Perfumes

A very long time ago I watched "Driving Miss Daisy" (1989). There are some similarities between that movie and "Perfumes". Not many, but some. Ms Daisy and Anne Walberg are both bossy and yes, it takes a while for them to connect with new people.

Annes driver Guillaume Favre is a divorced man. He has a daughter that he wants to have shared custody of. In other words, he really needs his job. Guillaume isn´t afraid to speak his mind. He doesn´t put up with everything that Anne does or says. But I also think that Anne and Guillaume develop themselves as humans together.

I missed more info about Guillaumes ex-wife. Why did their marriage end? And why is Anne Walberg still single? But all in all I do recommend this movie. I liked it and, who knows, you might like it too.

A very interesting film because it treats in a unique way the creation of a soul connection between the 2 main characters, the perfumer and the driver. I found out totally new and unusual things for a movie about the world of smells. A human film, full of emotions, feelings, a film in which nothing false, nothing exaggerated intervenes. The actors play excellently and the action is very well developed throughout the film so that you don't get bored for a moment

This is what I love about so many French films. They take a very simple premise and tell you a story. Most often with a touch of heart, spirit, humanity.

A divorced father adores his 10 year old and faces losing his bit of custody if he doesn't get a bigger apartment so she can have her own proper room and he must also have a good job to prove that he can care properly for her.

Close to losing his license for speeding fines, his job being a chauffeur, he is precariously close to becoming someone about to fall between the cracks.

But in driving for a new client, an entire world-shift is about to happen.

Enjoyable and easy, heartwarming and paced, great for a feelgood watch.

A few scenes are surprisingly suddenly cut, leaving spectators hungry and a bit angry, wanting to know what could have happened and often could have been very funny. Maybe the director, and script writer himself, suffered from a few minutes of lack of inspiration. Too bad. The movie is saved by the actors, especially Emmanuelle Devos, perfect, very realistic and true-to-life in the role of the « nose ».

Les Parfums (2019) is a charming French dramedy that follows the intriguing world of Anne Walberg (Emmanuelle Devos), a talented but prickly perfumer, and her unlikely bond with her troubled driver, Guillaume Favre (Grégory Montel). Director Grégory Magne skillfully tells a story full of humor, intelligence, and subtle character growth.

Devos shines as the moody Anne, who has lost her reputation in the perfume business because of her hard-to-please attitude. Montel, as Guillaume, plays the role of a single dad trying to reconnect with his distant daughter. Together, they become an odd couple, helping each other to restore Anne's career and Guillaume's family life.

The cinematography is gorgeous, showing the scenic countryside of France and the intricate craft of perfume making. The film's music also enhances the story's emotional richness and the characters' personal transformation.

Les Parfums (2019) is not only a revealing look into the perfume industry but also a touching tale of two imperfect individuals finding comfort and healing in each other's presence. While the film's pace may seem slow at times, it allows for a deeper appreciation of the characters and their individual journeys.

Overall, Les Parfums (2019) is a well-made movie that will enchant audiences with its witty humor, captivating plot, and the irresistible chemistry between Devos and Montel. It's a sensory experience that will stay with you long after the movie ends.