Asuntos de familia

It's always a pleasure to see great actors doing their stuff, even if the vehicle leaves something to be desired. Andy Garcia and Julianna Margulies put their heart and soul into this project, with pretty convincing Bronx accents and characters. Those of you who find the constant screaming unrealistic - you don't know too many families from the boroughs. The plot was funny and moving, although you could see most of the punchlines and dramatic moments coming from a mile away. What really bugged me was the degeneration of the movie into the most obvious, predictable, sappy shtick during the last 20 minutes. That part was apparently written as a play rather than a film. It was calculated to evoke a strong audience reaction, and it worked, judging from the people around me in the theater. It would have been more appropriate for a crowd-pleasing scene in a Broadway comedy. OK for that kind of thing, but it was a jarring jolt from interesting to tedious for me.

This is a terrific film, a testament to the brilliance of actor/producer Andy Garcia. It's got it all -- quirky but lovable characters and a great plot with twists reminiscent of the comedies of Oscar Wilde (very clearly updated, of course). As far-fetched as it might seem, it rings true from start to finish. Can't wait for more from writer/director Raymond De Felitta. It's smart, touching, hysterical, and trumps just about everything I've seen in months. Like everyone else, I don't know why this is running under the radar. Andy Garcia plays his role like a fine violin -- and he's totally captivating. All the actors deliver, and every moment is a treat. I don't know when or if it will get a wide release, but if you get the chance, see it while you can.

Plotted somewhat like a farce but as emotionally resonate as the best comedy-dramas, City Island is most aptly described, simply and literally, as wonderful. The cast is unfailingly strong with producer Andy Garcia giving himself the meatiest role – to great effect. A few too many "dems" and "dose" may lace his New York accent but he is funny, sincere, frustrated and perseverant in a wide panoply of scenes with actors who have either been TV-type cast (Juliana Margulies), indie-film type cast (Emily Mortimer) or not yet had a real chance to really strut their stuff (Steven Straight, Dominik Garcia-Lorido, and a promising Ezra Miller). Alan Arkin pops in with his usual world-weary Weltanshauung but it plays wonderfully here.

Still, you can see good acting in a number of films (though not an ensemble as strong as this). What separates City Island from the comedy-drama mainland is a story that is both fantastical and yet credible. The premise of what befalls this particular prison guard is a little over-the-top, as are the nonstop (funny) family feuds, but it all feels real. The story detours into little tide pools of drama for each character and here, too, every subplot provides laughs – and it all comes together in a tsunami of comedy at the end, true to its farcical roots. But there's a surprisingly strong current of emotion too in a finale that argues secrets are probably best revealed when you feel least safe in doing so.

The best film I've seen to date this year.

Really, it is a movie that shouldn't be missed, absolutely pleasing. I wasn't very sure of the movie in the beginning , I saw it with all my family and, man, we laughed and enjoyed this comedy more than expected. Now i am recommending it to all my friends and also to ones who read these lines, you won't regret. I cannot understand why this movie isn't presented to the public like other far worse movies, where you expect a lot seeing the trailer and get nothing. This is completely the opposite, you start from zero and go very high. I like the characters, i like the intrigue, everything, and i am not a big fan of Andy Garcia.

A big GO FOR IT, don't think twice !

Like a number of smaller films this year such as The Kids are All Right, Please Give, Winter's Bone and the first two films of the Millennium Trilogy, City Island is one of this years sleeper indie hits and it is easy to see why. Out on DVD today, it is one of the best movies of the year.

In many ways, City Island is a traditional dysfunctional family melodrama, and it revels in that mold. What elevates this dark comedy to something compelling and infinitely memorable are the universally strong performances, confident direction and most importantly -- one of the best scripts in years. Oddly, I found the same response to a very different film; Frost/Nixon. Boasting the same underlying strengths by way of actors and writing, both are perplexingly entertaining for movies with such a humble story arc and could easily be dismissed as pompous Oscar bait. This is far from the truth.

By way of an introductory voice-over narration we meet the Rizzo family who reside on City Island, a tiny island community in the Bronx. The residents of this picturesque hidden jewel consist of two groups, "mussel suckers" who are immigrants to the island and "clam diggers," who like the Rizzos, have resided there for generations. Vince Rizzo (Andy Garcia) is a prison guard but secretly aspires to become an actor, a masquerade so embarrassing to him it leads his wife Joyce (Julianna Margulies) to believe he is having an affair. Their son Vince Jr. has a secret fetish for more portly woman and their daughter Vivian is secretly working as a stripper to pay for school. To top things off, Vince has come across a paroled prisoner who just so happens to be his son Tony who he had abandoned during a relationship decades prior.

Basing your opinion on that description alone, it would be very easy to dismiss City Island as an outlandish comedy of errors, but the execution is so genuine and deliberate it borders on genius. As tensions escalate after Vince brings Tony home with him (under false pretences) everyone's secrets collide in a climax that ranks among my favorite finales of all time, drama, comedy, horror film or otherwise. As the writing behind the big finish shines through, so does the believable mix of fluctuating emotions exhibited by the cast. Words do not do this scene justice, so I urge you to simply experience it yourself.

Each principle member of the cast gives what I would call career-high performances, especially Andy Garcia who anchors the story as everything dissolves around him. He is hilariously deadpan at one moment and tender at the next, which sets off Margulies' fiery Joyce to even more palatable effect. Steven Straight as Vice's long-lost son is perfectly nuanced as an ex-con who is as puzzled by his new lodgings and the kindness of a supposed stranger as he is disenchanted with society. Emily Mortimer gets a great side role as a colleague of Vince's in his secret acting class; a relationship that stays refreshingly plutonic.

Every member of the Rizzo family is given enough screen time to become fully realized individuals but without taking so much attention away from another to degrade them to a caricature. Vince Jr. is sarcastic and annoying most of the time and in a lesser film he would have been overused and could have easily sunk the film. But writer/director Raymond De Felitta plays to each characters strengths and balances their interplay faultlessly.

Above all else, City Island is a film about secrets and how when kept bottled up can shred even the strongest of relationships but when shared can be a uniting factor. This theme seems fitting as this little treasure is the best kept secret of the year.