Jailer

It seems that having tentpole actors from other language industries walk around in slo-mo is just what's need to classify movies as Pan-Indian. Anyway, Jailer does just that and this film fails spectacularly. Rajnikanth does what's required of him. However, Nelson doesn't. His screenplay is flaccid. He takes a well-established narrative template and botches it with a paltry execution. Nelson seems preoccupied with lifting scenes from Hollywood films that he's forgotten that making a Superstar film is actually pretty easy. You need a few mass scenes, a few punch dialogues and a simple story that acts as a bridge between the aforementioned mass scenes. How could you botch that up?

After Beast, this is yet another dismal film from Nelson. Forgettable fare.

Like wine as they say, Rajini keeps getting better with age. At this age , he is pulling crowds of all ages and making them whistle inside theatre. That proves what a mass hero he is . Coming to the movie, it has elements of an action packed thriller. There is violence so some families won't be comfortable watching. You can expect some twists in the movie . All the casts have done their roles pretty well in the movie . The villain, Vinayakan has come up with a good performance. The movie is more of a head to head face off between hero and villain . I feel this is the best movie of Rajini after 2.0 .

FDFS @ PVR PXL.

Thalaivar Mass, Lalettan Mass, Shiva Rajkumar Mass!! This as obvious is for the masses and Nelson delivers a stylish blockbuster with his own format of making. As usual comedy injected at the serious points as a Nelson signature. Even though just cameos, Lalettan and Shiva Rajkumar got some amazing screen pres nce. Should have to say Nelson can't find a better villain that Vinayakan. He did such an amazing performance that it actually overshadowded everyone else. Action sequences with less cringey kicks and more firepower. This will be a defenite blockbuster. Thalaivar fever is on.

The movie starts with a rather calm Rajnikanth without much fanfare and intro songs. Anirudh is the kingpin for this movement with elevations and silence at right place. However, the movie may not give a good cinematic experience with majority of the characters focused on close centre of the screen for it to evoke so called 'Dark comedy'.

The director seems to have lost plot in the later half, and relied on a comedy track which added no value to the story. Some scenes were elevated which did not require such moments. It looks the Director resorted to fan service in the later part struggling to keep them entertained!!

Jailer (2023) : Brief Review -

Nelson's narrow vision saved by Blockbuster heroism of Rajinikanth, Mohanlal and Shiva Rajakumar. Nelson Dilip Kumar has to be one of the luckiest directors in Tamil cinema who is surviving and still getting films after back-to-back mediocrities. "Kolamaavu Kokila" (2018) hardly had any brain in its black comedy; "Doctor" (2021) couldn't find an antidote for his own mediocre vision; "Beast" (2022) was a beast-size torture; and now he brought another mediocre film, "Jailer". It could have been a much better film if you look at the first half. The film falls in the second half and somehow stands on its feet with the charismatic heroism of Rajinikanth and blockbuster cameos by Mohanlal and Shiva Raja Kumar, who help create a crossover of Tamil, Malayalam, and Kannada cinema in a massy action drama. Jailer is about a retired police officer whose son is kidnapped by a gangster. The father sets out to settle things down with the gangster, who will listen to no one but him after knowing who he is. The idea is very predictable, but there is a surprise in the pre-climax before you head towards a so-so climax. Rajinikanth's "Tiger ka Hukum" is commendable as he successfully carries along all his heroic stuff such as walk, talk, smash, show swag, and at last the "cigar." Mohanlal and Shiva's cameos have whistle-worthy moments, which are uplifted by the background score and a small rap in between. Ramya Krishnan, Vasanth Ravi, and Mirnaa Menon are decent in small roles. Jailer is dragged into the second half with Tamannaah's angle, robbery, and family drama stuff. Seriously, this is no way to bring your own film down after a good-to-go first half. Why does Nelson always have to look at things with his narrow-minded vision? More than him, we and our audiences need to find the answer soon. Overall, an okay watch after promising a better future.

RATING - 5/10*

By - #samthebestest.