PUNTUACIÓN EN IMDb
6,7/10
4,8 mil
TU PUNTUACIÓN
Una mujer que está injustamente institucionalizada en un asilo de París planea escapar con la ayuda de una de sus enfermeras.Una mujer que está injustamente institucionalizada en un asilo de París planea escapar con la ayuda de una de sus enfermeras.Una mujer que está injustamente institucionalizada en un asilo de París planea escapar con la ayuda de una de sus enfermeras.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio en total
Christophe Montenez
- Jules
- (as Christophe Montenez de la Comédie Française)
Reseñas destacadas
10Deuz8
So I watched a French movie (with French audio and English subs to try and keep it authentic as much as possible since I do not speak the language) for the first time, ever. And I am left stunned by it. The acting is top-notch and on point always. Since I have gotten to experience kinda similar treatment in hospitals (MS patient living in a "third world" country) the emotions were relayed rather easily. I also really liked the underlying karma story at the end. All in all, a roller coaster of emotions and I do hope souls that have passed on are indeed watching over us (got a few myself). A must watch in my book and I thank the CNN article that I glanced over this morning mentioning it. Totally worth the time spent watching it. One of those unexpected and hard to find rare gems.
I was totally unaware of this film because I did not see any publicity but I was encouraged to see it without even knowing what it was about. What can I tell you, this movie was awesome from start to finish. The story is brilliant, costumes and performances impeccable, the music is beautiful and I am fascinated. I Love French cinema! In fact it is the first French film produced by Amazon.
My dear Geneviève, we are free...
After Oxygen, Mélanie Laurent returns directing and starring in an Amazon original.
As a director, Laurent did a great job showing the cruelty in the treatment of women in asylum back in the days. The "therapies" were nothing different from tortures. However, within the cruelty was the premise that added heart to the characters. I liked that the movie didn't scream feminism, but let the scenes play out so audiences could root for the women characters.
Probably my only problem was the movie became pretty predictable near the end. I liked how the two main characters were tied to each other, but what became of it was quite clear and not surprising.
Overall, a solid and well done movie. 7.5/10.
After Oxygen, Mélanie Laurent returns directing and starring in an Amazon original.
As a director, Laurent did a great job showing the cruelty in the treatment of women in asylum back in the days. The "therapies" were nothing different from tortures. However, within the cruelty was the premise that added heart to the characters. I liked that the movie didn't scream feminism, but let the scenes play out so audiences could root for the women characters.
Probably my only problem was the movie became pretty predictable near the end. I liked how the two main characters were tied to each other, but what became of it was quite clear and not surprising.
Overall, a solid and well done movie. 7.5/10.
A great movie. Good story, great acting and just the right length. Amazon did will with this one. Almost makes want to watch another French movie.
I don't know anything about French actors but whoever played Eugenie is equal to the best in America.
I don't know anything about French actors but whoever played Eugenie is equal to the best in America.
Ice water soakings, solitary confinement in dark cells, tranquilizers, and random body cavity inspections are just a sampling of the standard psychiatry treatments inflicted upon captive female patients in France 130 years ago. Free spirited Eugenie suffers debilitating visions that she cannot control or understand. She is only in need of some gentle guidance, understanding, and self-confidence. Instead, Eugenie is tricked by her parents and committed against her will to a cruel and misogynistic psychiatric ward. Abandoned by her relatives, Eugenie finds a different family among her unlucky ward sisters.
Women's history is reimagined in a scorching yet sensitive way by Melanie Laurent who directs and stars in the film. Thankfully the film is made in France, and therefore uncensored and blunt. While the film lacks cohesion and a little spark, it is enlightening and energizing to witness multidimensional, realistic, and complicated female characters, and women behind as well as on the screen who are defined not by men but by themselves.
World premiere seen at the Toronto international film festival.
Women's history is reimagined in a scorching yet sensitive way by Melanie Laurent who directs and stars in the film. Thankfully the film is made in France, and therefore uncensored and blunt. While the film lacks cohesion and a little spark, it is enlightening and energizing to witness multidimensional, realistic, and complicated female characters, and women behind as well as on the screen who are defined not by men but by themselves.
World premiere seen at the Toronto international film festival.
¿Sabías que...?
- CuriosidadesMelanie Laurent directed this film as well as starred in it. This is Melanie Laurent's fifth time directing a film.
- ConexionesReferenced in In Praise of Shadows: The History of Insane Asylums and Horror Movies (2022)
- Banda sonoraAllerleil, Polka Schnell, Op. 219
written by Josef Strauss
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Detalles
- Duración2 horas 2 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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