up a little, so I was hopeful about episodes 7 & 8.
Episode 7 was one of, if not the, best hours of television I've watched this year. Claire Danes was riveting. I related so much to her character. Just phenomenal. Episode 8, which focused on Libby was also very, very good. Both episodes together were a profoundly moving look at middle age for us younger Gen Xers.
I really wish the first 6 episodes had been condensed into 3. I also think Claire Danes and Adam Brody were criminally underutilized. If you can slog through the start, the payoff of episodes 7 & 8 is worth it.
The first six episodes were quite a slog of upper middle class navel gazing. I kept wondering what purpose the story really served. Did we really need to know about these people and their boring, privileged lives? I think that it was well acted, but the focus on Toby seemed a poor choice: he was the least interesting character in the series, to me. Episode 6 picked up a little, so I was hopeful about episodes 7 & 8.
Episode 7 was one of, if not the, best hours of television I've watched this year. Claire Danes was riveting. I related so much to her character. Just phenomenal. Episode 8, which focused on Libby was also very, very good. Both episodes together were a profoundly moving look at middle age for us younger Gen Xers.
I really wish the first 6 episodes had been condensed into 3. I also think Claire Danes and Adam Brody were criminally underutilized. If you can slog through the start, the payoff of episodes 7 & 8 is worth it.
I've seen a lot of the bad reviews and not to sound too moldy but I get the feeling it's the younger folks. Us olds in our 30s and 40s get the neverending question of what if? Which is why I think you need to be a little seasoned to truly enjoy this series. You needed to have lived life and gone through things to take in all this show is giving. Missing your youth, your freedom and possibilities. Being the age where you are too young to stop dreaming but too old to begin again. Wondering if you've chosen the right path, right career, right spouse, or if you were meant to be a parent. You're missing old friends, old neighborhoods, and old apartments. The writing in this show is nothing short of amazing and completely captures the thoughts spiraling in every mind of a millennial/gen x adult.
I started this series thinking i would be just about Jesse Eisenberg's character and his divorce. I didn't think there would be much to relate to there, but then the show expands to highlighting the drama and pain we are all struggling with at midlife with several new characters and even, as they say, circling back to a few more. The entire story is a direct hit for things that aren't talked about in modern society. All done with a great narration reminiscent of the fast talking of the West Wing. The only quibble I had was Claire Danes didn't work for me in this story... she didn't have any easy way about her. But the rest of the cast is excellent.
I have written fiction, and I've watched a lot of entertainment, and I'm in awe of the writing for this show. It isn't often that I acknowledge writing that I think is better than I could do, but this show does it. They will string together dozens of cleverly crafted sentences that are packed with information and hidden emotional bombs, yet done both efficiently and with a natural flow. My own writing tends to be wordy... They manage to pack what would take me 200 words to express into a 6 word offhand joke, such as the disdain a character has for his wife's trust-fund douchey friends. They consistently nail complex and diverse characters, including an especially hilarious take on a tween girl's attitude.
Kaplan's narration is especially fun to listen to, both in terms of writing and delivery.
Dane's performance is epic. She continues the streak of every performance I've witnessed her give in her adult life (I hated My So Called Life) be one of the best I've ever witnessed.
The rest of the cast performs flawlessly too.
The music, especially the parts that sound like a music box that starts normally, then decays, fits perfectly with the mood.
Kaplan's narration is especially fun to listen to, both in terms of writing and delivery.
Dane's performance is epic. She continues the streak of every performance I've witnessed her give in her adult life (I hated My So Called Life) be one of the best I've ever witnessed.
The rest of the cast performs flawlessly too.
The music, especially the parts that sound like a music box that starts normally, then decays, fits perfectly with the mood.
... there's a review by Sophie Brookover in Vulture of episode three that dutifully-perfectly summarizes the series to date... what's going to happen from-after this 3rd episode will take the script and lives of its characters in a definitely different direction
... they would both be very difficult people to form partnerships together, so relentless and specific what they're wanting for their lives and those around them... the acting is magnificent by all the characters in this show, and they are most hard to like... knowing where this is all heading takes absolutely nothing away from interest of all the details of them getting there... not liking them not lessening the pains watching the journey.
... they would both be very difficult people to form partnerships together, so relentless and specific what they're wanting for their lives and those around them... the acting is magnificent by all the characters in this show, and they are most hard to like... knowing where this is all heading takes absolutely nothing away from interest of all the details of them getting there... not liking them not lessening the pains watching the journey.
¿Sabías que...?
- CuriosidadesDuring a January 2023 interview with Tonya Mosley on the National Public Radio program Fresh Air, Taffy Brodesser-Akner confirmed that many of the main cast members were chosen at least partly because they were actors who had been well-known as teens and who were now middle-aged: "It was so intentional. It was--you know, there was this idea that these actors were too young to play these roles. I mean, Jesse Eisenberg, when we started talking about the adaptation, was only 36 years old. Luckily--and I mean that facetiously--the pandemic came along, and by the time. . . . [filming started, he was] 38--so we were able to rationalize that. But we had these choices. Did we want to cast people who were older who we could then look at as in a more authentic crisis of middle age? But the point of the book and the show are the beginnings of those crises. And also, this allowed us to have them play themselves in flashbacks. But most of all . . . if I don't, as a 40-year-old, yet understand what is happening to me in my life, the idea that Jesse Eisenberg--yes, from The Squid And The Whale, yes, from The Social Network--that it's happening to him, too, that it's happening to Claire Danes from My So-Called Life, that it's happening to--oh, my gosh--to Adam Brody [from The O.C.], to Lizzy Caplan [from Mean Girls], to Josh Radnor--all these people that we knew so well as very, very young people. It hits home for me so much to say, oh, my God, this is a force you cannot fight--if you're lucky. If you're lucky and you get to live, this is a force that you won't be able to fight. We're all going to get old."
- ConexionesFeatured in Half in the Bag: 2022 Catch-up Part 2 (2023)
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