Vengeance Is Mine

Nothing better than to watch a movie that involves you in the watching experience without the use of words, its trance like. You are engrossed in the action and the characters without hearing them say what they are thinking or feeling, thats a real skill so kudos to this team.

I see that there is a discussion going on wether its dream or not, I have to say it did niggle me a tad when I was watching it thinking the same thing and to see other people are saying its a dream makes me think, BUT wether its a dream or not its still a clever little movie.

All the way from across the pond comes a brutal and bloody piece of modern filmmaking.

The lead, Con O'Neill is totally flawless. He portrays A REAL GUY, not an unbelievably clever, or tough cliché. He does not give you anything that the character wouldn't do. This quality of acting is across the whole board. The casting of the movie is dead-on.

This is an intense, refreshingly ORIGINAL tough ride, from start to finish. You are right there with the lead, going through what he is going through, knowing what he knows, and not knowing what he doesn't know...

An Indie Film isn't just a movie which is thought of as a limited budgeted venture without big shot studios at its helm. When one hears the term "Indie" one is instantaneously thrown off course. Watch Vengeance is Mine and it will forever change the way one perceives Indies.

Let me throw a few titles at you. THE DESCENT, THE BLAIR WITCH PROJECT, MEMENTO, THE PASSION OF THE Christ, MEAN STREETS & THE TERMINATOR are some of the most stringent budgeted productions seen in the past decades. Vengeance is Mine does not have an A-List director to its name as some of the titles mentioned above. Instead The director can be considered an amateur with comparison to the Coens, Scorsese or Cameron. But still Vengeance is Mine is one of the most absurdly intense and realistic movies of 2021. Slow off the blocks Vengeance is Mine progresses at a slow pace focusing on the mysterious growth of the troubled Harry who works in a ancient church in London who embarks on a journey of revenge when he is totally ill wiped for it. What happens to a man who holds another man at gunpoint for the first time? He hesitates, he doubts himself, he is afraid of the consequences and most of all he himself is afraid of the situation. This all what Vengeance is Mine is at its core eventually? I for one think so. Vengeance is Mine gripped me from the very start. Its sparse in dialogue which works positively since this leaves plenty of room for the audience thoughts and musings. Each nook is fine tuned to extract the scenes maximum potential within his strained budget. When Harry bleeds that's all that happens; he bleeds. When Harry cries that's all that happens; Harry cries. Unlike Colin Farrell or Tom Hanks in PHONEBOOTH or CASTAWAY there isn't much taking place in the backdrop. There is no police squad, there is no island. Instead its always back seat of a car, a broken chair, a wall or a field. Vengeance is Mine is a thriller that lets of its steam cautiously but certainly. It's like walking the plank.

The person with the better weapon and the element of surprise, gets to tell the truth. Because they have the power, and the truth hurts like a broken bone. In the underworld of London, only the possibility of revenge and the telling of such truths stir an impoverished loner named Harry. It likewise motivates his intended target. In a brutal spree, Harry struggles to gain the upper hand over his adversary. In this insightful, vicious and unconventional tale, there are surprising twists and turns. Harry learns some uncommon and profound good sense. Capable acting, an enthralling story and intriguing sights and sounds, kept me at the edge of my seat.

A fantastic revenge thriller that uses literally every penny of its micro budget perfectly, as throughout this looks visually as well put together as any other multi million dollar Hollywood production. The way it unravels is nothing other than completely gripping as it is a fine example of pure unencumbered story telling that shows the audience the unfolding evens a lot more than it tells them. Performance wise its top of the line, with Con O'Neill giving one of the most timid, yet still perfectly relatable killer performances, but is the smart direction that sets itself apart as it's faultlessly sharp and immensely effective. A gritty must see that is high brow genre movie.